1894 Book PAPER ART INDUSTRY Antique LITHOGRAPHS Press PRINT Photo FRENCH DESIGN

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Seller: judaica-bookstore ✉️ (2,803) 100%, Location: TEL AVIV, IL, Ships to: WORLDWIDE, Item: 285596706139 1894 Book PAPER ART INDUSTRY Antique LITHOGRAPHS Press PRINT Photo FRENCH DESIGN. [5] The increasing popularity of these revolutionary publications was reflected in the increased political activity of the French population, particularly those in Paris, where citizens flocked to coffeehouses to read pamphlets and newspapers and to listen to orators. DESCRIPTION : Up for auction is an over 120 years old reference ART BOOK regarding the ART , DESIGN and INDUSTRY of PAPER in France 1871-1894 , Namely BOOKS, ART , MAGAZINES, NEWSPAERS, POSTERS , ADVERTISEMENTS etc. Designers, Printers, Publishing houses , Press machineries etc. The book " Les arts et les industries du papier en France 1871-1894  " by Vachon Marius was published in PARIS 1894 ( Dated - First and only edition ) by Librairies-Imprimeries Reunies .  The ON-LINE price of such volume with lesser condition reaches $500  . French .  Original Illustrated wrappers . Around 246 pp on heavy paper of excellent quality. Uncut margins .246 pages. 34 x 26 cm.     ( Around 14" x 10" ) . 33 leaves of plates, some are full page lithographs (one by Cheret), including thirteen page specimen of the chromolithograph process, presenting individual color separations for the same image, plus a plethora of illustrations in the text. A thorough, scholarly examination of paper, printing, printing presses, iilustration and color printing. Original wrappers bound-in .  Very good condition. Clean. ( Pls look at scan for accurate AS IS images )   . The book will be sent in a special protective rigid sealed packaging . Description in German :  Paris, 1894. Ca. 32,5 x 25 cm. Paris, Librairies-Imprimeries Reunies, 1894. Ca. 32,5 x 25 cm. (10) S., 246 S., (2) Seiten. Mit zahlreichen Textabbildungen und 31 teils farbigen ganzseitigen Abbildungen und Karten. Farbig illustrierte Interimsbroschur. Überaus reich illustriertes Buch zur Papier- und Buchherstellung. Broschur bestoßen und etwas fleckig, am Rücken mit Fehlstelle. Fadenheftung gelockert, teils gelöst, daher einige Lagen lose. Unbeschnittenes, breitrandiges Exemplar. Text in französischer Sprache. Farbig illustrierte Interimsbroschur.  1894. 246, (1) Seiten u. zahlreiche teils farbige Tafeln. Mit sehr zahlreichen Abbildungen. Dekorativ geprägter OLwd.-Einband (Einband etwas randfleckig und an den Kanten etwas berieben u. bestossen) 32x26 cm * Prachtband! Le Papier. L'Imprimerie. Les Procédes de gravure. Le Livre. La Presse. L'Estampe. L'Affiche. Le Papier peint. La Reliure. Postface. Sprache: Französisch. Description in French : Paris, 1894. Relié. 1 volume Fort in-4 246 pp. Reliure demi-chagrin marron. Dos à nerfs orné de fleurons dorés. Couverture et dos conservés. Intérieur propre et frais. Illustré d'une riche iconographie de photogravures dans et hors-texte. Sur papier fabriqué spécialement pour cet ouvrage par Outhenin-Chalandre Fils et Cie. Avec les encres de Lefranc et Cie. Photogravures de L. Bordier. La poésie de l'industrie, elle est si intense, si puissante que l'ouvrier lui-même en éprouve la sensation. C'est elle qui, en dépit du labeur écrasant et du danger perpétuel, de la misère et de la mort, lui fait aimer son métier et lui en donne l'orgueil. Elle aussi est l'Eternelle Chanson", la philosophie sociale, qui le réconforte et le réjouit. Par elle, il a la conscience et la joie que de cette transformation de la matière, de cet enfantement industriel, douloureux, sanglant et parfois mortel, il est sorti un produit, une oeuvre, qui a quelque chose de sa chair, de son cerveau et de son coeur, de sa pensée et de son idéal, et qui accomplira une mission dans la vie, apportera à la famille, à la patrie, à l'humanité, un plaisir, une richesse, une gloire". Postface de l'auteur.Magnifique exemplaire.   illustrations hors-texte en noir et en couleur (dont la décomposition d'une illustration montrant 16 états successifs de tirage, 1 échantillon de papier peint contrecollé, et plusieurs reproductions d'affiches publicitaires en couleurs); très nombreuses illustrations dans le texte, certaines à pleine page. Reliure d'époque en demi-maroquin bleu à coins, dos à nerfs orné, plats et gardes marbrés, tranche supérieure dorée, couvertures illustrées conservées. Très bon exemplaire, sous étui cartonné recouvert de papier marbré. Bel ouvrage abordant l'industrie du papier, l'imprimerie, les procédés de gravure, le livre, la presse, l'estampe, l'affiche, le papier peint et la reliure. Illustrations photographiques des ateliers de Firmin-Didot, Vacquerel, Paul Dupont, Lefranc, Chaix, Berger-Levrault, Delagrave, Lenègre, Charles-Lavauzelle?, et jolies reproductions d'affiches en couleurs hors texte.  PAYMENTS : Payment method accepted : Paypal .

SHIPPMENT : Shipp worldwide via  registered airmail is $ 35  .The book will be sent in a special protective rigid sealed packaging . Handling around 5-10 days after payment. 

MORE DETAILS :  Newspapers have played a major role in French politics, economy and society since the 17th century. Contents 1 1789-1815: Revolutionary era 1.1 Pre- and Early Revolution 1.2 Reign of Terror 1.3 Napoleonic Era 2 1815-1871 3 Modern France: 1871-1918 3.1 Corruption 3.2 Stagnation after 1914 4 Radio 5 Since 1940 6 See also 7 References 8 Further reading 8.1 Before 1945 8.2 Recent history 1789-1815: Revolutionary era Pre- and Early Revolution Print media played a significant role in the formation of popular public opinion towards the monarchy and Old Regime. Under the Old Regime, France had a small number of heavily censored newspapers which needed royal licenses to operate; papers without licenses had to operate underground.[1] Both the brief public opinion pamphlets and daily life periodicals were reviewed and edited heavily in order to indirectly influence the people, even hiring writers for such propaganda.[2] Radical Republican journalism experienced a dramatic proliferation as the Estates General convened: “in that month [May 1789] over a hundred pamphlets appeared… and the figure rose to 300 in June”.[3] Between 1789 and 1799, over 1,300 new newspapers had emerged, combined with a large demand for pamphlets and periodical literature, which caused a flowering, albeit short-lived press.[4] While official regulations attempted to suppress dissent in large-scale publications, some smaller papers and journals provided readers with more radical subject matter.[5] The increasing popularity of these revolutionary publications was reflected in the increased political activity of the French population, particularly those in Paris, where citizens flocked to coffeehouses to read pamphlets and newspapers and to listen to orators.[6] Two important newspapers of the time were Friend of the People, and The Defense of the Constitution, which were operated by Marat and Robespierre respectively. While both papers presented republican arguments and anti-religious sentiments, the end result was a direct competition for support from the same readers.[7] Such is the case of the royalist daily pamphlet: Ami du Roi produced and distributed by the abbé Royou and his influential sister, Madame Fréfron.[8] The pamphlet began on September 1, 1790 and it was one of the most widely read right-wing journals. After a short run, the paper was denounced in May 1792 by the Assembly citing its news briefs condemning the Civil Constitution of the Clergy.[9] This was especially inflammatory following the shootings on the Champ de Mars just a year before in July, where a large number of protesters illegally gathered signatures. They resisted the National Guard with stolen arms and fifty people died during the confrontation. Both liberal and conservative publications together became the main communication medium; newspapers were read aloud in taverns and clubs and circulated amongst patrons. A copy of L’Ami du peuple stained with the blood of Marat Reign of Terror During the conservative era of the Directory, from 1794 to 1799, newspapers declined sharply in importance. The Declaration of the Rights of Man and of the Citizen allowed for the freedom of the press but also allowed for the government to repress abuses of the press.[10] This allowed the government to define “abuses of the press” as it saw fit and justified the heavy censorship that took place during the Revolution. At the height of the Reign of Terror, the government's press censorship was stricter than that of the Old Regime, censoring hundreds of papers and brochures that did not align with the government's policies or ideals.[11] Newspapers changed their names and titles frequently to avoid being censored or banned, and multiple journalists were executed at the guillotine during this time including Jacques Pierre Brissot and Camille Desmoulins.[12] Napoleonic Era Le Moniteur Universel.jpg The Moniteur Universel served as the official record of legislative debates. Jean-Paul Marat gained enormous influence through his powerful L'Ami du peuple with its attacks on scandals and conspiracies that alarmed the people until he was assassinated in 1793. In addition to Marat, numerous important politicians came to the fore through journalism, including Maximilien de Robespierre and Jacques Hébert. In 1789, all restrictions on the press were eliminated; by 1793 over 400 newspapers had been founded, including 150 in Paris alone. During the conservative era of the Directory, from 1794 to 1799, newspapers declined sharply in importance. When Napoleon took power in 1799, only seventy-two papers were left in Paris, and he soon closed all but 13. In 1811, he took the final step: he allowed only four papers in Paris and one in each of the other departments; all of them closely censored.[13][14] It is recognized that propaganda was heavily used throughout the rise of Napoleon. Napoleon utilized propaganda in a wide range of media including newspapers, art, theatres, and his famous bulletins.[15] Through the use of media, Napoleon proved to be an early master of modern propaganda. Napoleon ensured that his efforts were being met by not only censoring the majority of media content but by also creating and publishing his own works.[16] For example, Napoleon owned two military newspapers, the Courrier de l’Armée d’Italie and La France vue de l’Armée d’Italie.[17] This allowed Napoleon to distribute propaganda related to his military successes, which swayed public opinion in France in his favor. Under Napoleon, the organ of official information was the Moniteur (Gazette nationale, ou le moniteur universal), which was founded in 1789 under the same general management as the Mercure. Both newspapers were sources of establishment messages and written for an establishment audience, with the Moniteur representing the majority view in the French assembly and the Mercure representing the minority.[18] 1815-1871 The restoration of the House of Bourbon in 1815 allowed for a free press. The Serre laws, passed in May 1819, would govern press freedom in France for much of the nineteenth century.[19] Under these laws, censorship was light, but there were restrictions such as the requirement to pay a large deposit with the government, and a stamp tax of five centimes on each copy. A handful of newspapers were published, closely aligned with political factions. They were expensive, sold only by subscription, and served by a small elite.[20] In the mid-19th century, 1815-1880s, a series of technical innovations revolutionized the newspaper industry and made possible mass production of cheap copies for a mass national readership. The telegraph arrived in 1845, and, about 1870, the rotary press developed by Hippolyte Auguste Marinoni. Previously, publishers used expensive rag paper and slow hand-operated screw presses. Now they used much cheaper wood pulp paper, on high-speed presses. The cost of production fell by an order of magnitude. The opening of the railway system in the 1860s made rapid distribution possible between Paris and all the outlying cities and provinces. As a result of the technical revolution, much greater quantities of news was distributed much faster, and more cheaply. In June 1836 La Presse became the first French newspaper to include paid advertising in its pages, allowing it to lower its price, extend its readership and increase its profitability; other titles soon copied the formula.[21] The revolution of 1848 gave rise to many ephemeral papers. However, liberty of the press disappeared in 1851 under the Second Empire of Napoleon III. Most newspapers were suppressed; each party was allowed only one paper. The severity of the censorship relax in the 1860s but did not end until the French Third Republic started in 1871.[22] Le Correspondant founded in 1843 and published fortnightly, expressed liberal Catholic opinion, urged a restoration of freedom in France, resisted a growing anti-clericalism, and fought its conservative Catholic rival paper L'Univers. The paper clashed with government censors. In 1848 editors were convicted of "inciting hate and scorn of the government." The paper had many supporters and the emperor issued a pardon. In 1861 authorities forced the dismissal of a professor at the University of Lyons for an offensive article he wrote. The circulation was 3,290 in 1861, 5,000 in 1868, and 4,500 in 1869.[23][24] Émile de Girardin (1806 – 1881) was the most successful and flamboyant journalist of the era, presenting himself as a promoter of mass education through mass journalism' His magazines reached over hundred thousand subscribers, and his inexpensive daily newspaper La Presse undersold the competition by half, thanks to is cheaper production and heavier advertising. Like most prominent journalists, Girardin was deeply involved in politics, and served in parliament. To his bitter disappointment, he never held high office. He was of brilliant polemicist, a master of controversy, with pungent short sentences that immediately caught the reader's attention.[25] Modern France: 1871-1918 Illustrated literary supplement, January 1903. The inexpensive eight-page color supplement covered world affairs and national politics on the cover, but specializing catastrophes shipwrecks, mining disasters, riots --the more gruesome or gossipy, the better.[26] The new Third Republic, 1871–1914, was a golden era for French journalism. Newspapers were cheap, energetic, uncensored, omnipresent, and reflected every dimension of political life. The circulation of the daily press combined was only 150,000 in 1860. It reached 1 million in 1870 and 5 million in 1910. In 1914 Paris published 80 daily newspapers. Le Temps was the serious paper of record. Moderates additionally read Le Figaro. Catholics followed La Croix. Nationalists read L'Intransigeant. Socialists (and after 1920 Communists) took direction from "L'Humanité." Much more popular than any of these, and much less political, with nationwide circulation of a million or more came Le Petit Journal, Le Matin, and Le Petit Parisien. The heavy-handed censorship of the First World War, the conscription of journalists, and the severe shortage of newsprint, drastically undercut the size, scope, and quality of all the newspapers.[27] Le Petit Journal, the most popular paper Advertising grew rapidly, providing a steady financial basis that was more lucrative than single-copy sales. A new liberal press law of 1881 abandoned the restrictive practices that had been typical for a century. New types of popular newspapers, especially Le Petit Journal reached an audience more interested in diverse entertainment and gossip rather than hard news. It captured a quarter of the Parisian market, and forced the rest to lower their prices. In 1884, it added the Supplément illustré, a weekly Sunday supplement that was the first to feature color illustrations. In 1887, it boasted a daily circulation of 950,000, the highest of any newspaper in the world. In 1914. It sold 1.5 million copies a day across France. Most Frenchmen lived in rural areas, and traditionally had minimal access to newspapers. The illustrated popular press revolutionized the rural opportunities for entertaining and colorful news, and helped modernize traditional peasants into Frenchmen.[28][29] The main dailies employed their own journalists who competed for news flashes. All newspapers relied upon the Agence Havas (now Agence France-Presse), a telegraphic news service with a network of reporters and contracts with Reuters to provide world service. The staid old papers retained their loyal clientele because of their concentration on serious political issues.[30] The Roman Catholic Assumptionist order revolutionized pressure group media by its national newspaper La Croix. It vigorously advocated for traditional Catholicism while at the same time innovating with the most modern technology and distribution systems, with regional editions tailored to local taste. Secularists and Republicans recognize the newspaper as their greatest enemy, especially when it took the lead in attacking Dreyfus as a traitor and stirred up anti-Semitism. When Dreyfus was pardoned, the Radical government in 1900 closed down the entire Assumptionist order and its newspaper.[31] Corruption Businesses and banks secretly paid certain newspapers to promote particular financial interests, and hide or cover up possible most behavior. Publishers took payments for favorable notices in news articles of commercial products. Sometimes, a newspaper would blackmail a business by threatening to publish unfavorable information unless the business immediately started advertising in the paper. Foreign governments, especially Russia and Turkey, secretly paid the press hundreds of thousands of francs a year to guarantee favorable coverage of the bonds it was selling in Paris. When the real news was bad about Russia, as during its 1905 Revolution or during its war with Japan, it raised the bribes it paid to millions of francs. Each ministry in Paris had a group of journalists whom it secretly paid and fed stories.[32] During the World War, newspapers became more of a propaganda agency on behalf of the war effort; there was little critical commentary. The press seldom reported the achievements of the Allies; instead they credited all the good news to the French army. In a word, the newspapers were not independent champions of the truth, but secretly paid advertisements for special interests and foreign governments.[33] Stagnation after 1914 Regional newspapers flourished after 1900. However the Parisian newspapers were largely stagnant after the war; circulation inched up to 6 million a day from 5 million in 1910. The major postwar success story was Paris Soir; which lacked any political agenda and was dedicated to providing a mix of sensational reporting to aid circulation, and serious articles to build prestige. By 1939 its circulation was over 1.7 million, double that of its nearest rival the tabloid Le Petit Parisien. In addition to its daily paper Paris Soir sponsored a highly successful women's magazine Marie-Claire. Another magazine Match was modeled after the photojournalism of the American magazine Life.[34] John Gunther wrote in 1940 that of the more than 100 daily newspapers in Paris, two (L'Humanité and Action Française's publication) were honest; "Most of the others, from top to bottom, have news columns for sale". He reported that Bec et Ongles was simultaneously subsidized by the French government, German government, and Alexandre Stavisky, and that Italy allegedly paid 65 million francs to French newspapers in 1935.[35] France was a democratic society in the 1930s, but the people were kept in the dark about critical issues of foreign policy. The government tightly controlled all of the media to promulgate propaganda to support the government's foreign policy of appeasement to the aggressions of Italy and especially Nazi Germany. There were 253 daily newspapers, all owned separately. The five major national papers based in Paris were all under the control of special interests, especially right-wing political and business interests that supported appeasement. They were all venal, taking large secret subsidies to promote the policies of various special interests. Many leading journalists were secretly on the government payroll. The regional and local newspapers were heavily dependent on government advertising and published news and editorials to suit Paris. Most of the international news was distributed through the Havas agency, which was largely controlled by the government.[36] Radio Alternative news sources were likewise tightly controlled. Radio was a potentially powerful new medium, but France was quite laggard in consumer ownership of radio sets, and the government impose very strict controls. After 1938, stations were allowed only three brief daily bulletins, of seven minutes each, to cover all the day's news. The Prime Minister's office closely supervised the news items that were to be broadcast. Newsreels were tightly censored; they were told to feature none controversial but glamorous entertainers, film premieres, sporting events, high-fashion, new automobiles, an official ceremonies. Motion pictures likely likewise were censored, and were encouraged to reinforce stereotypes to the effect that the French were always lovers of liberty and justice, contending against cruel and barbarous Germans. The government-subsidized films that glorified military virtues and the French Empire. The goal was to tranquilize public opinion, to give it little or nothing to work with, so as not to interfere with the policies of the national government. When serious crises emerged such as the Munich crisis of 1938, people were puzzled and mystified by what was going on. When war came in 1939, Frenchman had little understanding of the issues, and little correct information. They suspiciously distrusted the government, with the result that French morale in the face of the war with Germany was badly prepared.[37] Since 1940 The press was heavily censored during the Second World War; the Paris newspapers were under tight German supervision by collaborators; others were closed.[38] In 1944, the Free French liberated Paris, and seized control of all of the collaborationist newspapers. They turned the presses and operations over to new teams of editors and publishers, and provided financial support. As a result, the previously high-prestige Le Temps was replaced by the new daily Le Monde.[39] During the Fourth Republic from 1944 to 1958, Le Figaro was in effect the official organ of the foreign ministry. French radio and television was under government ownership and strict supervision. Under the Fifth Republic, radio and television remained under strict control of the national government. Newspapers provided limited news of international affairs, and had little influence on government decisions.[40] In the early 21st century, the best-selling daily was the regional Ouest-France in 47 local editions, followed by Le Progres of Lyon, La Voix du Nord in Lille, and Provençal in Marseille. In Paris the Communists published l'Humanité while Le Monde and Le Figaro had local rivals in Le Parisien, L'Aurore and the leftist Libération. See also flag France portal Journalism portal History of journalism#France List of newspapers in France Magazine#France Media of France Office de Radiodiffusion Télévision Française, radio and TV *** History of Print Journalism 0 Gutenberg and Printing Press Originally, the first printing press came from Asia. Since 8th Century, block printing used in China and Japan. In 1400s, movable type printing press had invented in Korea. However, those countries were very small, so the world did not notice that they invented such a great invention. In 1450s, printing press using movable metal type also invented in Europe by Johannes Gutenberg. It was the Western world’s first moveable type printing press. Of course, the print revolution only happened here, not in Asia yet. The printing press enabled mass communication; it made books affordable and brought literacy to millions. It helped society advance and brought long-established hierarchies to their knees. The printed word heralded a massive evolutionary step for the information age. By 1500, press established in more than 250 cities throughout Europe, with about 13 million books (Ratner, 2003). In 868, the world’s earliest book came out. It was founded in Dunhaung; Gansu province. It was woodblock printing technique. It illustrated preface with Buddha teaching part of missionary preface funded by individual to spread key Buddhist scriptures. In 1455, Gutenberg bible came out to the world. There was a print revolution in Europe. There was huge increase in text production, speed of circulation, and rates of literacy after printing. In 1400s, less than 5% European population could read; however, by 1800, books were in virtually all households. The role of political and economic leaders had shifted from handwriting to printing. There were trade capitalism and big increase in commercial activity such as news about markets and transactions (Ratner, 2003). The history of journalism in America – Earliest printing press The earliest printed news sheets were irregular publication. Mainly contents were government information and description of sensational events. It contested the government and the government bumped up printing press. Printed news shied away from politics and focused on commercially sound sensationalized happenings. It was the beginning of division of society between the few with newsworthy lives and the majority without (Ratner, 2003). The first newspapers appeared in 17th Century, merging both printed and handwritten newsletter formats. It was the beginning of news presentation, including editors’ decision, and some sense of timeliness. What people expected was the fastness and freshness. Newspapers presented almost exclusively foreign news. It was because that news gathering locally was limited and nobody criticized the news if it covered news from outside. People were also fascinated about foreign stuffs. In America, the history of journalism is directly related to the history of the country itself. The first newspaper in the American colonies was publisehed in 1690. It was Benjamin Harris’s Public Occurances both foreigh and domestic. But it immediately shut down for not having a requiered license. It was big change that led by Americans, in role of Journalism through 18th Century from conservative medium to catalyst of political change. Public opinion becomes a new importance. Newspapers took lead in forming it (Ratner, 2003). Newspapers attacked the British and served as glue for Americans to imagine themselves as such the British are coming. With the British gone, attacks turned on U.S factions. There was debate between Federalists those of who advocated government and anti- Federalists those of who advocated public opinion. Many newspapers of the time were not objective or neutral in tone like the papers we know today. Rather, they were fiercely partisan publications that editorialized against the British government, which in turn did its best to crack down on the press. -Partisan Press In 1800s, there were already several hundred newspapers in the U.S. and that number would grow dramatically as the century wore on. Early on, papers were still very political and partisan in tone, but gradually they started to become more than simply mouthpieces for their publishers. Partisan press was directly tied to parties that provided financial support and its function was to serve parties or even to support one candidate in one selection. Newspapers were filled with political essays. It led to duels and fights. Also, editors and journalist sought and helped political office. There were no sense of conflict of interest, balance, and objectivity. The press was important component of government process. Citizens needed information to vote. Newspapers were only information medium about government. Press was an important component of party organization. Candidates campaigned through press. By 1820s to 1830s, press was integral part of governing the nation. Especially, steam-driven press helped increase in speed of printing and lower the costs (Ratner, 2003). -Penny Press Newspapers were also growing as an industry. Benjamin Day opened the NewYork Sun and created the Penny Press. Party press started to decline in 1830s as its content and business model relied almost exclusively on elites. It was too expensive and not sold by single copy. Also, political essays were readable and interesting only to elites. Penny press signaled a democratic reformation for Journalism. There were changes in press role and the concept of news and newsgathering. The contents became event-oriented and covered local beats, and sensational stuffs (Ratner, 2003). Newspapers were available, affordable, and easy to read, and appeal to all. It became mass media. Newspapers recognized people who had not been included in previous coverage, working class people. For a press, it was not to rely on political patronage rather it had function in a business model for newspapers. Rich readers more attractive to advertisers but poorer readers better for circulation. Penny newspapers bet on poorer masses.EBAY3744/114

  • Condition: Very good condition. Clean. ( Pls look at scan for accurate AS IS images )
  • Size: Medium (up to 36in.)
  • Type: ART BOOK With LITHOGRAPHS
  • Signed: Unsigned
  • Original/Licensed Reprint: Original
  • Artist: VARIOUS ARTISTS
  • Production Technique: LITHOGRAPHS
  • Style: 1894 Book PAPER ART INDUSTRY
  • Material: Lithograph ART BOOK
  • Subject: French BOOK PRESS ART 1871-1894
  • Year of Production: 1894
  • Listed By: Dealer or Reseller
  • Date of Creation: 1894
  • Original/Reproduction: Original Print
  • Color: Multi-Color
  • Edition Type: Limited Edition
  • Print Type: ART BOOKS - CATALOGUE - REFERENCE BOOK
  • Size Type/Largest Dimension: LARGE VOLUME
  • Print Surface: Paper

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