16" MEDIEVAL KING SKELETON hanging Halloween decoration viking fur mantle Norse

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Seller: sidewaysstairsco ✉️ (1,180) 100%, Location: Santa Ana, California, US, Ships to: US & many other countries, Item: 195973661499 16" MEDIEVAL KING SKELETON hanging Halloween decoration viking fur mantle Norse. A principal inspiration for the novels is the English Wars of the Roses (1455–1485) between the houses of Lancaster and York, reflected in Martin's houses of Lannister and Stark. [39] The scheming Cersei Lannister evokes Isabella, the "She-Wolf of France" (1295–1358). Check out our store for more great new and used items! FOR SALE: A hangable/semi-posable, Norse-themed Halloween decoration 16" MEDIEVAL KING HANGING SKELETON FIGURE DETAILS: Sure to thrill horror fans and trick-or-treaters! This ghastly, Halloween-time creation features a medieval theme and some great detail. This viking, or medieval, king of the Norse is dead but he's still got his most prized possessions with him in the afterlife - his crown and "fur" mantle (or capelet). The bones are greyish in color and are accented with "dirt and grime" to make them look aged. There are joints at the shoulders, elbows, wrists, hips, knees, and ankles, and the head moves just a bit. Ideal for displaying during the Halloween season or in a decorated house of horrors all-year-round if your style is always macabre. Hangable and semi-posable! Hang in your house of horrors or outside. The bone joints allow movement and some posing. If positioned correctly this skeleton can sit on a table or stair edge or sit while leaning against a wall or object. A must-have for Halloween enthusiasts and collectors! For fans of all things Halloween it's to die for, especially those who love Norse mythology, viking history, or the medieval era. A retired, hard-to-find Spooky Village product! CONDITION: In very good, pre-owned condition. Please see photos.  *To ensure safe delivery all items are carefully packaged before shipping out.*  THANK YOU FOR LOOKING. QUESTIONS? JUST ASK. *ALL PHOTOS AND TEXT ARE INTELLECTUAL PROPERTY OF SIDEWAYS STAIRS CO. ALL RIGHTS RESERVED.* "Halloween or Hallowe'en (a contraction of "All Hallows' evening"),[5] also known as Allhalloween,[6] All Hallows' Eve,[7] or All Saints' Eve,[8] is a celebration observed in many countries on 31 October, the eve of the Western Christian feast of All Hallows' Day. It begins the observance of Allhallowtide,[9] the time in the liturgical year dedicated to remembering the dead, including saints (hallows), martyrs, and all the faithful departed.[10][11] One theory holds that many Halloween traditions may have been influenced by ancient Celtic harvest festivals, particularly the Gaelic festival Samhain, which may have had pagan roots;[12][13][14][15] some scholars hold that Samhain may have been Christianized as All Hallow's Day, along with its eve, by the early Church.[16] Other academics believe, however, that Halloween began solely as a Christian holiday, being the vigil of All Hallow's Day.[17][18][19][20] Halloween activities include trick-or-treating (or the related guising and souling), attending Halloween costume parties, carving pumpkins into jack-o'-lanterns, lighting bonfires, apple bobbing, divination games, playing pranks, visiting haunted attractions, telling scary stories, as well as watching horror films.[21] In many parts of the world, the Christian religious observances of All Hallows' Eve, including attending church services and lighting candles on the graves of the dead, remain popular,[22][23][24] although elsewhere it is a more commercial and secular celebration.[25][26][27] Some Christians historically abstained from meat on All Hallows' Eve, a tradition reflected in the eating of certain vegetarian foods on this vigil day, including apples, potato pancakes, and soul cakes.... Etymology The word appears as the title of Robert Burns' "Halloween" (1785), a poem traditionally recited by Scots. The word Halloween or Hallowe'en dates to about 1745[32] and is of Christian origin.[33] The word "Hallowe'en" means "Saints' evening".[34] It comes from a Scottish term for All Hallows' Eve (the evening before All Hallows' Day).[35] In Scots, the word "eve" is even, and this is contracted to e'en or een.[36] Over time, (All) Hallow(s) E(v)en evolved into Hallowe'en. Although the phrase "All Hallows'" is found in Old English, "All Hallows' Eve" is itself not seen until 1556.[35][37] History Gaelic influence An early 20th-century Irish Halloween mask displayed at the Museum of Country Life Today's Halloween customs are thought to have been influenced by folk customs and beliefs from the Celtic-speaking countries, some of which are believed to have pagan roots.[38] Jack Santino, a folklorist, writes that "there was throughout Ireland an uneasy truce existing between customs and beliefs associated with Christianity and those associated with religions that were Irish before Christianity arrived".[39] Historian Nicholas Rogers, exploring the origins of Halloween, notes that while "some folklorists have detected its origins in the Roman feast of Pomona, the goddess of fruits and seeds, or in the festival of the dead called Parentalia, it is more typically linked to the Celtic festival of Samhain, which comes from the Old Irish for 'summer's end'."[40] Samhain was the first and most important of the four quarter days in the medieval Gaelic calendar and was celebrated on 31 October – 1 November[41] in Ireland, Scotland and the Isle of Man.[42][43] A kindred festival was held at the same time of year by the Brittonic Celts, called Calan Gaeaf in Wales, Kalan Gwav in Cornwall and Kalan Goañv in Brittany; a name meaning "first day of winter". For the Celts, the day ended and began at sunset; thus the festival began on the evening before 7 November by modern reckoning (the half point between equinox and solstice).[44] Samhain is mentioned in some of the earliest Irish literature. The names have been used by historians to refer to Celtic Halloween customs up until the 19th century,[45] and are still the Gaelic and Welsh names for Halloween. Snap-Apple Night, painted by Daniel Maclise in 1833, shows people feasting and playing divination games on Halloween in Ireland. Samhain marked the end of the harvest season and the beginning of winter or the 'darker half' of the year.[46][47] Like Beltane/Calan Mai, it was seen as a liminal time, when the boundary between this world and the Otherworld thinned. This meant the Aos Sí, the 'spirits' or 'fairies', could more easily come into this world and were particularly active.[48][49] Most scholars see the Aos Sí as "degraded versions of ancient gods [...] whose power remained active in the people's minds even after they had been officially replaced by later religious beliefs".[50] The Aos Sí were both respected and feared, with individuals often invoking the protection of God when approaching their dwellings.[51][52] At Samhain, it was believed that the Aos Sí needed to be propitiated to ensure that the people and their livestock survived the winter. Offerings of food and drink, or portions of the crops, were left outside for the Aos Sí.[53][54][55] The souls of the dead were also said to revisit their homes seeking hospitality.[56] Places were set at the dinner table and by the fire to welcome them.[57] The belief that the souls of the dead return home on one night of the year and must be appeased seems to have ancient origins and is found in many cultures throughout the world.[58] In 19th century Ireland, "candles would be lit and prayers formally offered for the souls of the dead. After this the eating, drinking, and games would begin".[59] Throughout Ireland and Britain, the household festivities included rituals and games intended to foretell one's future, especially regarding death and marriage.[60] Apples and nuts were often used in these divination rituals. They included apple bobbing, nut roasting, scrying or mirror-gazing, pouring molten lead or egg whites into water, dream interpretation, and others.[61] Special bonfires were lit and there were rituals involving them. Their flames, smoke and ashes were deemed to have protective and cleansing powers, and were also used for divination.[46] In some places, torches lit from the bonfire were carried sunwise around homes and fields to protect them.[45] It is suggested that the fires were a kind of imitative or sympathetic magic – they mimicked the Sun, helping the "powers of growth" and holding back the decay and darkness of winter.[57][62][63] In Scotland, these bonfires and divination games were banned by the church elders in some parishes.[64] In Wales, bonfires were lit to "prevent the souls of the dead from falling to earth".[65] Later, these bonfires served to keep "away the devil".[66] photograph A plaster cast of a traditional Irish Halloween turnip (rutabaga) lantern on display in the Museum of Country Life, Ireland[67] From at least the 16th century,[68] the festival included mumming and guising in Ireland, Scotland, the Isle of Man and Wales.[69] This involved people going house-to-house in costume (or in disguise), usually reciting verses or songs in exchange for food. It may have originally been a tradition whereby people impersonated the Aos Sí, or the souls of the dead, and received offerings on their behalf, similar to the custom of souling (see below). Impersonating these beings, or wearing a disguise, was also believed to protect oneself from them.[70] It is suggested that the mummers and guisers "personify the old spirits of the winter, who demanded reward in exchange for good fortune".[71] In parts of southern Ireland, the guisers included a hobby horse. A man dressed as a Láir Bhán (white mare) led youths house-to-house reciting verses – some of which had pagan overtones – in exchange for food. If the household donated food it could expect good fortune from the 'Muck Olla'; not doing so would bring misfortune.[72] In Scotland, youths went house-to-house with masked, painted or blackened faces, often threatening to do mischief if they were not welcomed.[69] F. Marian McNeill suggests the ancient festival included people in costume representing the spirits, and that faces were marked (or blackened) with ashes taken from the sacred bonfire.[68] In parts of Wales, men went about dressed as fearsome beings called gwrachod.[69] In the late 19th and early 20th century, young people in Glamorgan and Orkney cross-dressed.[69] Elsewhere in Europe, mumming and hobby horses were part of other yearly festivals. However, in the Celtic-speaking regions, they were "particularly appropriate to a night upon which supernatural beings were said to be abroad and could be imitated or warded off by human wanderers".[69] From at least the 18th century, "imitating malignant spirits" led to playing pranks in Ireland and the Scottish Highlands. Wearing costumes and playing pranks at Halloween spread to England in the 20th century.[69] Traditionally, pranksters used hollowed out turnips or mangel wurzels often carved with grotesque faces as lanterns.[69] By those who made them, the lanterns were variously said to represent the spirits,[69] or were used to ward off evil spirits.[73][74] They were common in parts of Ireland and the Scottish Highlands in the 19th century,[69] as well as in Somerset (see Punkie Night). In the 20th century they spread to other parts of England and became generally known as jack-o'-lanterns.[69] Christian influence Today's Halloween customs are thought to have been influenced by Christian dogma and practices derived from it.[75] Halloween is the evening before the Christian holy days of All Hallows' Day (also known as All Saints' or Hallowmas) on 1 November and All Souls' Day on 2 November, thus giving the holiday on 31 October the full name of All Hallows' Eve (meaning the evening before All Hallows' Day).[76] Since the time of the early Church,[77] major feasts in Christianity (such as Christmas, Easter and Pentecost) had vigils that began the night before, as did the feast of All Hallows'.[78] These three days are collectively called Allhallowtide and are a time for honoring the saints and praying for the recently departed souls who have yet to reach Heaven. Commemorations of all saints and martyrs were held by several churches on various dates, mostly in springtime.[79] In 609, Pope Boniface IV re-dedicated the Pantheon in Rome to "St Mary and all martyrs" on 13 May. This was the same date as Lemuria, an ancient Roman festival of the dead, and the same date as the commemoration of all saints in Edessa in the time of Ephrem the Syrian.[80] The feast of All Hallows', on its current date in the Western Church, may be traced to Pope Gregory III's (731–741) founding of an oratory in St Peter's for the relics "of the holy apostles and of all saints, martyrs and confessors".[81][82] In 835, All Hallows' Day was officially switched to 1 November, the same date as Samhain, at the behest of Pope Gregory IV.[83] Some suggest this was due to Celtic influence, while others suggest it was a Germanic idea,[83] although it is claimed that both Germanic and Celtic-speaking peoples commemorated the dead at the beginning of winter.[84] They may have seen it as the most fitting time to do so, as it is a time of 'dying' in nature.[83][84] It is also suggested that the change was made on the "practical grounds that Rome in summer could not accommodate the great number of pilgrims who flocked to it", and perhaps because of public health considerations regarding Roman Fever – a disease that claimed a number of lives during the sultry summers of the region.[85] On All Hallows' Eve, Christians in some parts of the world visit cemeteries to pray and place flowers and candles on the graves of their loved ones.[86] The top photograph shows Bangladeshi Christians lighting candles on the headstone of a relative, while the bottom photograph shows Lutheran Christians praying and lighting candles in front of the central crucifix of a graveyard. By the end of the 12th century they had become holy days of obligation across Europe and involved such traditions as ringing church bells for the souls in purgatory. In addition, "it was customary for criers dressed in black to parade the streets, ringing a bell of mournful sound and calling on all good Christians to remember the poor souls."[87] "Souling", the custom of baking and sharing soul cakes for all christened souls,[88] has been suggested as the origin of trick-or-treating.[89] The custom dates back at least as far as the 15th century[90] and was found in parts of England, Flanders, Germany and Austria.[58] Groups of poor people, often children, would go door-to-door during Allhallowtide, collecting soul cakes, in exchange for praying for the dead, especially the souls of the givers' friends and relatives.[90][91][92] Soul cakes would also be offered for the souls themselves to eat,[58] or the 'soulers' would act as their representatives.[93] As with the Lenten tradition of hot cross buns, Allhallowtide soul cakes were often marked with a cross, indicating that they were baked as alms.[94] Shakespeare mentions souling in his comedy The Two Gentlemen of Verona (1593).[95] On the custom of wearing costumes, Christian minister Prince Sorie Conteh wrote: "It was traditionally believed that the souls of the departed wandered the earth until All Saints' Day, and All Hallows' Eve provided one last chance for the dead to gain vengeance on their enemies before moving to the next world. In order to avoid being recognized by any soul that might be seeking such vengeance, people would don masks or costumes to disguise their identities".[96] It is claimed that in the Middle Ages, churches that were too poor to display the relics of martyred saints at Allhallowtide let parishioners dress up as saints instead.[97][98] Some Christians continue to observe this custom at Halloween today.[99] Lesley Bannatyne believes this could have been a Christianization of an earlier pagan custom.[100] While souling, Christians would carry with them "lanterns made of hollowed-out turnips".[101] It has been suggested that the carved jack-o'-lantern, a popular symbol of Halloween, originally represented the souls of the dead.[102] On Halloween, in medieval Europe, fires served a dual purpose, being lit to guide returning souls to the homes of their families, as well as to deflect demons from haunting sincere Christian folk.[103][104] Households in Austria, England and Ireland often had "candles burning in every room to guide the souls back to visit their earthly homes". These were known as "soul lights".[105][106][107] Many Christians in mainland Europe, especially in France, believed "that once a year, on Hallowe'en, the dead of the churchyards rose for one wild, hideous carnival" known as the danse macabre, which has often been depicted in church decoration.[108] Christopher Allmand and Rosamond McKitterick write in The New Cambridge Medieval History that "Christians were moved by the sight of the Infant Jesus playing on his mother's knee; their hearts were touched by the Pietà; and patron saints reassured them by their presence. But, all the while, the danse macabre urged them not to forget the end of all earthly things."[109] This danse macabre was enacted at village pageants and at court masques, with people "dressing up as corpses from various strata of society", and may have been the origin of modern-day Halloween costume parties.[101][110][111] In parts of Britain, these customs came under attack during the Reformation as some Protestants berated purgatory as a "popish" doctrine incompatible with their notion of predestination. Thus, for some Nonconformist Protestants, the theology of All Hallows' Eve was redefined; without the doctrine of purgatory, "the returning souls cannot be journeying from Purgatory on their way to Heaven, as Catholics frequently believe and assert. Instead, the so-called ghosts are thought to be in actuality evil spirits. As such they are threatening."[106] Other Protestants maintained belief in an intermediate state, known as Hades (Bosom of Abraham),[112] and continued to observe the original customs, especially souling, candlelit processions and the ringing of church bells in memory of the dead.[76][113] Mark Donnelly, a professor of medieval archaeology, and historian Daniel Diehl, with regard to the evil spirits, on Halloween, write that "barns and homes were blessed to protect people and livestock from the effect of witches, who were believed to accompany the malignant spirits as they traveled the earth."[114] In the 19th century, in some rural parts of England, families gathered on hills on the night of All Hallows' Eve. One held a bunch of burning straw on a pitchfork while the rest knelt around him in a circle, praying for the souls of relatives and friends until the flames went out. This was known as teen'lay.[115] Other customs included the tindle fires in Derbyshire and all-night vigil bonfires in Hertfordshire which were lit to pray for the departed.[116] The rising popularity of Guy Fawkes Night (5 November) from 1605 onward, saw many Halloween traditions appropriated by that holiday instead, and Halloween's popularity waned in Britain, with the noteworthy exception of Scotland.[117] There and in Ireland, they had been celebrating Samhain and Halloween since at least the early Middle Ages, and the Scottish kirk took a more pragmatic approach to Halloween, seeing it as important to the life cycle and rites of passage of communities and thus ensuring its survival in the country.[117] In France, some Christian families, on the night of All Hallows' Eve, prayed beside the graves of their loved ones, setting down dishes full of milk for them.[105] On Halloween, in Italy, some families left a large meal out for ghosts of their passed relatives, before they departed for church services.[118] In Spain, on this night, special pastries are baked, known as "bones of the holy" (Spanish: Huesos de Santo) and put them on the graves of the churchyard, a practice that continues to this day.[119] Spread to North America The annual Greenwich Village Halloween Parade in Manhattan is the world's largest Halloween parade. Lesley Bannatyne and Cindy Ott write that Anglican colonists in the southern United States and Catholic colonists in Maryland "recognized All Hallow's Eve in their church calendars",[120][121] although the Puritans of New England maintained strong opposition to the holiday, along with other traditional celebrations of the established Church, including Christmas.[122] Almanacs of the late 18th and early 19th century give no indication that Halloween was widely celebrated in North America.[123] It was not until mass Irish and Scottish immigration in the 19th century that Halloween became a major holiday in America,[123] confined to the immigrant communities during the mid-19th century. It was gradually assimilated into mainstream society and was celebrated coast to coast by people of all social, racial, and religious backgrounds by the first decade of the 20th century.[124] "In Cajun areas, a nocturnal Mass was said in cemeteries on Halloween night. Candles that had been blessed were placed on graves, and families sometimes spent the entire night at the graveside".[125] The yearly Greenwich Village Halloween Parade was begun in 1974 by puppeteer and mask maker Ralph Lee of Greenwich Village; it is the world's largest Halloween parade and America's only major nighttime parade, attracting more than 60,000 costumed participants, two million spectators, and a worldwide television audience.[126] Symbols At Halloween, yards, public spaces, and some houses may be decorated with traditionally macabre symbols including witches, skeletons, ghosts, cobwebs, and headstones. Development of artifacts and symbols associated with Halloween formed over time. Jack-o'-lanterns are traditionally carried by guisers on All Hallows' Eve in order to frighten evil spirits.[102][127] There is a popular Irish Christian folktale associated with the jack-o'-lantern,[128] which in folklore is said to represent a "soul who has been denied entry into both heaven and hell":[129]     On route home after a night's drinking, Jack encounters the Devil and tricks him into climbing a tree. A quick-thinking Jack etches the sign of the cross into the bark, thus trapping the Devil. Jack strikes a bargain that Satan can never claim his soul. After a life of sin, drink, and mendacity, Jack is refused entry to heaven when he dies. Keeping his promise, the Devil refuses to let Jack into hell and throws a live coal straight from the fires of hell at him. It was a cold night, so Jack places the coal in a hollowed out turnip to stop it from going out, since which time Jack and his lantern have been roaming looking for a place to rest.[130] In Ireland and Scotland, the turnip has traditionally been carved during Halloween,[131][132] but immigrants to North America used the native pumpkin, which is both much softer and much larger – making it easier to carve than a turnip.[131] The American tradition of carving pumpkins is recorded in 1837[133] and was originally associated with harvest time in general, not becoming specifically associated with Halloween until the mid-to-late 19th century.[134] Decorated house in Weatherly, Pennsylvania The modern imagery of Halloween comes from many sources, including Christian eschatology, national customs, works of Gothic and horror literature (such as the novels Frankenstein and Dracula) and classic horror films (such as Frankenstein and The Mummy).[135][136] Imagery of the skull, a reference to Golgotha in the Christian tradition, serves as "a reminder of death and the transitory quality of human life" and is consequently found in memento mori and vanitas compositions;[137] skulls have therefore been commonplace in Halloween, which touches on this theme.[138] Traditionally, the back walls of churches are "decorated with a depiction of the Last Judgment, complete with graves opening and the dead rising, with a heaven filled with angels and a hell filled with devils", a motif that has permeated the observance of this triduum.[139] One of the earliest works on the subject of Halloween is from Scottish poet John Mayne, who, in 1780, made note of pranks at Halloween; "What fearfu' pranks ensue!", as well as the supernatural associated with the night, "Bogies" (ghosts), influencing Robert Burns' "Halloween" (1785).[140] Elements of the autumn season, such as pumpkins, corn husks, and scarecrows, are also prevalent. Homes are often decorated with these types of symbols around Halloween. Halloween imagery includes themes of death, evil, and mythical monsters.[141] Black cats, which have been long associated with witches, are also a common symbol of Halloween. Black, orange, and sometimes purple are Halloween's traditional colors.[142] Trick-or-treating and guising Main article: Trick-or-treating Trick-or-treaters in Sweden Trick-or-treating is a customary celebration for children on Halloween. Children go in costume from house to house, asking for treats such as candy or sometimes money, with the question, "Trick or treat?" The word "trick" implies a "threat" to perform mischief on the homeowners or their property if no treat is given.[89] The practice is said to have roots in the medieval practice of mumming, which is closely related to souling.[143] John Pymm wrote that "many of the feast days associated with the presentation of mumming plays were celebrated by the Christian Church."[144] These feast days included All Hallows' Eve, Christmas, Twelfth Night and Shrove Tuesday.[145][146] Mumming practiced in Germany, Scandinavia and other parts of Europe,[147] involved masked persons in fancy dress who "paraded the streets and entered houses to dance or play dice in silence".[148] Girl in a Halloween costume in 1928, Ontario, Canada, the same province where the Scottish Halloween custom of guising is first recorded in North America In England, from the medieval period,[149] up until the 1930s,[150] people practiced the Christian custom of souling on Halloween, which involved groups of soulers, both Protestant and Catholic,[113] going from parish to parish, begging the rich for soul cakes, in exchange for praying for the souls of the givers and their friends.[91] In the Philippines, the practice of souling is called Pangangaluwa and is practiced on All Hallow's Eve among children in rural areas.[21] People drape themselves in white cloths to represent souls and then visit houses, where they sing in return for prayers and sweets.[21] In Scotland and Ireland, guising – children disguised in costume going from door to door for food or coins – is a traditional Halloween custom.[151] It is recorded in Scotland at Halloween in 1895 where masqueraders in disguise carrying lanterns made out of scooped out turnips, visit homes to be rewarded with cakes, fruit, and money.[132][152] In Ireland, the most popular phrase for kids to shout (until the 2000s) was "Help the Halloween Party".[151] The practice of guising at Halloween in North America is first recorded in 1911, where a newspaper in Kingston, Ontario, Canada reported children going "guising" around the neighborhood.[153] American historian and author Ruth Edna Kelley of Massachusetts wrote the first book-length history of Halloween in the US; The Book of Hallowe'en (1919), and references souling in the chapter "Hallowe'en in America".[154] In her book, Kelley touches on customs that arrived from across the Atlantic; "Americans have fostered them, and are making this an occasion something like what it must have been in its best days overseas. All Halloween customs in the United States are borrowed directly or adapted from those of other countries".[155] While the first reference to "guising" in North America occurs in 1911, another reference to ritual begging on Halloween appears, place unknown, in 1915, with a third reference in Chicago in 1920.[156] The earliest known use in print of the term "trick or treat" appears in 1927, in the Blackie Herald, of Alberta, Canada.[157] An automobile trunk at a trunk-or-treat event at St. John Lutheran Church and Early Learning Center in Darien, Illinois The thousands of Halloween postcards produced between the turn of the 20th century and the 1920s commonly show children but not trick-or-treating.[158] Trick-or-treating does not seem to have become a widespread practice in North America until the 1930s, with the first US appearances of the term in 1934,[159] and the first use in a national publication occurring in 1939.[160] A popular variant of trick-or-treating, known as trunk-or-treating (or Halloween tailgating), occurs when "children are offered treats from the trunks of cars parked in a church parking lot", or sometimes, a school parking lot.[119][161] In a trunk-or-treat event, the trunk (boot) of each automobile is decorated with a certain theme,[162] such as those of children's literature, movies, scripture, and job roles.[163] Trunk-or-treating has grown in popularity due to its perception as being more safe than going door to door, a point that resonates well with parents, as well as the fact that it "solves the rural conundrum in which homes [are] built a half-mile apart".[164][165] Costumes Main article: Halloween costume Halloween costumes are traditionally modeled after supernatural figures such as vampires, monsters, ghosts, skeletons, witches, and devils.[89] Over time, the costume selection extended to include popular characters from fiction, celebrities, and generic archetypes such as ninjas and princesses. Halloween shop in Derry, Northern Ireland, selling masks Dressing up in costumes and going "guising" was prevalent in Scotland and Ireland at Halloween by the late 19th century.[132] A Scottish term, the tradition is called "guising" because of the disguises or costumes worn by the children.[152] In Ireland the masks are known as 'false faces'.[166] Costuming became popular for Halloween parties in the US in the early 20th century, as often for adults as for children, and when trick-or-treating was becoming popular in Canada and the US in the 1920s and 1930s.[157][167] Eddie J. Smith, in his book Halloween, Hallowed is Thy Name, offers a religious perspective to the wearing of costumes on All Hallows' Eve, suggesting that by dressing up as creatures "who at one time caused us to fear and tremble", people are able to poke fun at Satan "whose kingdom has been plundered by our Saviour". Images of skeletons and the dead are traditional decorations used as memento mori.[168][169] "Trick-or-Treat for UNICEF" is a fundraising program to support UNICEF,[89] a United Nations Programme that provides humanitarian aid to children in developing countries. Started as a local event in a Northeast Philadelphia neighborhood in 1950 and expanded nationally in 1952, the program involves the distribution of small boxes by schools (or in modern times, corporate sponsors like Hallmark, at their licensed stores) to trick-or-treaters, in which they can solicit small-change donations from the houses they visit. It is estimated that children have collected more than $118 million for UNICEF since its inception. In Canada, in 2006, UNICEF decided to discontinue their Halloween collection boxes, citing safety and administrative concerns; after consultation with schools, they instead redesigned the program.[170][171] Since the late 2010s, ethnic stereotypes as costumes have increasingly come under scrutiny in the United States.[172] Such and other potentially offensive costumes have been met with increasing public disapproval.[173][174] Pet costumes According to a 2018 report from the National Retail Federation, 30 million Americans will spend an estimated $480 million on Halloween costumes for their pets in 2018. This is up from an estimated $200 million in 2010. The most popular costumes for pets are the pumpkin, followed by the hot dog, and the bumble bee in third place.[175] Games and other activities In this 1904 Halloween greeting card, divination is depicted: the young woman looking into a mirror in a darkened room hopes to catch a glimpse of her future husband. There are several games traditionally associated with Halloween. Some of these games originated as divination rituals or ways of foretelling one's future, especially regarding death, marriage and children. During the Middle Ages, these rituals were done by a "rare few" in rural communities as they were considered to be "deadly serious" practices.[176] In recent centuries, these divination games have been "a common feature of the household festivities" in Ireland and Britain.[60] They often involve apples and hazelnuts. In Celtic mythology, apples were strongly associated with the Otherworld and immortality, while hazelnuts were associated with divine wisdom.[177] Some also suggest that they derive from Roman practices in celebration of Pomona.[89] Children bobbing for apples at Hallowe'en The following activities were a common feature of Halloween in Ireland and Britain during the 17th–20th centuries. Some have become more widespread and continue to be popular today. One common game is apple bobbing or dunking (which may be called "dooking" in Scotland)[178] in which apples float in a tub or a large basin of water and the participants must use only their teeth to remove an apple from the basin. A variant of dunking involves kneeling on a chair, holding a fork between the teeth and trying to drive the fork into an apple. Another common game involves hanging up treacle or syrup-coated scones by strings; these must be eaten without using hands while they remain attached to the string, an activity that inevitably leads to a sticky face. Another once-popular game involves hanging a small wooden rod from the ceiling at head height, with a lit candle on one end and an apple hanging from the other. The rod is spun round and everyone takes turns to try to catch the apple with their teeth.[179] Image from the Book of Hallowe'en (1919) showing several Halloween activities, such as nut roasting Several of the traditional activities from Ireland and Britain involve foretelling one's future partner or spouse. An apple would be peeled in one long strip, then the peel tossed over the shoulder. The peel is believed to land in the shape of the first letter of the future spouse's name.[180][181] Two hazelnuts would be roasted near a fire; one named for the person roasting them and the other for the person they desire. If the nuts jump away from the heat, it is a bad sign, but if the nuts roast quietly it foretells a good match.[182][183] A salty oatmeal bannock would be baked; the person would eat it in three bites and then go to bed in silence without anything to drink. This is said to result in a dream in which their future spouse offers them a drink to quench their thirst.[184] Unmarried women were told that if they sat in a darkened room and gazed into a mirror on Halloween night, the face of their future husband would appear in the mirror.[185] However, if they were destined to die before marriage, a skull would appear. The custom was widespread enough to be commemorated on greeting cards[186] from the late 19th century and early 20th century. Another popular Irish game was known as púicíní ("blindfolds"); a person would be blindfolded and then would choose between several saucers. The item in the saucer would provide a hint as to their future: a ring would mean that they would marry soon; clay, that they would die soon, perhaps within the year; water, that they would emigrate; rosary beads, that they would take Holy Orders (become a nun, priest, monk, etc.); a coin, that they would become rich; a bean, that they would be poor.[187][188][189][190][191] The game features prominently in the James Joyce short story "Clay" (1914).[192][193][194] In Ireland and Scotland, items would be hidden in food – usually a cake, barmbrack, cranachan, champ or colcannon – and portions of it served out at random. A person's future would be foretold by the item they happened to find; for example, a ring meant marriage and a coin meant wealth.[195] Up until the 19th century, the Halloween bonfires were also used for divination in parts of Scotland, Wales and Brittany. When the fire died down, a ring of stones would be laid in the ashes, one for each person. In the morning, if any stone was mislaid it was said that the person it represented would not live out the year.[45] Telling ghost stories, listening to Halloween-themed songs and watching horror films are common fixtures of Halloween parties. Episodes of television series and Halloween-themed specials (with the specials usually aimed at children) are commonly aired on or before Halloween, while new horror films are often released before Halloween to take advantage of the holiday. Haunted attractions Main article: Haunted attraction (simulated) Humorous tombstones in front of a house in California File:US Utah Ogden 25th Street Halloween 2019.ogvPlay media Humorous display window in Historic 25th Street, Ogden, Utah Haunted attractions are entertainment venues designed to thrill and scare patrons. Most attractions are seasonal Halloween businesses that may include haunted houses, corn mazes, and hayrides,[196] and the level of sophistication of the effects has risen as the industry has grown. The first recorded purpose-built haunted attraction was the Orton and Spooner Ghost House, which opened in 1915 in Liphook, England. This attraction actually most closely resembles a carnival fun house, powered by steam.[197][198] The House still exists, in the Hollycombe Steam Collection. It was during the 1930s, about the same time as trick-or-treating, that Halloween-themed haunted houses first began to appear in America. It was in the late 1950s that haunted houses as a major attraction began to appear, focusing first on California. Sponsored by the Children's Health Home Junior Auxiliary, the San Mateo Haunted House opened in 1957. The San Bernardino Assistance League Haunted House opened in 1958. Home haunts began appearing across the country during 1962 and 1963. In 1964, the San Manteo Haunted House opened, as well as the Children's Museum Haunted House in Indianapolis.[199] The haunted house as an American cultural icon can be attributed to the opening of the Haunted Mansion in Disneyland on 12 August 1969.[200] Knott's Berry Farm began hosting its own Halloween night attraction, Knott's Scary Farm, which opened in 1973.[201] Evangelical Christians adopted a form of these attractions by opening one of the first "hell houses" in 1972.[202] The first Halloween haunted house run by a nonprofit organization was produced in 1970 by the Sycamore-Deer Park Jaycees in Clifton, Ohio. It was cosponsored by WSAI, an AM radio station broadcasting out of Cincinnati, Ohio. It was last produced in 1982.[203] Other Jaycees followed suit with their own versions after the success of the Ohio house. The March of Dimes copyrighted a "Mini haunted house for the March of Dimes" in 1976 and began fundraising through their local chapters by conducting haunted houses soon after. Although they apparently quit supporting this type of event nationally sometime in the 1980s, some March of Dimes haunted houses have persisted until today.[204] On the evening of 11 May 1984, in Jackson Township, New Jersey, the Haunted Castle (Six Flags Great Adventure) caught fire. As a result of the fire, eight teenagers perished.[205] The backlash to the tragedy was a tightening of regulations relating to safety, building codes and the frequency of inspections of attractions nationwide. The smaller venues, especially the nonprofit attractions, were unable to compete financially, and the better funded commercial enterprises filled the vacuum.[206][207] Facilities that were once able to avoid regulation because they were considered to be temporary installations now had to adhere to the stricter codes required of permanent attractions.[208][209][210] In the late 1980s and early 1990s, theme parks entered the business seriously. Six Flags Fright Fest began in 1986 and Universal Studios Florida began Halloween Horror Nights in 1991. Knott's Scary Farm experienced a surge in attendance in the 1990s as a result of America's obsession with Halloween as a cultural event. Theme parks have played a major role in globalizing the holiday. Universal Studios Singapore and Universal Studios Japan both participate, while Disney now mounts Mickey's Not-So-Scary Halloween Party events at its parks in Paris, Hong Kong and Tokyo, as well as in the United States.[211] The theme park haunts are by far the largest, both in scale and attendance.[212] Food Pumpkins for sale during Halloween On All Hallows' Eve, many Western Christian denominations encourage abstinence from meat, giving rise to a variety of vegetarian foods associated with this day.[213] A candy apple Because in the Northern Hemisphere Halloween comes in the wake of the yearly apple harvest, candy apples (known as toffee apples outside North America), caramel apples or taffy apples are common Halloween treats made by rolling whole apples in a sticky sugar syrup, sometimes followed by rolling them in nuts. At one time, candy apples were commonly given to trick-or-treating children, but the practice rapidly waned in the wake of widespread rumors that some individuals were embedding items like pins and razor blades in the apples in the United States.[214] While there is evidence of such incidents,[215] relative to the degree of reporting of such cases, actual cases involving malicious acts are extremely rare and have never resulted in serious injury. Nonetheless, many parents assumed that such heinous practices were rampant because of the mass media. At the peak of the hysteria, some hospitals offered free X-rays of children's Halloween hauls in order to find evidence of tampering. Virtually all of the few known candy poisoning incidents involved parents who poisoned their own children's candy.[216] One custom that persists in modern-day Ireland is the baking (or more often nowadays, the purchase) of a barmbrack (Irish: báirín breac), which is a light fruitcake, into which a plain ring, a coin, and other charms are placed before baking.[217] It is considered fortunate to be the lucky one who finds it.[217] It has also been said that those who get a ring will find their true love in the ensuing year. This is similar to the tradition of king cake at the festival of Epiphany. A jack-o'-lantern Halloween cake with a witches hat List of foods associated with Halloween:     Barmbrack (Ireland)     Bonfire toffee (Great Britain)     Candy apples/toffee apples (Great Britain and Ireland)     Candy apples, candy corn, candy pumpkins (North America)     Chocolate     Monkey nuts (peanuts in their shells) (Ireland and Scotland)     Caramel apples     Caramel corn     Colcannon (Ireland; see below)     Halloween cake     Sweets/candy     Novelty candy shaped like skulls, pumpkins, bats, worms, etc.     Roasted pumpkin seeds     Roasted sweet corn     Soul cakes     Pumpkin Pie Christian religious observances The Vigil of All Hallows' is being celebrated at an Episcopal Christian church on Hallowe'en On Hallowe'en (All Hallows' Eve), in Poland, believers were once taught to pray out loud as they walk through the forests in order that the souls of the dead might find comfort; in Spain, Christian priests in tiny villages toll their church bells in order to remind their congregants to remember the dead on All Hallows' Eve.[218] In Ireland, and among immigrants in Canada, a custom includes the Christian practice of abstinence, keeping All Hallows' Eve as a meat-free day, and serving pancakes or colcannon instead.[219] In Mexico children make an altar to invite the return of the spirits of dead children (angelitos).[220] The Christian Church traditionally observed Hallowe'en through a vigil. Worshippers prepared themselves for feasting on the following All Saints' Day with prayers and fasting.[221] This church service is known as the Vigil of All Hallows or the Vigil of All Saints;[222][223] an initiative known as Night of Light seeks to further spread the Vigil of All Hallows throughout Christendom.[224][225] After the service, "suitable festivities and entertainments" often follow, as well as a visit to the graveyard or cemetery, where flowers and candles are often placed in preparation for All Hallows' Day.[226][227] In Finland, because so many people visit the cemeteries on All Hallows' Eve to light votive candles there, they "are known as valomeri, or seas of light".[228] Halloween Scripture Candy with gospel tract Today, Christian attitudes towards Halloween are diverse. In the Anglican Church, some dioceses have chosen to emphasize the Christian traditions associated with All Hallow's Eve.[229][230] Some of these practices include praying, fasting and attending worship services.[1][2][3]     O LORD our God, increase, we pray thee, and multiply upon us the gifts of thy grace: that we, who do prevent the glorious festival of all thy Saints, may of thee be enabled joyfully to follow them in all virtuous and godly living. Through Jesus Christ, Our Lord, who liveth and reigneth with thee, in the unity of the Holy Ghost, ever one God, world without end. Amen. —Collect of the Vigil of All Saints, The Anglican Breviary[231] Votive candles in the Halloween section of Walmart Other Protestant Christians also celebrate All Hallows' Eve as Reformation Day, a day to remember the Protestant Reformation, alongside All Hallow's Eve or independently from it.[232] This is because Martin Luther is said to have nailed his Ninety-five Theses to All Saints' Church in Wittenberg on All Hallows' Eve.[233] Often, "Harvest Festivals" or "Reformation Festivals" are held on All Hallows' Eve, in which children dress up as Bible characters or Reformers.[234] In addition to distributing candy to children who are trick-or-treating on Hallowe'en, many Christians also provide gospel tracts to them. One organization, the American Tract Society, stated that around 3 million gospel tracts are ordered from them alone for Hallowe'en celebrations.[235] Others order Halloween-themed Scripture Candy to pass out to children on this day.[236][237] Belizean children dressed up as Biblical figures and Christian saints Some Christians feel concerned about the modern celebration of Halloween because they feel it trivializes – or celebrates – paganism, the occult, or other practices and cultural phenomena deemed incompatible with their beliefs.[238] Father Gabriele Amorth, an exorcist in Rome, has said, "if English and American children like to dress up as witches and devils on one night of the year that is not a problem. If it is just a game, there is no harm in that."[239] In more recent years, the Roman Catholic Archdiocese of Boston has organized a "Saint Fest" on Halloween.[240] Similarly, many contemporary Protestant churches view Halloween as a fun event for children, holding events in their churches where children and their parents can dress up, play games, and get candy for free. To these Christians, Halloween holds no threat to the spiritual lives of children: being taught about death and mortality, and the ways of the Celtic ancestors actually being a valuable life lesson and a part of many of their parishioners' heritage.[241] Christian minister Sam Portaro wrote that Halloween is about using "humor and ridicule to confront the power of death".[242] In the Roman Catholic Church, Halloween's Christian connection is acknowledged, and Halloween celebrations are common in many Catholic parochial schools in the United States.[243][244] Many fundamentalist and evangelical churches use "Hell houses" and comic-style tracts in order to make use of Halloween's popularity as an opportunity for evangelism.[245] Others consider Halloween to be completely incompatible with the Christian faith due to its putative origins in the Festival of the Dead celebration.[246] Indeed, even though Eastern Orthodox Christians observe All Hallows' Day on the First Sunday after Pentecost, The Eastern Orthodox Church recommends the observance of Vespers or a Paraklesis on the Western observance of All Hallows' Eve, out of the pastoral need to provide an alternative to popular celebrations.[247] Analogous celebrations and perspectives Judaism According to Alfred J. Kolatch in the Second Jewish Book of Why, in Judaism, Halloween is not permitted by Jewish Halakha because it violates Leviticus 18:3, which forbids Jews from partaking in gentile customs. Many Jews observe Yizkor communally four times a year, which is vaguely similar to the observance of Allhallowtide in Christianity, in the sense that prayers are said for both "martyrs and for one's own family".[248] Nevertheless, many American Jews celebrate Halloween, disconnected from its Christian origins.[249] Reform Rabbi Jeffrey Goldwasser has said that "There is no religious reason why contemporary Jews should not celebrate Halloween" while Orthodox Rabbi Michael Broyde has argued against Jews' observing the holiday.[250] Islam Sheikh Idris Palmer, author of A Brief Illustrated Guide to Understanding Islam, has ruled that Muslims should not participate in Halloween, stating that "participation in Halloween is worse than participation in Christmas, Easter, ... it is more sinful than congratulating the Christians for their prostration to the crucifix".[251] It has also been ruled to be haram by the National Fatwa Council of Malaysia because of its alleged pagan roots stating "Halloween is celebrated using a humorous theme mixed with horror to entertain and resist the spirit of death that influence humans".[252][253] Dar Al-Ifta Al-Missriyyah disagrees provided the celebration is not referred to as an 'eid' and that behaviour remains in line with Islamic principles.[254] Hinduism Hindus remember the dead during the festival of Pitru Paksha, during which Hindus pay homage to and perform a ceremony "to keep the souls of their ancestors at rest". It is celebrated in the Hindu month of Bhadrapada, usually in mid-September.[255] The celebration of the Hindu festival Diwali sometimes conflicts with the date of Halloween; but some Hindus choose to participate in the popular customs of Halloween.[256] Other Hindus, such as Soumya Dasgupta, have opposed the celebration on the grounds that Western holidays like Halloween have "begun to adversely affect our indigenous festivals".[257] Neopaganism There is no consistent rule or view on Halloween amongst those who describe themselves as Neopagans or Wiccans. Some Neopagans do not observe Halloween, but instead observe Samhain on 1 November,[258] some neopagans do enjoy Halloween festivities, stating that one can observe both "the solemnity of Samhain in addition to the fun of Halloween". Some neopagans are opposed to the celebration of Hallowe'en, stating that it "trivializes Samhain",[259] and "avoid Halloween, because of the interruptions from trick or treaters".[260] The Manitoban writes that "Wiccans don't officially celebrate Halloween, despite the fact that 31 Oct. will still have a star beside it in any good Wiccan's day planner. Starting at sundown, Wiccans celebrate a holiday known as Samhain. Samhain actually comes from old Celtic traditions and is not exclusive to Neopagan religions like Wicca. While the traditions of this holiday originate in Celtic countries, modern day Wiccans don't try to historically replicate Samhain celebrations. Some traditional Samhain rituals are still practised, but at its core, the period is treated as a time to celebrate darkness and the dead – a possible reason why Samhain can be confused with Halloween celebrations."[258] Around the world Main article: Geography of Halloween Halloween display in Kobe, Japan The traditions and importance of Halloween vary greatly among countries that observe it. In Scotland and Ireland, traditional Halloween customs include children dressing up in costume going "guising", holding parties, while other practices in Ireland include lighting bonfires, and having firework displays.[151][261][262] In Brittany children would play practical jokes by setting candles inside skulls in graveyards to frighten visitors.[263] Mass transatlantic immigration in the 19th century popularized Halloween in North America, and celebration in the United States and Canada has had a significant impact on how the event is observed in other nations.[151] This larger North American influence, particularly in iconic and commercial elements, has extended to places such as Ecuador, Chile,[264] Australia,[265] New Zealand,[266] (most) continental Europe, Finland,[267] Japan, and other parts of East Asia." (wikipedia.org) "The human skeleton is the internal framework of the human body. It is composed of around 270 bones at birth – this total decreases to around 206 bones by adulthood after some bones get fused together.[1] The bone mass in the skeleton reaches maximum density around age 21.[citation needed] The human skeleton can be divided into the axial skeleton and the appendicular skeleton. The axial skeleton is formed by the vertebral column, the rib cage, the skull and other associated bones. The appendicular skeleton, which is attached to the axial skeleton, is formed by the shoulder girdle, the pelvic girdle and the bones of the upper and lower limbs. The human skeleton performs six major functions: support, movement, protection, production of blood cells, storage of minerals, and endocrine regulation. The human skeleton is not as sexually dimorphic as that of many other primate species, but subtle differences between sexes in the morphology of the skull, dentition, long bones, and pelvis exist. In general, female skeletal elements tend to be smaller and less robust than corresponding male elements within a given population.[citation needed] The human female pelvis is also different from that of males in order to facilitate childbirth.[2] Unlike most primates, human males do not have penile bones.... Divisions Axial Main article: Axial skeleton The axial skeleton (80 bones) is formed by the vertebral column (32–34 bones; the number of the vertebrae differs from human to human as the lower 2 parts, sacral and coccygeal bone may vary in length), a part of the rib cage (12 pairs of ribs and the sternum), and the skull (22 bones and 7 associated bones). The upright posture of humans is maintained by the axial skeleton, which transmits the weight from the head, the trunk, and the upper extremities down to the lower extremities at the hip joints. The bones of the spine are supported by many ligaments. The erector spinae muscles are also supporting and are useful for balance. Appendicular Main article: Appendicular skeleton The appendicular skeleton (126 bones) is formed by the pectoral girdles, the upper limbs, the pelvic girdle or pelvis, and the lower limbs. Their functions are to make locomotion possible and to protect the major organs of digestion, excretion and reproduction. Functions The skeleton serves six major functions: support, movement, protection, production of blood cells, storage of minerals and endocrine regulation. Support The skeleton provides the framework which supports the body and maintains its shape. The pelvis, associated ligaments and muscles provide a floor for the pelvic structures. Without the rib cages, costal cartilages, and intercostal muscles, the lungs would collapse. Movement The joints between bones allow movement, some allowing a wider range of movement than others, e.g. the ball and socket joint allows a greater range of movement than the pivot joint at the neck. Movement is powered by skeletal muscles, which are attached to the skeleton at various sites on bones. Muscles, bones, and joints provide the principal mechanics for movement, all coordinated by the nervous system. It is believed that the reduction of human bone density in prehistoric times reduced the agility and dexterity of human movement. Shifting from hunting to agriculture has caused human bone density to reduce significantly.[4][5][6] Protection The skeleton helps to protect our many vital internal organs from being damaged.     The skull protects the brain     The vertebrae protect the spinal cord.     The rib cage, spine, and sternum protect the lungs, heart and major blood vessels. Blood cell production The skeleton is the site of haematopoiesis, the development of blood cells that takes place in the bone marrow. In children, haematopoiesis occurs primarily in the marrow of the long bones such as the femur and tibia. In adults, it occurs mainly in the pelvis, cranium, vertebrae, and sternum.[7] Storage The bone matrix can store calcium and is involved in calcium metabolism, and bone marrow can store iron in ferritin and is involved in iron metabolism. However, bones are not entirely made of calcium, but a mixture of chondroitin sulfate and hydroxyapatite, the latter making up 70% of a bone. Hydroxyapatite is in turn composed of 39.8% of calcium, 41.4% of oxygen, 18.5% of phosphorus, and 0.2% of hydrogen by mass. Chondroitin sulfate is a sugar made up primarily of oxygen and carbon. Endocrine regulation Bone cells release a hormone called osteocalcin, which contributes to the regulation of blood sugar (glucose) and fat deposition. Osteocalcin increases both the insulin secretion and sensitivity, in addition to boosting the number of insulin-producing cells and reducing stores of fat.[8] Sex differences During construction of the York to Scarborough Railway Bridge in 1901, workmen discovered a large stone coffin, close to the River Ouse. Inside was a skeleton, accompanied by an array of unusual and expensive objects. This chance find represents one of the most significant discoveries ever made from Roman York. Study of the skeleton has revealed that it belonged to a woman. Anatomical differences between human males and females are highly pronounced in some soft tissue areas, but tend to be limited in the skeleton. The human skeleton is not as sexually dimorphic as that of many other primate species, but subtle differences between sexes in the morphology of the skull, dentition, long bones, and pelvis are exhibited across human populations. In general, female skeletal elements tend to be smaller and less robust than corresponding male elements within a given population.[citation needed] It is not known whether or to what extent those differences are genetic or environmental. Skull A variety of gross morphological traits of the human skull demonstrate sexual dimorphism, such as the median nuchal line, mastoid processes, supraorbital margin, supraorbital ridge, and the chin.[9] Dentition Human inter-sex dental dimorphism centers on the canine teeth, but it is not nearly as pronounced as in the other great apes. Long bones Long bones are generally larger in males than in females within a given population. Muscle attachment sites on long bones are often more robust in males than in females, reflecting a difference in overall muscle mass and development between sexes. Sexual dimorphism in the long bones is commonly characterized by morphometric or gross morphological analyses. Pelvis The human pelvis exhibits greater sexual dimorphism than other bones, specifically in the size and shape of the pelvic cavity, ilia, greater sciatic notches, and the sub-pubic angle. The Phenice method is commonly used to determine the sex of an unidentified human skeleton by anthropologists with 96% to 100% accuracy in some populations.[10] Women's pelvises are wider in the pelvic inlet and are wider throughout the pelvis to allow for child birth. The sacrum in the women's pelvis is curved inwards to allow the child to have a "funnel" to assist in the child's pathway from the uterus to the birth canal. Clinical significance See also: Bone disease There are many classified skeletal disorders. One of the most common is osteoporosis. Also common is scoliosis, a side-to-side curve in the back or spine, often creating a pronounced "C" or "S" shape when viewed on an x-ray of the spine. This condition is most apparent during adolescence, and is most common with females. Arthritis Main article: Arthritis Arthritis is a disorder of the joints. It involves inflammation of one or more joints. When affected by arthritis, the joint or joints affected may be painful to move, may move in unusual directions or may be immobile completely. The symptoms of arthritis will vary differently between types of arthritis. The most common form of arthritis, osteoarthritis, can affect both the larger and smaller joints of the human skeleton. The cartilage in the affected joints will degrade, soften and wear away. This decreases the mobility of the joints and decreases the space between bones where cartilage should be. Osteoporosis Main article: Osteoporosis Osteoporosis is a disease of bone where there is reduced bone mineral density, increasing the likelihood of fractures.[11] Osteoporosis is defined by the World Health Organization in women as a bone mineral density 2.5 standard deviations below peak bone mass, relative to the age and sex-matched average, as measured by Dual energy X-ray absorptiometry, with the term "established osteoporosis" including the presence of a fragility fracture.[12] Osteoporosis is most common in women after menopause, when it is called "postmenopausal osteoporosis", but may develop in men and premenopausal women in the presence of particular hormonal disorders and other chronic diseases or as a result of smoking and medications, specifically glucocorticoids.[11] Osteoporosis usually has no symptoms until a fracture occurs.[11] For this reason, DEXA scans are often done in people with one or more risk factors, who have developed osteoporosis and be at risk of fracture.[11] Osteoporosis treatment includes advice to stop smoking, decrease alcohol consumption, exercise regularly, and have a healthy diet. Calcium supplements may also be advised, as may Vitamin D. When medication is used, it may include bisphosphonates, Strontium ranelate, and osteoporosis may be one factor considered when commencing Hormone replacement therapy.[11] History [icon]     This section needs expansion. You can help by adding to it. (November 2014) See also: Paleoanthropology India Main article: Ayurveda Suśruta-saṃhitā, composed between 6th century BCE and 5th century CE speaks of 360 bones. Books on Salya-Shastra (surgical science) know of only 300. The text then lists the total of 300 as follows: 120 in the extremities (e.g. hands, legs), 117 in the pelvic area, sides, back, abdomen and breast, and 63 in the neck and upwards.[13] The text then explains how these subtotals were empirically verified.[14] The discussion shows that the Indian tradition nurtured diversity of thought, with Sushruta school reaching its own conclusions and differing from the Atreya-Caraka tradition.[14] The differences in the count of bones in the two schools is partly because Charaka Samhita includes thirty two teeth sockets in its count, and their difference of opinions on how and when to count a cartilage as bone (both count cartilages as bones, unlike current medical practice).[15] Hellenistic world The study of bones in ancient Greece started under Ptolemaic kings due to their link to Egypt. Herophilos, through his work by studying dissected human corpses in Alexandria, is credited to be the pioneer of the field. His works are lost but are often cited by notable persons in the field such as Galen and Rufus of Ephesus. Galen himself did little dissection though and relied on the work of others like Marinus of Alexandria,[16] as well as his own observations of gladiator cadavers and animals.[17] According to Katherine Park, in medieval Europe dissection continued to be practiced, contrary to the popular understanding that such practices were taboo and thus completely banned.[18] The practice of holy autopsy, such as in the case of Clare of Montefalco further supports the claim.[19] Alexandria continued as a center of anatomy under Islamic rule, with Ibn Zuhr a notable figure. Chinese understandings are divergent, as the closest corresponding concept in the medicinal system seems to be the meridians, although given that Hua Tuo regularly performed surgery, there may be some distance between medical theory and actual understanding. Renaissance Leonardo Da Vinci made studies of the skeleton, albeit unpublished in his time.[20] Many artists, Antonio Pollaiuolo being the first, performed dissections for better understanding of the body, although they concentrated mostly on the muscles.[21] Vesalius, regarded as the founder of modern anatomy, authored the book De humani corporis fabrica, which contained many illustrations of the skeleton and other body parts, correcting some theories dating from Galen, such as the lower jaw being a single bone instead of two.[22] Various other figures like Alessandro Achillini also contributed to the further understanding of the skeleton." (wikipedia.org) "A skeleton is a type of physically manifested undead often found in fantasy, gothic and horror fiction, and mythical art. Most are human skeletons, but they can also be from any creature or race found on Earth or in the fantasy world.... Myth and folklore Animated human skeletons have been used as a personification of death in Western culture since the Middle Ages, a personification perhaps influenced by the valley of the dry bones in the Book of Ezekiel.[1] The Grim Reaper is often depicted as a hooded skeleton holding a scythe (and occasionally an hourglass), which has been attributed to Hans Holbein the Younger (1538).[2] Death as one of the biblical horsemen of the Apocalypse has been depicted as a skeleton riding a horse. The Triumph of Death is a 1562 painting by Pieter Bruegel the Elder depicting an army of skeletons raiding a town and slaughtering its occupants.[3] "The Boy Who Wanted the Willies" is a Brothers Grimm fairy tale in which a boy named Hans joins a circle of dancing skeletons.[citation needed] In Japanese folklore, Mekurabe are rolling skulls with eyeballs who menace Taira no Kiyomori.[4] José Guadalupe Posada's 1913 La Calavera Catrina zinc etching Mexico Figurines and images of skeletons doing routine things are common in Mexico's Day of the Dead celebration, where skulls symbolize life and their familiar circumstances invite levity. Highly-decorated sugar-skull candy has become one of the most recognizable elements of the celebrations.[5][6] They are known in Mexico as calacas, a Mexican Spanish term simply meaning "skeleton". The moderns association between skeleton iconography and the Day of the Dead was inspired by La Calavera Catrina, a zinc etching created by Mexican cartoonist José Guadalupe Posada in the 1910s and published posthumously in 1930.[7] Initially a satire of Mexican women who were ashamed of their indigenous origins and dressed imitating the French style, wearing heavy makeup to make their skin look whiter, it later became a more general symbol of vanity.[8] During the 20th Century, the Catrina entrenched itself in the Mexican consciousness and became a national icon, often depicted in folk art. In the Disney Pixar film Coco, the calacas appear to be ghosts. Modern fiction [icon]     This section needs expansion. You can help by adding to it. (March 2014) Literature     The animated skeleton features in some Gothic fiction. One early example is in the short story "Thurnley Abbey" (1908) by Perceval Landon, originally published in his collection Raw Edges.[9] It is reprinted in many modern anthologies, such as The 2nd Fontana Book of Great Ghost Stories and The Penguin Book of Horror Stories.     An anthropomorphic depiction of Death which looks like a skeleton in a black robe appears in almost all volumes of Terry Pratchett's fantasy series Discworld, including five novels where he is the lead character.[10] Film and TV     Undead skeletons have been portrayed in fantasy films such as The 7th Voyage of Sinbad (1958), The Black Cauldron (1985), Army of Darkness (1992), The Nightmare Before Christmas (1993), and Corpse Bride (2005).     An extended battle scene against an army of skeletal warriors was produced by animator Ray Harryhausen for Jason and the Argonauts (1963) and is remembered as one of the most sophisticated and influential visual effects sequences of its day.[11] A CG art skeleton, as commonly found in modern fantasy-theme games. Games     Animated skeletons have been used and portrayed extensively in fantasy role-playing games. In a tradition that goes back to the pen-and-paper game Dungeons & Dragons, the basic animated skeleton is commonly employed as a low-level undead enemy, typically easy for a player to defeat in combat. Thus, in games which make use of them, such enemies often appear relatively early in the gameplay and are considered a suitable opponent for novice players.[12] In these contexts, they are commonly armed with medieval weapons and sometimes wear armor. Some games may also introduce higher-level variants with heightened resilience or combat skills as well as the ability to cast spells or communicate.[13]     In the PlayStation action-adventure series MediEvil, the protagonist is an animated skeleton knight named Sir Daniel Fortesque.[14]     In the 1999 cult classic Planescape: Torment, Morte is a character who joins the protagonist on his quest and is essentially a sentient, levitating human skull with intact eyeballs who cracks wise and fights by biting.[15]     In the 2009 Minecraft video game, skeletons appear as a bow-wielding monster that shoots players with their bow and burn under the sunlight. Sometimes the skeletons spawn with enchanted bows or a random piece of armor, or random full armor, or without bow, and they can pick melee weapons. In Halloween, they can spawn wearing carved pumpkin or Jack O' Lantern on their heads.     In the video game Fable III, there exist a race of antagonal characters called "hollow men" which are featured throughout the game.     A duo of animated skeleton brothers plays an important role in the role-playing game Undertale. Named Sans and Papyrus, the brothers' dialogue text is printed in Comic Sans and Papyrus fonts, respectively.[16]     Following a poll taken during their Kickstarter campaign, Larian Studios added a playable skeleton race in their 2017 RPG Divinity: Original Sin II, as well as an ancient skeletal character named Fane.[17]     Following the first game, the skeletons were re-added in Minecraft Dungeons, a 2020 dungeon crawler game released by Mojang Studios as the guards of The Nameless One, the king of the undead. In this form, they are equipped with glaives, shields, and iron helmets and chestplates, and are referred to as Skeleton Vanguards. They also spawn as their original bow-wielding form, sometimes wearing iron helmet." (wikipedia.org) "King is the title given to a male monarch in a variety of contexts. The female equivalent is queen,[1] which title is also given to the consort of a king.     In the context of prehistory, antiquity and contemporary indigenous peoples, the title may refer to tribal kingship. Germanic kingship is cognate with Indo-European traditions of tribal rulership (c.f. Indic rājan, Gothic reiks, and Old Irish rí, etc.).     In the context of classical antiquity, king may translate in Latin as rex and in Greek as archon or basileus.     In classical European feudalism, the title of king as the ruler of a kingdom is understood to be the highest rank in the feudal order, potentially subject, at least nominally, only to an emperor (harking back to the client kings of the Roman Republic and Roman Empire).[2]     In a modern context, the title may refer to the ruler of one of a number of modern monarchies (either absolute or constitutional). The title of king is used alongside other titles for monarchs: in the West, emperor, grand prince, prince, archduke, duke or grand duke, and in the Islamic world, malik, sultan, emir or hakim, etc.[3]     The city-states of the Aztec Empire had a Tlatoani, which were kings of pre-Hispanic Mesoamerica. The Huey Tlatoani was the emperor of the Aztecs.[4] The term king may also refer to a king consort, a title that is sometimes given to the husband of a ruling queen, but the title of prince consort is sometimes granted instead.... Etymology Further information: Rex (title) and Knyaz The English term king is derived from the Anglo-Saxon cyning, which in turn is derived from the Common Germanic *kuningaz. The Common Germanic term was borrowed into Estonian and Finnish at an early time, surviving in these languages as kuningas. It is a derivation from the term *kunjom "kin" (Old English cynn) by the -inga- suffix. The literal meaning is that of a "scion of the [noble] kin", or perhaps "son or descendant of one of noble birth" (OED). The English term translates, and is considered equivalent to, Latin rēx and its equivalents in the various European languages. The Germanic term is notably different from the word for "King" in other Indo-European languages (*rēks "ruler"; Latin rēx, Sanskrit rājan and Irish ríg; however, see Gothic reiks and, e.g., modern German Reich and modern Dutch rijk). History The English word is of Germanic origin, and historically refers to Germanic kingship, in the pre-Christian period a type of tribal kingship. The monarchies of Europe in the Christian Middle Ages derived their claim from Christianisation and the divine right of kings, partly influenced by the notion of sacral kingship inherited from Germanic antiquity. The Early Middle Ages begin with a fragmentation of the former Western Roman Empire into barbarian kingdoms. In Western Europe, the kingdom of the Franks developed into the Carolingian Empire by the 8th century, and the kingdoms of Anglo-Saxon England were unified into the kingdom of England by the 10th century. With the breakup of the Carolingian Empire in the 9th century, the system of feudalism places kings at the head of a pyramid of relationships between liege lords and vassals, dependent on the regional rule of barons, and the intermediate positions of counts (or earls) and dukes. The core of European feudal manorialism in the High Middle Ages were the territories of the former Carolingian Empire, i.e. the kingdom of France and the Holy Roman Empire (centered on the nominal kingdoms of Germany and Italy).[5] In the course of the European Middle Ages, the European kingdoms underwent a general trend of centralisation of power, so that by the Late Middle Ages there were a number of large and powerful kingdoms in Europe, which would develop into the great powers of Europe in the Early Modern period.     In the Iberian Peninsula, the remnants of the Visigothic Kingdom, the petty kingdoms of Asturias and Pamplona, expanded into the kingdom of Portugal, the Crown of Castile and the Crown of Aragon with the ongoing Reconquista.     In southern Europe, the kingdom of Sicily was established following the Norman conquest of southern Italy. The Kingdom of Sardinia was claimed as a separate title held by the Crown of Aragon in 1324. In the Balkans, the Kingdom of Serbia was established in 1217.     In central Europe, the Kingdom of Hungary was established in AD 1000 following the Christianisation of the Magyars. The kingdoms of Poland and Bohemia were established within the Holy Roman Empire in 1025 and 1198, respectively.     In eastern Europe, the Kievan Rus' consolidated into the Grand Duchy of Moscow, which did not technically claim the status of kingdom until the early modern Tsardom of Russia.     In northern Europe, the tribal kingdoms of the Viking Age by the 11th century expanded into the North Sea Empire under Cnut the Great, king of Denmark, England and Norway. The Christianization of Scandinavia resulted in "consolidated" kingdoms of Sweden and Norway, and by the end of the medieval period the pan-Scandinavian Kalmar Union." (wikipedia.org) "In the history of Europe, the Middle Ages or medieval period lasted approximately from the 5th to the late 15th centuries, similarly to the Post-classical period of global history. It began with the fall of the Western Roman Empire and transitioned into the Renaissance and the Age of Discovery. The Middle Ages is the middle period of the three traditional divisions of Western history: classical antiquity, the medieval period, and the modern period. The medieval period is itself subdivided into the Early, High, and Late Middle Ages. Population decline, counterurbanisation, the collapse of centralized authority, invasions, and mass migrations of tribes, which had begun in Late Antiquity, continued into the Early Middle Ages. The large-scale movements of the Migration Period, including various Germanic peoples, formed new kingdoms in what remained of the Western Roman Empire. In the 7th century, North Africa and the Middle East—once part of the Byzantine Empire—came under the rule of the Umayyad Caliphate, an Islamic empire, after conquest by Muhammad's successors. Although there were substantial changes in society and political structures, the break with classical antiquity was not complete. The still-sizeable Byzantine Empire, Rome's direct continuation, survived in the Eastern Mediterranean and remained a major power. The empire's law code, the Corpus Juris Civilis or "Code of Justinian", was rediscovered in Northern Italy in the 11th century. In the West, most kingdoms incorporated the few extant Roman institutions. Monasteries were founded as campaigns to Christianise pagan Europe continued. The Franks, under the Carolingian dynasty, briefly established the Carolingian Empire during the later 8th and early 9th centuries. It covered much of Western Europe but later succumbed to the pressures of internal civil wars combined with external invasions: Vikings from the north, Magyars from the east, and Saracens from the south. During the High Middle Ages, which began after 1000, the population of Europe increased greatly as technological and agricultural innovations allowed trade to flourish and the Medieval Warm Period climate change allowed crop yields to increase. Manorialism, the organisation of peasants into villages that owed rent and labour services to the nobles, and feudalism, the political structure whereby knights and lower-status nobles owed military service to their overlords in return for the right to rent from lands and manors, were two of the ways society was organised in the High Middle Ages. The Crusades, first preached in 1095, were military attempts by Western European Christians to regain control of the Holy Land from Muslims. Kings became the heads of centralised nation-states, reducing crime and violence but making the ideal of a unified Christendom more distant. Intellectual life was marked by scholasticism, a philosophy that emphasised joining faith to reason, and by the founding of universities. The theology of Thomas Aquinas, the paintings of Giotto, the poetry of Dante and Chaucer, the travels of Marco Polo, and the Gothic architecture of cathedrals such as Chartres are among the outstanding achievements toward the end of this period and into the Late Middle Ages. The Late Middle Ages was marked by difficulties and calamities including famine, plague, and war, which significantly diminished the population of Europe; between 1347 and 1350, the Black Death killed about a third of Europeans. Controversy, heresy, and the Western Schism within the Catholic Church paralleled the interstate conflict, civil strife, and peasant revolts that occurred in the kingdoms. Cultural and technological developments transformed European society, concluding the Late Middle Ages and beginning the early modern period.... Terminology and periodisation The Middle Ages is one of the three major periods in the most enduring scheme for analysing European history: classical civilisation or Antiquity, the Middle Ages and the Modern Period.[1] The "Middle Ages" first appears in Latin in 1469 as media tempestas or "middle season".[2] In early usage, there were many variants, including medium aevum, or "middle age", first recorded in 1604,[3] and media saecula, or "middle centuries", first recorded in 1625.[4] The adjective "medieval" (or sometimes "mediaeval"[5] or "mediæval"),[6] meaning pertaining to the Middle Ages, derives from medium aevum.[5] Medieval writers divided history into periods such as the "Six Ages" or the "Four Empires", and considered their time to be the last before the end of the world.[7] When referring to their own times, they spoke of them as being "modern".[8] In the 1330s, the Italian humanist and poet Petrarch referred to pre-Christian times as antiqua (or "ancient") and to the Christian period as nova (or "new").[9] Petrarch regarded the post-Roman centuries as "dark" compared to the "light" of classical antiquity.[10] Leonardo Bruni was the first historian to use tripartite periodisation in his History of the Florentine People (1442), with a middle period "between the fall of the Roman Empire and the revival of city life sometime in late eleventh and twelfth centuries".[11] Tripartite periodisation became standard after the 17th-century German historian Christoph Cellarius divided history into three periods: ancient, medieval, and modern.[4] The most commonly given starting point for the Middle Ages is around 500,[12] with the date of 476 first used by Bruni.[11][A] Later starting dates are sometimes used in the outer parts of Europe.[14] For Europe as a whole, 1500 is often considered to be the end of the Middle Ages,[15] but there is no universally agreed upon end date. Depending on the context, events such as the conquest of Constantinople by the Turks in 1453, Christopher Columbus's first voyage to the Americas in 1492, or the Protestant Reformation in 1517 are sometimes used.[16] English historians often use the Battle of Bosworth Field in 1485 to mark the end of the period.[17] For Spain, dates commonly used are the death of King Ferdinand II in 1516, the death of Queen Isabella I of Castile in 1504, or the conquest of Granada in 1492.[18] Historians from Romance-speaking countries tend to divide the Middle Ages into two parts: an earlier "High" and later "Low" period. English-speaking historians, following their German counterparts, generally subdivide the Middle Ages into three intervals: "Early", "High", and "Late".[1] In the 19th century, the entire Middle Ages were often referred to as the "Dark Ages",[19] but with the adoption of these subdivisions, use of this term was restricted to the Early Middle Ages, at least among historians.[7] Later Roman Empire Main article: Later Roman Empire A late Roman sculpture depicting the four Tetrarchs, now in Venice, Italy[20] The Roman Empire reached its greatest territorial extent during the 2nd century AD; the following two centuries witnessed the slow decline of Roman control over its outlying territories.[21] Economic issues, including inflation, and external pressure on the frontiers combined to create the Crisis of the Third Century, with emperors coming to the throne only to be rapidly replaced by new usurpers.[22] Military expenses increased steadily during the 3rd century, mainly in response to the war with the Sasanian Empire, which revived in the middle of the 3rd century.[23] The army doubled in size, and cavalry and smaller units replaced the Roman legion as the main tactical unit.[24] The need for revenue led to increased taxes and a decline in numbers of the curial, or landowning, class, and decreasing numbers of them willing to shoulder the burdens of holding office in their native towns.[23] More bureaucrats were needed in the central administration to deal with the needs of the army, which led to complaints from civilians that there were more tax-collectors in the empire than tax-payers.[24] The Emperor Diocletian (r. 284–305) split the empire into separately administered eastern and western halves in 286; the empire was not considered divided by its inhabitants or rulers, as legal and administrative promulgations in one division were considered valid in the other.[25][B] In 330, after a period of civil war, Constantine the Great (r. 306–337) refounded the city of Byzantium as the newly renamed eastern capital, Constantinople.[26] Diocletian's reforms strengthened the governmental bureaucracy, reformed taxation, and strengthened the army, which bought the empire time but did not resolve the problems it was facing: excessive taxation, a declining birthrate, and pressures on its frontiers, among others.[27] Civil war between rival emperors became common in the middle of the 4th century, diverting soldiers from the empire's frontier forces and allowing invaders to encroach.[28] For much of the 4th century, Roman society stabilised in a new form that differed from the earlier classical period, with a widening gulf between the rich and poor, and a decline in the vitality of the smaller towns.[29] Another change was the Christianisation, or conversion of the empire to Christianity, a gradual process that lasted from the 2nd to the 5th centuries.[30][31] Map of the approximate political boundaries in Europe around 450 AD In 376, the Goths, fleeing from the Huns, received permission from Emperor Valens (r. 364–378) to settle in the Roman province of Thracia in the Balkans. The settlement did not go smoothly, and when Roman officials mishandled the situation, the Goths began to raid and plunder.[C] Valens, attempting to put down the disorder, was killed fighting the Goths at the Battle of Adrianople on 9 August 378.[33] In addition to the threat from such tribal confederacies in the north, internal divisions within the empire, especially within the Christian Church, caused problems.[34] In 400, the Visigoths invaded the Western Roman Empire and, although briefly forced back from Italy, in 410 sacked the city of Rome.[35] In 406 the Alans, Vandals, and Suevi crossed into Gaul; over the next three years they spread across Gaul and in 409 crossed the Pyrenees Mountains into modern-day Spain.[36] The Migration Period began, when various peoples, initially largely Germanic peoples, moved across Europe. The Franks, Alemanni, and the Burgundians all ended up in northern Gaul while the Angles, Saxons, and Jutes settled in Britain,[37] and the Vandals went on to cross the strait of Gibraltar after which they conquered the province of Africa.[38] In the 430s the Huns began invading the empire; their king Attila (r. 434–453) led invasions into the Balkans in 442 and 447, Gaul in 451, and Italy in 452.[39] The Hunnic threat remained until Attila's death in 453, when the Hunnic confederation he led fell apart.[40] These invasions by the tribes completely changed the political and demographic nature of what had been the Western Roman Empire.[37] By the end of the 5th century the western section of the empire was divided into smaller political units, ruled by the tribes that had invaded in the early part of the century.[41] The deposition of the last emperor of the west, Romulus Augustulus, in 476 has traditionally marked the end of the Western Roman Empire.[13][D] By 493 the Italian peninsula was conquered by the Ostrogoths.[42] The Eastern Roman Empire, often referred to as the Byzantine Empire after the fall of its western counterpart, had little ability to assert control over the lost western territories. The Byzantine emperors maintained a claim over the territory, but while none of the new kings in the west dared to elevate himself to the position of emperor of the west, Byzantine control of most of the Western Empire could not be sustained; the reconquest of the Mediterranean periphery and the Italian Peninsula (Gothic War) in the reign of Justinian (r. 527–565) was the sole, and temporary, exception.[43] Early Middle Ages Main article: Early Middle Ages New societies Main articles: Migration Period and fall of the Western Roman Empire Barbarian kingdoms and tribes after the end of the Western Roman Empire The political structure of Western Europe changed with the end of the united Roman Empire. Although the movements of peoples during this period are usually described as "invasions", they were not just military expeditions but migrations of entire peoples into the empire. Such movements were aided by the refusal of the Western Roman elites to support the army or pay the taxes that would have allowed the military to suppress the migration.[44] The emperors of the 5th century were often controlled by military strongmen such as Stilicho (d. 408), Aetius (d. 454), Aspar (d. 471), Ricimer (d. 472), or Gundobad (d. 516), who were partly or fully of non-Roman background. When the line of Western emperors ceased, many of the kings who replaced them were from the same background. Intermarriage between the new kings and the Roman elites was common.[45] This led to a fusion of Roman culture with the customs of the invading tribes, including the popular assemblies that allowed free male tribal members more say in political matters than was common in the Roman state.[46] Material artefacts left by the Romans and the invaders are often similar, and tribal items were often modelled on Roman objects.[47] Much of the scholarly and written culture of the new kingdoms was also based on Roman intellectual traditions.[48] An important difference was the gradual loss of tax revenue by the new polities. Many of the new political entities no longer supported their armies through taxes, instead relying on granting them land or rents. This meant there was less need for large tax revenues and so the taxation systems decayed.[49] Warfare was common between and within the kingdoms. Slavery declined as the supply weakened, and society became more rural.[50][E] A coin of the Ostrogothic leader Theoderic the Great, struck in Milan, Italy, c. AD 491–501 Between the 5th and 8th centuries, new peoples and individuals filled the political void left by Roman centralised government.[48] The Ostrogoths, a Gothic tribe, settled in Roman Italy in the late fifth century under Theoderic the Great (d. 526) and set up a kingdom marked by its co-operation between the Italians and the Ostrogoths, at least until the last years of Theodoric's reign.[52] The Burgundians settled in Gaul, and after an earlier realm was destroyed by the Huns in 436 formed a new kingdom in the 440s. Between today's Geneva and Lyon, it grew to become the realm of Burgundy in the late 5th and early 6th centuries.[53] Elsewhere in Gaul, the Franks and Celtic Britons set up small polities. Francia was centred in northern Gaul, and the first king of whom much is known is Childeric I (d. 481). His grave was discovered in 1653 and is remarkable for its grave goods, which included weapons and a large quantity of gold.[54] Under Childeric's son Clovis I (r. 509–511), the founder of the Merovingian dynasty, the Frankish kingdom expanded and converted to Christianity. The Britons, related to the natives of Britannia – modern-day Great Britain – settled in what is now Brittany.[55][F] Other monarchies were established by the Visigothic Kingdom in the Iberian Peninsula, the Suebi in northwestern Iberia, and the Vandal Kingdom in North Africa.[53] In the sixth century, the Lombards settled in Northern Italy, replacing the Ostrogothic kingdom with a grouping of duchies that occasionally selected a king to rule over them all. By the late sixth century, this arrangement had been replaced by a permanent monarchy, the Kingdom of the Lombards.[56] The invasions brought new ethnic groups to Europe, although some regions received a larger influx of new peoples than others. In Gaul for instance, the invaders settled much more extensively in the north-east than in the south-west. Slavs settled in Central and Eastern Europe and the Balkan Peninsula. The settlement of peoples was accompanied by changes in languages. Latin, the literary language of the Western Roman Empire, was gradually replaced by vernacular languages which evolved from Latin, but were distinct from it, collectively known as Romance languages. These changes from Latin to the new languages took many centuries. Greek remained the language of the Byzantine Empire, but the migrations of the Slavs added Slavic languages to Eastern Europe.[57] Byzantine survival Main articles: Byzantine Empire under the Justinian dynasty and Byzantine Empire under the Heraclian dynasty A mosaic showing Justinian with the bishop of Ravenna (Italy), bodyguards, and courtiers.[58] As Western Europe witnessed the formation of new kingdoms, the Eastern Roman Empire remained intact and experienced an economic revival that lasted into the early 7th century. There were fewer invasions of the eastern section of the empire; most occurred in the Balkans. Peace with the Sasanian Empire, the traditional enemy of Rome, lasted throughout most of the 5th century. The Eastern Empire was marked by closer relations between the political state and Christian Church, with doctrinal matters assuming an importance in Eastern politics that they did not have in Western Europe. Legal developments included the codification of Roman law; the first effort—the Codex Theodosianus—was completed in 438.[59] Under Emperor Justinian (r. 527–565), another compilation took place—the Corpus Juris Civilis.[60] Justinian also oversaw the construction of the Hagia Sophia in Constantinople and the reconquest of North Africa from the Vandals and Italy from the Ostrogoths,[61] under Belisarius (d. 565).[62] The conquest of Italy was not complete, as a deadly outbreak of plague in 542 led to the rest of Justinian's reign concentrating on defensive measures rather than further conquests.[61] At the Emperor's death, the Byzantines had control of most of Italy, North Africa, and a small foothold in southern Spain. Justinian's reconquests have been criticised by historians for overextending his realm and setting the stage for the early Muslim conquests, but many of the difficulties faced by Justinian's successors were due not just to over-taxation to pay for his wars but to the essentially civilian nature of the empire, which made raising troops difficult.[63] In the Eastern Empire the slow infiltration of the Balkans by the Slavs added a further difficulty for Justinian's successors. It began gradually, but by the late 540s Slavic tribes were in Thrace and Illyrium, and had defeated an imperial army near Adrianople in 551. In the 560s the Avars began to expand from their base on the north bank of the Danube; by the end of the 6th-century, they were the dominant power in Central Europe and routinely able to force the Eastern emperors to pay tribute. They remained a strong power until 796.[64] An additional problem to face the empire came as a result of the involvement of Emperor Maurice (r. 582–602) in Persian politics when he intervened in a succession dispute. This led to a period of peace, but when Maurice was overthrown, the Persians invaded and during the reign of Emperor Heraclius (r. 610–641) controlled large chunks of the empire, including Egypt, Syria, and Anatolia until Heraclius' successful counterattack. In 628 the empire secured a peace treaty and recovered all of its lost territories.[65] Western society See also: Early medieval European dress and medieval cuisine In Western Europe, some of the older Roman elite families died out while others became more involved with ecclesiastical than secular affairs. Values attached to Latin scholarship and education mostly disappeared, and while literacy remained important, it became a practical skill rather than a sign of elite status. In the 4th century, Jerome (d. 420) dreamed that God rebuked him for spending more time reading Cicero than the Bible. By the 6th century, Gregory of Tours (d. 594) had a similar dream, but instead of being chastised for reading Cicero, he was chastised for learning shorthand.[66] By the late 6th century, the principal means of religious instruction in the Church had become music and art rather than the book.[67] Most intellectual efforts went towards imitating classical scholarship, but some original works were created, along with now-lost oral compositions. The writings of Sidonius Apollinaris (d. 489), Cassiodorus (d. c. 585), and Boethius (d. c. 525) were typical of the age.[68] Changes also took place among laymen, as aristocratic culture focused on great feasts held in halls rather than on literary pursuits. Clothing for the elites was richly embellished with jewels and gold. Lords and kings supported entourages of fighters who formed the backbone of the military forces.[G] Family ties within the elites were important, as were the virtues of loyalty, courage, and honour. These ties led to the prevalence of the feud in aristocratic society, examples of which included those related by Gregory of Tours that took place in Merovingian Gaul. Most feuds seem to have ended quickly with the payment of some sort of compensation.[71] Women took part in aristocratic society mainly in their roles as wives and mothers of men, with the role of mother of a ruler being especially prominent in Merovingian Gaul. In Anglo-Saxon society the lack of many child rulers meant a lesser role for women as queen mothers, but this was compensated for by the increased role played by abbesses of monasteries. Only in Italy does it appear that women were always considered under the protection and control of a male relative.[72] Reconstruction of an early medieval peasant village in Bavaria Peasant society is much less documented than the nobility. Most of the surviving information available to historians comes from archaeology; few detailed written records documenting peasant life remain from before the 9th century. Most of the descriptions of the lower classes come from either law codes or writers from the upper classes.[73] Landholding patterns in the West were not uniform; some areas had greatly fragmented landholding patterns, but in other areas large contiguous blocks of land were the norm. These differences allowed for a wide variety of peasant societies, some dominated by aristocratic landholders and others having a great deal of autonomy.[74] Land settlement also varied greatly. Some peasants lived in large settlements that numbered as many as 700 inhabitants. Others lived in small groups of a few families and still others lived on isolated farms spread over the countryside. There were also areas where the pattern was a mix of two or more of those systems.[75] Unlike in the late Roman period, there was no sharp break between the legal status of the free peasant and the aristocrat, and it was possible for a free peasant's family to rise into the aristocracy over several generations through military service to a powerful lord.[76] Roman city life and culture changed greatly in the early Middle Ages. Although Italian cities remained inhabited, they contracted significantly in size. Rome, for instance, shrank from a population of hundreds of thousands to around 30,000 by the end of the 6th century. Roman temples were converted into Christian churches and city walls remained in use.[77] In Northern Europe, cities also shrank, while civic monuments and other public buildings were raided for building materials. The establishment of new kingdoms often meant some growth for the towns chosen as capitals.[78] Although there had been Jewish communities in many Roman cities, the Jews suffered periods of persecution after the conversion of the empire to Christianity. Officially they were tolerated, if subject to conversion efforts, and at times were even encouraged to settle in new areas.[79] Rise of Islam Main articles: Spread of Islam and Early Muslim conquests The early Muslim conquests   Expansion under Muhammad, 622–632   Expansion during the Rashidun Caliphate, 632–661   Expansion during the Umayyad Caliphate, 661–750 Religious beliefs in the Eastern Roman Empire and Iran were in flux during the late sixth and early seventh centuries. Judaism was an active proselytising faith, and at least one Arab political leader converted to it.[H] Christianity had active missions competing with the Persians' Zoroastrianism in seeking converts, especially among residents of the Arabian Peninsula. All these strands came together with the emergence of Islam in Arabia during the lifetime of Muhammad (d. 632).[81] After his death, Islamic forces conquered much of the Eastern Roman Empire and Persia, starting with Syria in 634–635, continuing with Persia between 637 and 642, reaching Egypt in 640–641, North Africa in the later seventh century, and the Iberian Peninsula in 711.[82] By 714, Islamic forces controlled much of the peninsula in a region they called Al-Andalus.[83] The Islamic conquests reached their peak in the mid-eighth century. The defeat of Muslim forces at the Battle of Tours in 732 led to the reconquest of southern France by the Franks, but the main reason for the halt of Islamic growth in Europe was the overthrow of the Umayyad Caliphate and its replacement by the Abbasid Caliphate. The Abbasids moved their capital to Baghdad and were more concerned with the Middle East than Europe, losing control of sections of the Muslim lands. Umayyad descendants took over the Iberian Peninsula, the Aghlabids controlled North Africa, and the Tulunids became rulers of Egypt.[84] By the middle of the 8th century, new trading patterns were emerging in the Mediterranean; trade between the Franks and the Arabs replaced the old Roman economy. Franks traded timber, furs, swords and slaves in return for silks and other fabrics, spices, and precious metals from the Arabs.[85] Trade and economy Main article: Medieval economic history The migrations and invasions of the 4th and 5th centuries disrupted trade networks around the Mediterranean. African goods stopped being imported into Europe, first disappearing from the interior and by the 7th century found only in a few cities such as Rome or Naples. By the end of the 7th century, under the impact of the Muslim conquests, African products were no longer found in Western Europe. The replacement of goods from long-range trade with local products was a trend throughout the old Roman lands that happened in the Early Middle Ages. This was especially marked in the lands that did not lie on the Mediterranean, such as northern Gaul or Britain. Non-local goods appearing in the archaeological record are usually luxury goods. In the northern parts of Europe, not only were the trade networks local, but the goods carried were simple, with little pottery or other complex products. Around the Mediterranean, pottery remained prevalent and appears to have been traded over medium-range networks, not just produced locally.[86] The various Germanic states in the west all had coinages that imitated existing Roman and Byzantine forms. Gold continued to be minted until the end of the 7th century in 693-94 when it was replaced by silver in the Merovingian kingdom. The basic Frankish silver coin was the denarius or denier, while the Anglo-Saxon version was called a penny. From these areas, the denier or penny spread throughout Europe from 700 to 1000 AD. Copper or bronze coins were not struck, nor were gold except in Southern Europe. No silver coins denominated in multiple units were minted.[87] Church and monasticism Main article: Christianity in the Middle Ages An 11th-century illustration of Gregory the Great dictating to a secretary Christianity was a major unifying factor between Eastern and Western Europe before the Arab conquests, but the conquest of North Africa sundered maritime connections between those areas. Increasingly, the Byzantine Church differed in language, practices, and liturgy from the Western Church. The Eastern Church used Greek instead of the Western Latin. Theological and political differences emerged, and by the early and middle 8th century issues such as iconoclasm, clerical marriage, and state control of the Church had widened to the extent that the cultural and religious differences were greater than the similarities.[88] The formal break, known as the East–West Schism, came in 1054, when the papacy and the patriarchy of Constantinople clashed over papal supremacy and excommunicated each other, which led to the division of Christianity into two Churches—the Western branch became the Roman Catholic Church and the Eastern branch the Eastern Orthodox Church.[89] The ecclesiastical structure of the Roman Empire survived the movements and invasions in the west mostly intact, but the papacy was little regarded, and few of the Western bishops looked to the bishop of Rome for religious or political leadership. Many of the popes prior to 750 were more concerned with Byzantine affairs and Eastern theological controversies. The register, or archived copies of the letters, of Pope Gregory the Great (pope 590–604) survived, and of those more than 850 letters, the vast majority were concerned with affairs in Italy or Constantinople. The only part of Western Europe where the papacy had influence was Britain, where Gregory had sent the Gregorian mission in 597 to convert the Anglo-Saxons to Christianity.[90] Irish missionaries were most active in Western Europe between the 5th and the 7th centuries, going first to England and Scotland and then on to the continent. Under such monks as Columba (d. 597) and Columbanus (d. 615), they founded monasteries, taught in Latin and Greek, and authored secular and religious works.[91] The Early Middle Ages witnessed the rise of monasticism in the West. The shape of European monasticism was determined by traditions and ideas that originated with the Desert Fathers of Egypt and Syria. Most European monasteries were of the type that focuses on community experience of the spiritual life, called cenobitism, which was pioneered by Pachomius (d. 348) in the 4th century. Monastic ideals spread from Egypt to Western Europe in the 5th and 6th centuries through hagiographical literature such as the Life of Anthony.[92] Benedict of Nursia (d. 547) wrote the Benedictine Rule for Western monasticism during the 6th century, detailing the administrative and spiritual responsibilities of a community of monks led by an abbot.[93] Monks and monasteries had a deep effect on the religious and political life of the Early Middle Ages, in various cases acting as land trusts for powerful families, centres of propaganda and royal support in newly conquered regions, and bases for missions and proselytisation.[94] They were the main and sometimes only outposts of education and literacy in a region. Many of the surviving manuscripts of the Latin classics were copied in monasteries in the Early Middle Ages.[95] Monks were also the authors of new works, including history, theology, and other subjects, written by authors such as Bede (d. 735), a native of northern England who wrote in the late 7th and early 8th centuries.[96] Carolingian Europe Main articles: Francia and Carolingian Empire Map showing growth of Frankish power from 481 to 814 The Frankish kingdom in northern Gaul split into kingdoms called Austrasia, Neustria, and Burgundy during the 6th and 7th centuries, all of them ruled by the Merovingian dynasty, who were descended from Clovis. The 7th century was a tumultuous period of wars between Austrasia and Neustria.[97] Such warfare was exploited by Pippin (d. 640), the Mayor of the Palace for Austrasia who became the power behind the Austrasian throne. Later members of his family inherited the office, acting as advisers and regents. One of his descendants, Charles Martel (d. 741), won the Battle of Poitiers in 732, halting the advance of Muslim armies across the Pyrenees.[98][I] Great Britain was divided into small states dominated by the kingdoms of Northumbria, Mercia, Wessex, and East Anglia which descended from the Anglo-Saxon invaders. Smaller kingdoms in present-day Wales and Scotland were still under the control of the native Britons and Picts.[100] Ireland was divided into even smaller political units, usually known as tribal kingdoms, under the control of kings. There were perhaps as many as 150 local kings in Ireland, of varying importance.[101] The Carolingian dynasty, as the successors to Charles Martel are known, officially took control of the kingdoms of Austrasia and Neustria in a coup of 753 led by Pippin III (r. 752–768). A contemporary chronicle claims that Pippin sought, and gained, authority for this coup from Pope Stephen II (pope 752–757). Pippin's takeover was reinforced with propaganda that portrayed the Merovingians as inept or cruel rulers, exalted the accomplishments of Charles Martel, and circulated stories of the family's great piety. At the time of his death in 768, Pippin left his kingdom in the hands of his two sons, Charles (r. 768–814) and Carloman (r. 768–771). When Carloman died of natural causes, Charles blocked the succession of Carloman's young son and installed himself as the king of the united Austrasia and Neustria. Charles, more often known as Charles the Great or Charlemagne, embarked upon a programme of systematic expansion in 774 that unified a large portion of Europe, eventually controlling modern-day France, northern Italy, and Saxony. In the wars that lasted beyond 800, he rewarded allies with war booty and command over parcels of land.[102] In 774, Charlemagne conquered the Lombards, which freed the papacy from the fear of Lombard conquest and marked the beginnings of the Papal States.[103][J] Charlemagne's palace chapel at Aachen, completed in 805[105] The coronation of Charlemagne as emperor on Christmas Day 800 is regarded as a turning point in medieval history, marking a return of the Western Roman Empire, since the new emperor ruled over much of the area previously controlled by the Western emperors.[106] It also marks a change in Charlemagne's relationship with the Byzantine Empire, as the assumption of the imperial title by the Carolingians asserted their equivalence to the Byzantine state.[107] There were several differences between the newly established Carolingian Empire and both the older Western Roman Empire and the concurrent Byzantine Empire. The Frankish lands were rural in character, with only a few small cities. Most of the people were peasants settled on small farms. Little trade existed and much of that was with the British Isles and Scandinavia, in contrast to the older Roman Empire with its trading networks centred on the Mediterranean.[106] The empire was administered by an itinerant court that travelled with the emperor, as well as approximately 300 imperial officials called counts, who administered the counties the empire had been divided into. Clergy and local bishops served as officials, as well as the imperial officials called missi dominici, who served as roving inspectors and troubleshooters.[108] Carolingian Renaissance Main article: Carolingian Renaissance Charlemagne's court in Aachen was the centre of the cultural revival sometimes referred to as the "Carolingian Renaissance". Literacy increased, as did development in the arts, architecture and jurisprudence, as well as liturgical and scriptural studies. The English monk Alcuin (d. 804) was invited to Aachen and brought the education available in the monasteries of Northumbria. Charlemagne's chancery—or writing office—made use of a new script today known as Carolingian minuscule,[K] allowing a common writing style that advanced communication across much of Europe. Charlemagne sponsored changes in church liturgy, imposing the Roman form of church service on his domains, as well as the Gregorian chant in liturgical music for the churches. An important activity for scholars during this period was the copying, correcting, and dissemination of basic works on religious and secular topics, with the aim of encouraging learning. New works on religious topics and schoolbooks were also produced.[110] Grammarians of the period modified the Latin language, changing it from the Classical Latin of the Roman Empire into a more flexible form to fit the needs of the Church and government. By the reign of Charlemagne, the language had so diverged from the classical Latin that it was later called Medieval Latin.[111] Breakup of the Carolingian Empire Main articles: Holy Roman Empire and Viking Age Territorial divisions of the Carolingian Empire in 843, 855, and 870 Charlemagne planned to continue the Frankish tradition of dividing his kingdom between all his heirs, but was unable to do so as only one son, Louis the Pious (r. 814–840), was still alive by 813. Just before Charlemagne died in 814, he crowned Louis as his successor. Louis's reign of 26 years was marked by numerous divisions of the empire among his sons and, after 829, civil wars between various alliances of father and sons over the control of various parts of the empire. Eventually, Louis recognised his eldest son Lothair I (d. 855) as emperor and gave him Italy.[L] Louis divided the rest of the empire between Lothair and Charles the Bald (d. 877), his youngest son. Lothair took East Francia, comprising both banks of the Rhine and eastwards, leaving Charles West Francia with the empire to the west of the Rhineland and the Alps. Louis the German (d. 876), the middle child, who had been rebellious to the last, was allowed to keep Bavaria under the suzerainty of his elder brother. The division was disputed. Pepin II of Aquitaine (d. after 864), the emperor's grandson, rebelled in a contest for Aquitaine, while Louis the German tried to annex all of East Francia. Louis the Pious died in 840, with the empire still in chaos.[113] A three-year civil war followed his death. By the Treaty of Verdun (843), a kingdom between the Rhine and Rhone rivers was created for Lothair to go with his lands in Italy, and his imperial title was recognised. Louis the German was in control of Bavaria and the eastern lands in modern-day Germany. Charles the Bald received the western Frankish lands, comprising most of modern-day France.[113] Charlemagne's grandsons and great-grandsons divided their kingdoms between their descendants, eventually causing all internal cohesion to be lost.[114][M] In 987 the Carolingian dynasty was replaced in the western lands, with the crowning of Hugh Capet (r. 987–996) as king.[N][O] In the eastern lands the dynasty had died out earlier, in 911, with the death of Louis the Child,[117] and the selection of the unrelated Conrad I (r. 911–918) as king.[118] The breakup of the Carolingian Empire was accompanied by invasions, migrations, and raids by external foes. The Atlantic and northern shores were harassed by the Vikings, who also raided the British Isles and settled there as well as in Iceland. In 911, the Viking chieftain Rollo (d. c. 931) received permission from the Frankish King Charles the Simple (r. 898–922) to settle in what became Normandy.[119][P] The eastern parts of the Frankish kingdoms, especially Germany and Italy, were under continual Magyar assault until the invader's defeat at the Battle of Lechfeld in 955.[121] The breakup of the Abbasid dynasty meant that the Islamic world fragmented into smaller political states, some of which began expanding into Italy and Sicily, as well as over the Pyrenees into the southern parts of the Frankish kingdoms.[122] New kingdoms and Byzantine revival Main articles: Byzantine Empire under the Macedonian dynasty, Byzantine Empire under the Isaurian dynasty, First Bulgarian Empire, Christianisation of Bulgaria, Kingdom of Germany, Christianisation of Scandinavia, and Christianisation of Kievan Rus' See also: Byzantine–Arab wars (780–1180) and Byzantine–Bulgarian wars Europe in 900 Efforts by local kings to fight the invaders led to the formation of new political entities. In Anglo-Saxon England, King Alfred the Great (r. 871–899) came to an agreement with the Viking invaders in the late 9th century, resulting in Danish settlements in Northumbria, Mercia, and parts of East Anglia.[123] By the middle of the 10th century, Alfred's successors had conquered Northumbria, and restored English control over most of the southern part of Great Britain.[124] In northern Britain, Kenneth MacAlpin (d. c. 860) united the Picts and the Scots into the Kingdom of Alba.[125] In the early 10th century, the Ottonian dynasty had established itself in Germany, and was engaged in driving back the Magyars. Its efforts culminated in the coronation in 962 of Otto I (r. 936–973) as Holy Roman Emperor.[126] In 972, he secured recognition of his title by the Byzantine Empire, which he sealed with the marriage of his son Otto II (r. 967–983) to Theophanu (d. 991), daughter of an earlier Byzantine Emperor Romanos II (r. 959–963).[127] By the late 10th century Italy had been drawn into the Ottonian sphere after a period of instability;[128] Otto III (r. 996–1002) spent much of his later reign in the kingdom.[129] The western Frankish kingdom was more fragmented, and although kings remained nominally in charge, much of the political power devolved to the local lords.[130] 10th-century Ottonian ivory plaque depicting Christ receiving a church from Otto I Missionary efforts to Scandinavia during the 9th and 10th centuries helped strengthen the growth of kingdoms such as Sweden, Denmark, and Norway, which gained power and territory. Some kings converted to Christianity, although not all by 1000. Scandinavians also expanded and colonised throughout Europe. Besides the settlements in Ireland, England, and Normandy, further settlement took place in what became Russia and Iceland. Swedish traders and raiders ranged down the rivers of the Russian steppe, and even attempted to seize Constantinople in 860 and 907.[131] Christian Spain, initially driven into a small section of the peninsula in the north, expanded slowly south during the 9th and 10th centuries, establishing the kingdoms of Asturias and León.[132] In Eastern Europe, Byzantium revived its fortunes under Emperor Basil I (r. 867–886) and his successors Leo VI (r. 886–912) and Constantine VII (r. 913–959), members of the Macedonian dynasty. Commerce revived and the emperors oversaw the extension of a uniform administration to all the provinces. The military was reorganised, which allowed the emperors John I (r. 969–976) and Basil II (r. 976–1025) to expand the frontiers of the empire on all fronts. The imperial court was the centre of a revival of classical learning, a process known as the Macedonian Renaissance. Writers such as John Geometres (fl. early 10th century) composed new hymns, poems, and other works.[133] Missionary efforts by both Eastern and Western clergy resulted in the conversion of the Moravians, Bulgars, Bohemians, Poles, Magyars, and Slavic inhabitants of the Kievan Rus'. These conversions contributed to the founding of political states in the lands of those peoples—the states of Moravia, Bulgaria, Bohemia, Poland, Hungary, and the Kievan Rus'.[134] Bulgaria, which was founded around 680, at its height reached from Budapest to the Black Sea and from the Dnieper River in modern Ukraine to the Adriatic Sea.[135] By 1018, the last Bulgarian nobles had surrendered to the Byzantine Empire.[136] Art and architecture Main articles: Medieval art and Medieval architecture See also: Migration Period art, Pre-Romanesque art and architecture, and Carolingian art A page from the Book of Kells, an illuminated manuscript created in the British Isles in the late 8th or early 9th century[137] Few large stone buildings were constructed between the Constantinian basilicas of the 4th century and the 8th century, although many smaller ones were built during the 6th and 7th centuries. By the beginning of the 8th century, the Carolingian Empire revived the basilica form of architecture.[138] One feature of the basilica is the use of a transept,[139] or the "arms" of a cross-shaped building that are perpendicular to the long nave.[140] Other new features of religious architecture include the crossing tower and a monumental entrance to the church, usually at the west end of the building.[141] Carolingian art was produced for a small group of figures around the court, and the monasteries and churches they supported. It was dominated by efforts to regain the dignity and classicism of imperial Roman and Byzantine art, but was also influenced by the Insular art of the British Isles. Insular art integrated the energy of Irish Celtic and Anglo-Saxon Germanic styles of ornament with Mediterranean forms such as the book, and established many characteristics of art for the rest of the medieval period. Surviving religious works from the Early Middle Ages are mostly illuminated manuscripts and carved ivories, originally made for metalwork that has since been melted down.[142][143] Objects in precious metals were the most prestigious form of art, but almost all are lost except for a few crosses such as the Cross of Lothair, several reliquaries, and finds such as the Anglo-Saxon burial at Sutton Hoo and the hoards of Gourdon from Merovingian France, Guarrazar from Visigothic Spain and Nagyszentmiklós near Byzantine territory. There are survivals from the large brooches in fibula or penannular form that were a key piece of personal adornment for elites, including the Irish Tara Brooch.[144] Highly decorated books were mostly Gospel Books and these have survived in larger numbers, including the Insular Book of Kells, the Book of Lindisfarne, and the imperial Codex Aureus of St. Emmeram, which is one of the few to retain its "treasure binding" of gold encrusted with jewels.[145] Charlemagne's court seems to have been responsible for the acceptance of figurative monumental sculpture in Christian art,[146] and by the end of the period near life-sized figures such as the Gero Cross were common in important churches.[147] Military and technological developments During the later Roman Empire, the principal military developments were attempts to create an effective cavalry force as well as the continued development of highly specialised types of troops. The creation of heavily armoured cataphract-type soldiers as cavalry was an important feature of the 5th-century Roman military. The various invading tribes had differing emphases on types of soldiers—ranging from the primarily infantry Anglo-Saxon invaders of Britain to the Vandals and Visigoths who had a high proportion of cavalry in their armies.[148] During the early invasion period, the stirrup had not been introduced into warfare, which limited the usefulness of cavalry as shock troops because it was not possible to put the full force of the horse and rider behind blows struck by the rider.[149] The greatest change in military affairs during the invasion period was the adoption of the Hunnic composite bow in place of the earlier, and weaker, Scythian composite bow.[150] Another development was the increasing use of longswords[151] and the progressive replacement of scale armour by mail armour and lamellar armour.[152] The importance of infantry and light cavalry began to decline during the early Carolingian period, with a growing dominance of elite heavy cavalry. The use of militia-type levies of the free population declined over the Carolingian period.[153] Although much of the Carolingian armies were mounted, a large proportion during the early period appear to have been mounted infantry, rather than true cavalry.[154] One exception was Anglo-Saxon England, where the armies were still composed of regional levies, known as the fyrd, which were led by the local elites.[155] In military technology, one of the main changes was the return of the crossbow, which had been known in Roman times and reappeared as a military weapon during the last part of the Early Middle Ages.[156] Another change was the introduction of the stirrup, which increased the effectiveness of cavalry as shock troops. A technological advance that had implications beyond the military was the horseshoe, which allowed horses to be used in rocky terrain.[157] High Middle Ages Main article: High Middle Ages Society and economic life Further information: Agriculture in the Middle Ages Medieval French manuscript illustration of the three classes of medieval society: those who prayed (the clergy) those who fought (the knights), and those who worked (the peasantry).[158] The relationship between these classes was governed by feudalism and manorialism.[159] (Li Livres dou Sante, 13th century) The High Middle Ages was a period of tremendous expansion of population. The estimated population of Europe grew from 35 to 80 million between 1000 and 1347, although the exact causes remain unclear: improved agricultural techniques, the decline of slaveholding, a more clement climate and the lack of invasion have all been suggested.[160][161] As much as 90 per cent of the European population remained rural peasants. Many were no longer settled in isolated farms but had gathered into small communities, usually known as manors or villages.[161] These peasants were often subject to noble overlords and owed them rents and other services, in a system known as manorialism. There remained a few free peasants throughout this period and beyond,[162] with more of them in the regions of Southern Europe than in the north. The practice of assarting, or bringing new lands into production by offering incentives to the peasants who settled them, also contributed to the expansion of population.[163] The open-field system of agriculture was commonly practiced in most of Europe, especially in "northwestern and central Europe".[164] Such agricultural communities had three basic characteristics: individual peasant holdings in the form of strips of land were scattered among the different fields belonging to the manor; crops were rotated from year to year to preserve soil fertility; and common land was used for grazing livestock and other purposes. Some regions used a three-field system of crop rotation, others retained the older two-field system.[165] Other sections of society included the nobility, clergy, and townsmen. Nobles, both the titled nobility and simple knights, exploited the manors and the peasants, although they did not own lands outright but were granted rights to the income from a manor or other lands by an overlord through the system of feudalism. During the 11th and 12th centuries, these lands, or fiefs, came to be considered hereditary, and in most areas they were no longer divisible between all the heirs as had been the case in the early medieval period. Instead, most fiefs and lands went to the eldest son.[166][Q] The dominance of the nobility was built upon its control of the land, its military service as heavy cavalry, control of castles, and various immunities from taxes or other impositions.[R] Castles, initially in wood but later in stone, began to be constructed in the 9th and 10th centuries in response to the disorder of the time, and provided protection from invaders as well as allowing lords defence from rivals. Control of castles allowed the nobles to defy kings or other overlords.[168] Nobles were stratified; kings and the highest-ranking nobility controlled large numbers of commoners and large tracts of land, as well as other nobles. Beneath them, lesser nobles had authority over smaller areas of land and fewer people. Knights were the lowest level of nobility; they controlled but did not own land, and had to serve other nobles.[169][S] The clergy was divided into two types: the secular clergy, who lived out in the world, and the regular clergy, who lived isolated under a religious rule and usually consisted of monks.[171] Throughout the period monks remained a very small proportion of the population, usually less than one percent.[172] Most of the regular clergy were drawn from the nobility, the same social class that served as the recruiting ground for the upper levels of the secular clergy. The local parish priests were often drawn from the peasant class.[173] Townsmen were in a somewhat unusual position, as they did not fit into the traditional three-fold division of society into nobles, clergy, and peasants. During the 12th and 13th centuries, the ranks of the townsmen expanded greatly as existing towns grew and new population centres were founded.[174] But throughout the Middle Ages the population of the towns probably never exceeded 10 percent of the total population.[175] 13th-century illustration of a Jew (in pointed Jewish hat) and the Christian Petrus Alphonsi debating Jews also spread across Europe during the period. Communities were established in Germany and England in the 11th and 12th centuries, but Spanish Jews, long settled in Spain under the Muslims, came under Christian rule and increasing pressure to convert to Christianity.[79] Most Jews were confined to the cities, as they were not allowed to own land or be peasants.[176][T] Besides the Jews, there were other non-Christians on the edges of Europe—pagan Slavs in Eastern Europe and Muslims in Southern Europe.[177] Women in the Middle Ages were officially required to be subordinate to some male, whether their father, husband, or other kinsman. Widows, who were often allowed much control over their own lives, were still restricted legally. Women's work generally consisted of household or other domestically inclined tasks. Peasant women were usually responsible for taking care of the household, child-care, as well as gardening and animal husbandry near the house. They could supplement the household income by spinning or brewing at home. At harvest-time, they were also expected to help with field-work.[178] Townswomen, like peasant women, were responsible for the household, and could also engage in trade. What trades were open to women varied by country and period.[179] Noblewomen were responsible for running a household, and could occasionally be expected to handle estates in the absence of male relatives, but they were usually restricted from participation in military or government affairs. The only role open to women in the Church was that of nuns, as they were unable to become priests.[178] In central and northern Italy and in Flanders, the rise of towns that were to a degree self-governing stimulated economic growth and created an environment for new types of trade associations. Commercial cities on the shores of the Baltic entered into agreements known as the Hanseatic League, and the Italian Maritime republics such as Venice, Genoa, and Pisa expanded their trade throughout the Mediterranean.[U] Great trading fairs were established and flourished in northern France during the period, allowing Italian and German merchants to trade with each other as well as local merchants.[181] In the late 13th century new land and sea routes to the Far East were pioneered, famously described in The Travels of Marco Polo written by one of the traders, Marco Polo (d. 1324).[182] Besides new trading opportunities, agricultural and technological improvements enabled an increase in crop yields, which in turn allowed the trade networks to expand.[183] Rising trade brought new methods of dealing with money, and gold coinage was again minted in Europe, first in Italy and later in France and other countries. New forms of commercial contracts emerged, allowing risk to be shared among merchants. Accounting methods improved, partly through the use of double-entry bookkeeping; letters of credit also appeared, allowing easy transmission of money.[184] Rise of state power Main articles: England in the Middle Ages, France in the Middle Ages, Germany in the Middle Ages, Italy in the Middle Ages, Scotland in the Middle Ages, Spain in the Middle Ages, and Poland in the Middle Ages Europe and the Mediterranean Sea in 1190 The High Middle Ages was the formative period in the history of the modern Western state. Kings in France, England, and Spain consolidated their power, and set up lasting governing institutions.[185] New kingdoms such as Hungary and Poland, after their conversion to Christianity, became Central European powers.[186] The Magyars settled Hungary around 900 under King Árpád (d. c. 907) after a series of invasions in the 9th century.[187] The papacy, long attached to an ideology of independence from secular kings, first asserted its claim to temporal authority over the entire Christian world; the Papal Monarchy reached its apogee in the early 13th century under the pontificate of Innocent III (pope 1198–1216).[188] Northern Crusades and the advance of Christian kingdoms and military orders into previously pagan regions in the Baltic and Finnic north-east brought the forced assimilation of numerous native peoples into European culture.[189] During the early High Middle Ages, Germany was ruled by the Ottonian dynasty, which struggled to control the powerful dukes ruling over territorial duchies tracing back to the Migration period. In 1024, they were replaced by the Salian dynasty, who famously clashed with the papacy under Emperor Henry IV (r. 1084–1105) over Church appointments as part of the Investiture Controversy.[190] His successors continued to struggle against the papacy as well as the German nobility. A period of instability followed the death of Emperor Henry V (r. 1111–25), who died without heirs, until Frederick I Barbarossa (r. 1155–90) took the imperial throne.[191] Although he ruled effectively, the basic problems remained, and his successors continued to struggle into the 13th century.[192] Barbarossa's grandson Frederick II (r. 1220–1250), who was also heir to the throne of Sicily through his mother, clashed repeatedly with the papacy. His court was famous for its scholars and he was often accused of heresy.[193] He and his successors faced many difficulties, including the invasion of the Mongols into Europe in the mid-13th century. Mongols first shattered the Kievan Rus' principalities and then invaded Eastern Europe in 1241, 1259, and 1287.[194] The Bayeux Tapestry (detail) showing William the Conqueror (centre), his half-brothers Robert, Count of Mortain (right) and Odo, Bishop of Bayeux in the Duchy of Normandy (left) Under the Capetian dynasty the French monarchy slowly began to expand its authority over the nobility, growing out of the Île-de-France to exert control over more of the country in the 11th and 12th centuries.[195] They faced a powerful rival in the Dukes of Normandy, who in 1066 under William the Conqueror (duke 1035–1087), conquered England (r. 1066–87) and created a cross-channel empire that lasted, in various forms, throughout the rest of the Middle Ages.[196][197] Normans also settled in Sicily and southern Italy, when Robert Guiscard (d. 1085) landed there in 1059 and established a duchy that later became the Kingdom of Sicily.[198] Under the Angevin dynasty of Henry II (r. 1154–89) and his son Richard I (r. 1189–99), the kings of England ruled over England and large areas of France,[199][V] brought to the family by Henry II's marriage to Eleanor of Aquitaine (d. 1204), heiress to much of southern France.[201][W] Richard's younger brother John (r. 1199–1216) lost Normandy and the rest of the northern French possessions in 1204 to the French King Philip II Augustus (r. 1180–1223). This led to dissension among the English nobility, while John's financial exactions to pay for his unsuccessful attempts to regain Normandy led in 1215 to Magna Carta, a charter that confirmed the rights and privileges of free men in England. Under Henry III (r. 1216–72), John's son, further concessions were made to the nobility, and royal power was diminished.[202] The French monarchy continued to make gains against the nobility during the late 12th and 13th centuries, bringing more territories within the kingdom under the king's personal rule and centralising the royal administration.[203] Under Louis IX (r. 1226–70), royal prestige rose to new heights as Louis served as a mediator for most of Europe.[204][X] In Iberia, the Christian states, which had been confined to the north-western part of the peninsula, began to push back against the Islamic states in the south, a period known as the Reconquista.[206] By about 1150, the Christian north had coalesced into the five major kingdoms of León, Castile, Aragon, Navarre, and Portugal.[207] Southern Iberia remained under control of Islamic states, initially under the Caliphate of Córdoba, which broke up in 1031 into a shifting number of petty states known as taifas,[206] who fought with the Christians until the Almohad Caliphate re-established centralised rule over Southern Iberia in the 1170s.[208] Christian forces advanced again in the early 13th century, culminating in the capture of Seville in 1248.[209] Crusades Main articles: Crusades, Reconquista, and Northern Crusades See also: Byzantine Empire under the Macedonian dynasty and Byzantine Empire under the Komnenos dynasty Krak des Chevaliers was built during the Crusades for the Knights Hospitallers.[210] In the 11th century, the Seljuk Turks took over much of the Middle East, occupying Persia during the 1040s, Armenia in the 1060s, and Jerusalem in 1070. In 1071, the Turkish army defeated the Byzantine army at the Battle of Manzikert and captured the Byzantine Emperor Romanus IV (r. 1068–71). The Turks were then free to invade Asia Minor, which dealt a dangerous blow to the Byzantine Empire by seizing a large part of its population and its economic heartland. Although the Byzantines regrouped and recovered somewhat, they never fully regained Asia Minor and were often on the defensive. The Turks also had difficulties, losing control of Jerusalem to the Fatimids of Egypt and suffering from a series of internal civil wars.[211] The Byzantines also faced a revived Bulgaria, which in the late 12th and 13th centuries spread throughout the Balkans.[212] The crusades were intended to seize Jerusalem from Muslim control. The First Crusade was proclaimed by Pope Urban II (pope 1088–99) at the Council of Clermont in 1095 in response to a request from the Byzantine Emperor Alexios I Komnenos (r. 1081–1118) for aid against further Muslim advances. Urban promised indulgence to anyone who took part. Tens of thousands of people from all levels of society mobilised across Europe and captured Jerusalem in 1099.[213] One feature of the crusades was the pogroms against local Jews that often took place as the crusaders left their countries for the East. These were especially brutal during the First Crusade,[79] when the Jewish communities in Cologne, Mainz, and Worms were destroyed, as well as other communities in cities between the rivers Seine and the Rhine.[214] Another outgrowth of the crusades was the foundation of a new type of monastic order, the military orders of the Templars and Hospitallers, which fused monastic life with military service.[215] The crusaders consolidated their conquests into crusader states. During the 12th and 13th centuries, there were a series of conflicts between them and the surrounding Islamic states. Appeals from the crusader states to the papacy led to further crusades,[213] such as the Third Crusade, called to try to regain Jerusalem, which had been captured by Saladin (d. 1193) in 1187.[216][Y] In 1203, the Fourth Crusade was diverted from the Holy Land to Constantinople, and captured the city in 1204, setting up a Latin Empire of Constantinople[218] and greatly weakening the Byzantine Empire. The Byzantines recaptured the city in 1261, but never regained their former strength.[219] By 1291 all the crusader states had been captured or forced from the mainland, although a titular Kingdom of Jerusalem survived on the island of Cyprus for several years afterwards.[220] Popes called for crusades to take place elsewhere besides the Holy Land: in Spain, southern France, and along the Baltic.[213] The Spanish crusades became fused with the Reconquista of Spain from the Muslims. Although the Templars and Hospitallers took part in the Spanish crusades, similar Spanish military religious orders were founded, most of which had become part of the two main orders of Calatrava and Santiago by the beginning of the 12th century.[221] Northern Europe also remained outside Christian influence until the 11th century or later, and became a crusading venue as part of the Northern Crusades of the 12th to 14th centuries. These crusades also spawned a military order, the Order of the Sword Brothers. Another order, the Teutonic Knights, although founded in the crusader states, focused much of its activity in the Baltic after 1225, and in 1309 moved its headquarters to Marienburg in Prussia.[222] Intellectual life Main articles: Renaissance of the 12th century, Medieval philosophy, Medieval literature, Medieval poetry, and Medieval medicine of Western Europe During the 11th century, developments in philosophy and theology led to increased intellectual activity. There was debate between the realists and the nominalists over the concept of "universals". Philosophical discourse was stimulated by the rediscovery of Aristotle and his emphasis on empiricism and rationalism. Scholars such as Peter Abelard (d. 1142) and Peter Lombard (d. 1164) introduced Aristotelian logic into theology. In the late 11th and early 12th centuries cathedral schools spread throughout Western Europe, signalling the shift of learning from monasteries to cathedrals and towns.[223] Cathedral schools were in turn replaced by the universities established in major European cities.[224] Philosophy and theology fused in scholasticism, an attempt by 12th- and 13th-century scholars to reconcile authoritative texts, most notably Aristotle and the Bible. This movement tried to employ a systemic approach to truth and reason[225] and culminated in the thought of Thomas Aquinas (d. 1274), who wrote the Summa Theologica, or Summary of Theology.[226] A medieval scholar making precise measurements in a 14th-century manuscript illustration Chivalry and the ethos of courtly love developed in royal and noble courts. This culture was expressed in the vernacular languages rather than Latin, and comprised poems, stories, legends, and popular songs spread by troubadours, or wandering minstrels. Often the stories were written down in the chansons de geste, or "songs of great deeds", such as The Song of Roland or The Song of Hildebrand.[227] Secular and religious histories were also produced.[228] Geoffrey of Monmouth (d. c. 1155) composed his Historia Regum Britanniae, a collection of stories and legends about Arthur.[229] Other works were more clearly history, such as Otto von Freising's (d. 1158) Gesta Friderici Imperatoris detailing the deeds of Emperor Frederick Barbarossa, or William of Malmesbury's (d. c. 1143) Gesta Regum on the kings of England.[228] Legal studies advanced during the 12th century. Both secular law and canon law, or ecclesiastical law, were studied in the High Middle Ages. Secular law, or Roman law, was advanced greatly by the discovery of the Corpus Juris Civilis in the 11th century, and by 1100 Roman law was being taught at Bologna. This led to the recording and standardisation of legal codes throughout Western Europe. Canon law was also studied, and around 1140 a monk named Gratian (fl. 12th century), a teacher at Bologna, wrote what became the standard text of canon law—the Decretum.[230] Among the results of the Greek and Islamic influence on this period in European history was the replacement of Roman numerals with the decimal positional number system and the invention of algebra, which allowed more advanced mathematics. Astronomy advanced following the translation of Ptolemy's Almagest from Greek into Latin in the late 12th century. Medicine was also studied, especially in southern Italy, where Islamic medicine influenced the school at Salerno.[231] Technology and military Main articles: Medieval technology, Medieval warfare, and History of science § Science in the Middle Ages Further information: List of medieval European scientists Portrait of Cardinal Hugh of Saint-Cher by Tommaso da Modena, 1352, the first known depiction of spectacles[232] In the 12th and 13th centuries, Europe experienced economic growth and innovations in methods of production. Major technological advances included the invention of the windmill, the first mechanical clocks, the manufacture of distilled spirits, and the use of the astrolabe.[233] Concave spectacles were invented around 1286 by an unknown Italian artisan, probably working in or near Pisa.[234] The development of a three-field rotation system for planting crops[161][Z] increased the usage of land from one half in use each year under the old two-field system to two-thirds under the new system, with a consequent increase in production.[235] The development of the heavy plough allowed heavier soils to be farmed more efficiently, aided by the spread of the horse collar, which led to the use of draught horses in place of oxen. Horses are faster than oxen and require less pasture, factors that aided the implementation of the three-field system.[236] Legumes – such as peas, beans, or lentils – were grown more widely as crops, in addition to the usual cereal crops of wheat, oats, barley, and rye.[237] The construction of cathedrals and castles advanced building technology, leading to the development of large stone buildings. Ancillary structures included new town halls, houses, bridges, and tithe barns.[238] Shipbuilding improved with the use of the rib and plank method rather than the old Roman system of mortise and tenon. Other improvements to ships included the use of lateen sails and the stern-post rudder, both of which increased the speed at which ships could be sailed.[239] In military affairs, the use of infantry with specialised roles increased. Along with the still-dominant heavy cavalry, armies often included mounted and infantry crossbowmen, as well as sappers and engineers.[240] Crossbows, which had been known in Late Antiquity, increased in use partly because of the increase in siege warfare in the 10th and 11th centuries.[156][AA] The increasing use of crossbows during the 12th and 13th centuries led to the use of closed-face helmets, heavy body armour, as well as horse armour.[242] Gunpowder was known in Europe by the mid-13th century with a recorded use in European warfare by the English against the Scots in 1304, although it was merely used as an explosive and not as a weapon. Cannon were being used for sieges in the 1320s, and hand-held guns were in use by the 1360s.[243] Architecture, art, and music Further information: Medieval architecture, Medieval art, and Medieval music The Romanesque Church of Maria Laach, Germany In the 10th century the establishment of churches and monasteries led to the development of stone architecture that elaborated vernacular Roman forms, from which the term "Romanesque" is derived. Where available, Roman brick and stone buildings were recycled for their materials. From the tentative beginnings known as the First Romanesque, the style flourished and spread across Europe in a remarkably homogeneous form. Just before 1000 there was a great wave of building stone churches all over Europe.[244] Romanesque buildings have massive stone walls, openings topped by semi-circular arches, small windows, and, particularly in France, arched stone vaults.[245] The large portal with coloured sculpture in high relief became a central feature of façades, especially in France, and the capitals of columns were often carved with narrative scenes of imaginative monsters and animals.[246] According to art historian C. R. Dodwell, "virtually all the churches in the West were decorated with wall-paintings", of which few survive.[247] Simultaneous with the development in church architecture, the distinctive European form of the castle was developed and became crucial to politics and warfare.[248] Romanesque art, especially metalwork, was at its most sophisticated in Mosan art, in which distinct artistic personalities including Nicholas of Verdun (d. 1205) become apparent, and an almost classical style is seen in works such as a font at Liège,[249] contrasting with the writhing animals of the exactly contemporary Gloucester Candlestick. Large illuminated bibles and psalters were the typical forms of luxury manuscripts, and wall-painting flourished in churches, often following a scheme with a Last Judgement on the west wall, a Christ in Majesty at the east end, and narrative biblical scenes down the nave, or in the best surviving example, at Saint-Savin-sur-Gartempe, on the barrel-vaulted roof.[250] The Gothic interior of Laon Cathedral, France From the early 12th century, French builders developed the Gothic style, marked by the use of rib vaults, pointed arches, flying buttresses, and large stained glass windows. It was used mainly in churches and cathedrals and continued in use until the 16th century in much of Europe. Classic examples of Gothic architecture include Chartres Cathedral and Reims Cathedral in France as well as Salisbury Cathedral in England.[251] Stained glass became a crucial element in the design of churches, which continued to use extensive wall-paintings, now almost all lost.[252] During this period the practice of manuscript illumination gradually passed from monasteries to lay workshops, so that according to Janetta Benton "by 1300 most monks bought their books in shops",[253] and the book of hours developed as a form of devotional book for lay-people. Metalwork continued to be the most prestigious form of art, with Limoges enamel a popular and relatively affordable option for objects such as reliquaries and crosses.[254] In Italy the innovations of Cimabue and Duccio, followed by the Trecento master Giotto (d. 1337), greatly increased the sophistication and status of panel painting and fresco.[255] Increasing prosperity during the 12th century resulted in greater production of secular art; many carved ivory objects such as gaming-pieces, combs, and small religious figures have survived.[256] Church life Main articles: Gregorian Reform and Church and state in medieval Europe Francis of Assisi, depicted by Bonaventura Berlinghieri in 1235, founded the Franciscan Order.[257] Monastic reform became an important issue during the 11th century, as elites began to worry that monks were not adhering to the rules binding them to a strictly religious life. Cluny Abbey, founded in the Mâcon region of France in 909, was established as part of the Cluniac Reforms, a larger movement of monastic reform in response to this fear.[258] Cluny quickly established a reputation for austerity and rigour. It sought to maintain a high quality of spiritual life by placing itself under the protection of the papacy and by electing its own abbot without interference from laymen, thus maintaining economic and political independence from local lords.[259] Monastic reform inspired change in the secular Church. The ideals upon which it was based were brought to the papacy by Pope Leo IX (pope 1049–1054), and provided the ideology of clerical independence that led to the Investiture Controversy in the late 11th century. This involved Pope Gregory VII (pope 1073–85) and Emperor Henry IV, who initially clashed over episcopal appointments, a dispute that turned into a battle over the ideas of investiture, clerical marriage, and simony. The emperor saw the protection of the Church as one of his responsibilities as well as wanting to preserve the right to appoint his own choices as bishops within his lands, but the papacy insisted on the Church's independence from secular lords. These issues remained unresolved after the compromise of 1122 known as the Concordat of Worms. The dispute represents a significant stage in the creation of a papal monarchy separate from and equal to lay authorities. It also had the permanent consequence of empowering German princes at the expense of the German emperors.[258] Sénanque Abbey, Gordes, France The High Middle Ages was a period of great religious movements. Besides the Crusades and monastic reforms, people sought to participate in new forms of religious life. New monastic orders were founded, including the Carthusians and the Cistercians. The latter, in particular, expanded rapidly in their early years under the guidance of Bernard of Clairvaux (d. 1153). These new orders were formed in response to the feeling of the laity that Benedictine monasticism no longer met the needs of the laymen, who along with those wishing to enter the religious life wanted a return to the simpler hermetical monasticism of early Christianity, or to live an Apostolic life.[215] Religious pilgrimages were also encouraged. Old pilgrimage sites such as Rome, Jerusalem, and Compostela received increasing numbers of visitors, and new sites such as Monte Gargano and Bari rose to prominence.[260] In the 13th century mendicant orders—the Franciscans and the Dominicans—who swore vows of poverty and earned their living by begging, were approved by the papacy.[261] Religious groups such as the Waldensians and the Humiliati also attempted to return to the life of early Christianity in the middle 12th and early 13th centuries, another heretical movement condemned by the papacy. Others joined the Cathars, another movement condemned as heretical by the papacy. In 1209, a crusade was preached against the Cathars, the Albigensian Crusade, which in combination with the medieval Inquisition, eliminated them.[262] Late Middle Ages Main article: Late Middle Ages War, famine, and plague Main article: Crisis of the Late Middle Ages The first years of the 14th century were marked by famines, culminating in the Great Famine of 1315–17.[263] The causes of the Great Famine included the slow transition from the Medieval Warm Period to the Little Ice Age, which left the population vulnerable when bad weather caused crop failures.[264] The years 1313–14 and 1317–21 were excessively rainy throughout Europe, resulting in widespread crop failures.[265] The climate change—which resulted in a declining average annual temperature for Europe during the 14th century—was accompanied by an economic downturn.[266] Execution of some of the ringleaders of the jacquerie, from a 14th-century manuscript of the Chroniques de France ou de St Denis These troubles were followed in 1347 by the Black Death, a pandemic that spread throughout Europe during the following three years.[267][AB] The death toll was probably about 35 million people in Europe, about one-third of the population. Towns were especially hard-hit because of their crowded conditions.[AC] Large areas of land were left sparsely inhabited, and in some places fields were left unworked. Wages rose as landlords sought to entice the reduced number of available workers to their fields. Further problems were lower rents and lower demand for food, both of which cut into agricultural income. Urban workers also felt that they had a right to greater earnings, and popular uprisings broke out across Europe.[270] Among the uprisings were the jacquerie in France, the Peasants' Revolt in England, and revolts in the cities of Florence in Italy and Ghent and Bruges in Flanders. The trauma of the plague led to an increased piety throughout Europe, manifested by the foundation of new charities, the self-mortification of the flagellants, and the scapegoating of Jews.[271] Conditions were further unsettled by the return of the plague throughout the rest of the 14th century; it continued to strike Europe periodically during the rest of the Middle Ages.[267] Society and economy Society throughout Europe was disturbed by the dislocations caused by the Black Death. Lands that had been marginally productive were abandoned, as the survivors were able to acquire more fertile areas.[272] Although serfdom declined in Western Europe it became more common in Eastern Europe, as landlords imposed it on those of their tenants who had previously been free.[273] Most peasants in Western Europe managed to change the work they had previously owed to their landlords into cash rents.[274] The percentage of serfs amongst the peasantry declined from a high of 90 to closer to 50 percent by the end of the period.[170] Landlords also became more conscious of common interests with other landholders, and they joined together to extort privileges from their governments. Partly at the urging of landlords, governments attempted to legislate a return to the economic conditions that existed before the Black Death.[274] Non-clergy became increasingly literate, and urban populations began to imitate the nobility's interest in chivalry.[275] Jewish communities were expelled from England in 1290 and from France in 1306. Although some were allowed back into France, most were not, and many Jews emigrated eastwards, settling in Poland and Hungary.[276] The Jews were expelled from Spain in 1492, and dispersed to Turkey, France, Italy, and Holland.[79] The rise of banking in Italy during the 13th century continued throughout the 14th century, fuelled partly by the increasing warfare of the period and the needs of the papacy to move money between kingdoms. Many banking firms loaned money to royalty, at great risk, as some were bankrupted when kings defaulted on their loans.[277][AD] State resurgence Map of Europe in 1360 Strong, royalty-based nation states rose throughout Europe in the Late Middle Ages, particularly in England, France, and the Christian kingdoms of the Iberian Peninsula: Aragon, Castile, and Portugal. The long conflicts of the period strengthened royal control over their kingdoms and were extremely hard on the peasantry. Kings profited from warfare that extended royal legislation and increased the lands they directly controlled.[278] Paying for the wars required that methods of taxation become more effective and efficient, and the rate of taxation often increased.[279] The requirement to obtain the consent of taxpayers allowed representative bodies such as the English Parliament and the French Estates General to gain power and authority.[280] Joan of Arc in a 15th-century depiction Throughout the 14th century, French kings sought to expand their influence at the expense of the territorial holdings of the nobility.[281] They ran into difficulties when attempting to confiscate the holdings of the English kings in southern France, leading to the Hundred Years' War,[282] waged from 1337 to 1453.[283] Early in the war the English under Edward III (r. 1327–77) and his son Edward, the Black Prince (d. 1376),[AE] won the battles of Crécy and Poitiers, captured the city of Calais, and won control of much of France.[AF] The resulting stresses almost caused the disintegration of the French kingdom during the early years of the war.[286] In the early 15th century, France again came close to dissolving, but in the late 1420s the military successes of Joan of Arc (d. 1431) led to the victory of the French and the capture of the last English possessions in southern France in 1453.[287] The price was high, as the population of France at the end of the Wars was likely half what it had been at the start of the conflict. Conversely, the Wars had a positive effect on English national identity, doing much to fuse the various local identities into a national English ideal. The conflict with France also helped create a national culture in England separate from French culture, which had previously been the dominant influence.[288] The dominance of the English longbow began during early stages of the Hundred Years' War,[289] and cannon appeared on the battlefield at Crécy in 1346.[243] In modern-day Germany, the Holy Roman Empire continued to rule, but the elective nature of the imperial crown meant there was no enduring dynasty around which a strong state could form.[290] Further east, the kingdoms of Poland, Hungary, and Bohemia grew powerful.[291] In Iberia, the Christian kingdoms continued to gain land from the Muslim kingdoms of the peninsula;[292] Portugal concentrated on expanding overseas during the 15th century, while the other kingdoms were riven by difficulties over royal succession and other concerns.[293][294] After losing the Hundred Years' War, England went on to suffer a long civil war known as the Wars of the Roses, which lasted into the 1490s[294] and only ended when Henry Tudor (r. 1485–1509 as Henry VII) became king and consolidated power with his victory over Richard III (r. 1483–85) at Bosworth in 1485.[295] In Scandinavia, Margaret I of Denmark (r. in Denmark 1387–1412) consolidated Norway, Denmark, and Sweden in the Union of Kalmar, which continued until 1523. The major power around the Baltic Sea was the Hanseatic League, a commercial confederation of city-states that traded from Western Europe to Russia.[296] Scotland emerged from English domination under Robert the Bruce (r. 1306–29), who secured papal recognition of his kingship in 1328.[297] Collapse of Byzantium Main articles: Decline of the Byzantine Empire, Byzantine Empire under the Angelos dynasty, Byzantine Empire under the Palaiologos dynasty, Byzantine–Ottoman Wars, and Rise of the Ottoman Empire Although the Palaeologi emperors recaptured Constantinople from the Western Europeans in 1261, they were never able to regain control of much of the former imperial lands. They usually controlled only a small section of the Balkan Peninsula near Constantinople, the city itself, and some coastal lands on the Black Sea and around the Aegean Sea. The former Byzantine lands in the Balkans were divided between the new Kingdom of Serbia, the Second Bulgarian Empire and the city-state of Venice. The power of the Byzantine emperors was threatened by a new Turkish tribe, the Ottomans, who established themselves in Anatolia in the 13th century and steadily expanded throughout the 14th century. The Ottomans expanded into Europe, reducing Bulgaria to a vassal state by 1366 and taking over Serbia after its defeat at the Battle of Kosovo in 1389. Western Europeans rallied to the plight of the Christians in the Balkans and declared a new crusade in 1396; a great army was sent to the Balkans, where it was defeated at the Battle of Nicopolis.[298] Constantinople was finally captured by the Ottomans in 1453.[299] Controversy within the Church Main articles: Western Schism, Bohemian Reformation, and Hussites Guy of Boulogne crowning Pope Gregory XI in a 15th-century miniature from Froissart's Chroniques During the tumultuous 14th century, disputes within the leadership of the Church led to the Avignon Papacy of 1309–76,[300] also called the "Babylonian Captivity of the Papacy" (a reference to the Babylonian captivity of the Jews),[301] and then to the Great Schism, lasting from 1378 to 1418, when there were two and later three rival popes, each supported by several states.[302] Ecclesiastical officials convened at the Council of Constance in 1414, and in the following year the council deposed one of the rival popes, leaving only two claimants. Further depositions followed, and in November 1417, the council elected Martin V (pope 1417–31) as pope.[303] Besides the schism, the Western Church was riven by theological controversies, some of which turned into heresies. John Wycliffe (d. 1384), an English theologian, was condemned as a heretic in 1415 for teaching that the laity should have access to the text of the Bible as well as for holding views on the Eucharist that were contrary to Church doctrine.[304] Wycliffe's teachings influenced two of the major heretical movements of the later Middle Ages: Lollardy in England and Hussitism in Bohemia.[305] The Bohemian movement initiated with the teaching of Jan Hus, who was burned at the stake in 1415, after being condemned as a heretic by the Council of Constance. The Hussite Church, although the target of a crusade, survived beyond the Middle Ages.[306] Other heresies were manufactured, such as the accusations against the Knights Templar that resulted in their suppression in 1312, and the division of their great wealth between the French King Philip IV (r. 1285–1314) and the Hospitallers.[307] The papacy further refined the practice in the Mass in the Late Middle Ages, holding that the clergy alone was allowed to partake of the wine in the Eucharist. This further distanced the secular laity from the clergy. The laity continued the practices of pilgrimages, veneration of relics, and belief in the power of the Devil. Mystics such as Meister Eckhart (d. 1327) and Thomas à Kempis (d. 1471) wrote works that taught the laity to focus on their inner spiritual life, which laid the groundwork for the Protestant Reformation. Besides mysticism, belief in witches and witchcraft became widespread, and by the late 15th century the Church had begun to lend credence to populist fears of witchcraft with its condemnation of witches in 1484, and the publication in 1486 of the Malleus Maleficarum, the most popular handbook for witch-hunters.[308] Scholars, intellectuals, and exploration See also: Europeans in Medieval China During the Later Middle Ages, theologians such as John Duns Scotus (d. 1308) and William of Ockham (d. c. 1348)[225] led a reaction against intellectualist scholasticism, objecting to the application of reason to faith. Their efforts undermined the prevailing Platonic idea of universals. Ockham's insistence that reason operates independently of faith allowed science to be separated from theology and philosophy.[309] Legal studies were marked by the steady advance of Roman law into areas of jurisprudence previously governed by customary law. The lone exception to this trend was in England, where the common law remained pre-eminent. Other countries codified their laws; legal codes were promulgated in Castile, Poland, and Lithuania.[310] Clerics studying astronomy and geometry, French, early 15th century Education remained mostly focused on the training of future clergy. The basic learning of the letters and numbers remained the province of the family or a village priest, but the secondary subjects of the trivium—grammar, rhetoric, logic—were studied in cathedral schools or in schools provided by cities. Commercial secondary schools spread, and some Italian towns had more than one such enterprise. Universities also spread throughout Europe in the 14th and 15th centuries. Lay literacy rates rose, but were still low; one estimate gave a literacy rate of 10 per cent of males and 1 per cent of females in 1500.[311] The publication of vernacular literature increased, with Dante (d. 1321), Petrarch (d. 1374) and Giovanni Boccaccio (d. 1375) in 14th-century Italy, Geoffrey Chaucer (d. 1400) and William Langland (d. c. 1386) in England, and François Villon (d. 1464) and Christine de Pizan (d. c. 1430) in France. Much literature remained religious in character, and although a great deal of it continued to be written in Latin, a new demand developed for saints' lives and other devotional tracts in the vernacular languages.[310] This was fed by the growth of the Devotio Moderna movement, most prominently in the formation of the Brethren of the Common Life, but also in the works of German mystics such as Meister Eckhart and Johannes Tauler (d. 1361).[312] Theatre also developed in the guise of miracle plays put on by the Church.[310] At the end of the period, the development of the printing press in about 1450 led to the establishment of publishing houses throughout Europe by 1500.[313] In the early 15th century, the countries of the Iberian Peninsula began to sponsor exploration beyond the boundaries of Europe. Prince Henry the Navigator of Portugal (d. 1460) sent expeditions that discovered the Canary Islands, the Azores, and Cape Verde during his lifetime. After his death, exploration continued; Bartolomeu Dias (d. 1500) went around the Cape of Good Hope in 1486, and Vasco da Gama (d. 1524) sailed around Africa to India in 1498.[314] The combined Spanish monarchies of Castile and Aragon sponsored the voyage of exploration by Christopher Columbus (d. 1506) in 1492 that discovered the Americas.[315] The English crown under Henry VII sponsored the voyage of John Cabot (d. 1498) in 1497, which landed on Cape Breton Island.[316] Technological and military developments Agricultural calendar, c. 1470, from a manuscript of Pietro de Crescenzi One of the major developments in the military sphere during the Late Middle Ages was the increased use of infantry and light cavalry.[317] The English also employed longbowmen, but other countries were unable to create similar forces with the same success.[318] Armour continued to advance, spurred by the increasing power of crossbows, and plate armour was developed to protect soldiers from crossbows as well as the hand-held guns that were developed.[319] Pole arms reached new prominence with the development of the Flemish and Swiss infantry armed with pikes and other long spears.[320] In agriculture, the increased usage of sheep with long-fibred wool allowed a stronger thread to be spun. In addition, the spinning wheel replaced the traditional distaff for spinning wool, tripling production.[321][AG] A less technological refinement that still greatly affected daily life was the use of buttons as closures for garments, which allowed for better fitting without having to lace clothing on the wearer.[323] Windmills were refined with the creation of the tower mill, allowing the upper part of the windmill to be spun around to face the direction from which the wind was blowing.[324] The blast furnace appeared around 1350 in Sweden, increasing the quantity of iron produced and improving its quality.[325] The first patent law in 1447 in Venice protected the rights of inventors to their inventions.[326] Late medieval art and architecture February scene from the 15th-century illuminated manuscript Très Riches Heures du Duc de Berry The Late Middle Ages in Europe as a whole correspond to the Trecento and Early Renaissance cultural periods in Italy. Northern Europe and Spain continued to use Gothic styles, which became increasingly elaborate in the 15th century, until almost the end of the period. International Gothic was a courtly style that reached much of Europe in the decades around 1400, producing masterpieces such as the Très Riches Heures du Duc de Berry.[327] All over Europe secular art continued to increase in quantity and quality, and in the 15th century the mercantile classes of Italy and Flanders became important patrons, commissioning small portraits of themselves in oils as well as a growing range of luxury items such as jewellery, ivory caskets, cassone chests, and maiolica pottery. These objects also included the Hispano-Moresque ware produced by mostly Mudéjar potters in Spain. Although royalty owned huge collections of plate, little survives except for the Royal Gold Cup.[328] Italian silk manufacture developed, so that Western churches and elites no longer needed to rely on imports from Byzantium or the Islamic world. In France and Flanders tapestry weaving of sets like The Lady and the Unicorn became a major luxury industry.[329] The large external sculptural schemes of Early Gothic churches gave way to more sculpture inside the building, as tombs became more elaborate and other features such as pulpits were sometimes lavishly carved, as in the Pulpit by Giovanni Pisano in Sant'Andrea. Painted or carved wooden relief altarpieces became common, especially as churches created many side-chapels. Early Netherlandish painting by artists such as Jan van Eyck (d. 1441) and Rogier van der Weyden (d. 1464) rivalled that of Italy, as did northern illuminated manuscripts, which in the 15th century began to be collected on a large scale by secular elites, who also commissioned secular books, especially histories. From about 1450 printed books rapidly became popular, though still expensive. There were around 30,000 different editions of incunabula, or works printed before 1500,[330] by which time illuminated manuscripts were commissioned only by royalty and a few others. Very small woodcuts, nearly all religious, were affordable even by peasants in parts of Northern Europe from the middle of the 15th century. More expensive engravings supplied a wealthier market with a variety of images.[331] Modern perceptions See also: Dark Ages (historiography), Medieval studies, and Middle Ages in popular culture Medieval illustration of the spherical Earth in a 14th-century copy of L'Image du monde The medieval period is frequently caricatured as a "time of ignorance and superstition" that placed "the word of religious authorities over personal experience and rational activity."[332] This is a legacy from both the Renaissance and Enlightenment when scholars favourably contrasted their intellectual cultures with those of the medieval period. Renaissance scholars saw the Middle Ages as a period of decline from the high culture and civilisation of the Classical world. Enlightenment scholars saw reason as superior to faith, and thus viewed the Middle Ages as a time of ignorance and superstition.[16] Others argue that reason was generally held in high regard during the Middle Ages. Science historian Edward Grant writes, "If revolutionary rational thoughts were expressed [in the 18th century], they were only made possible because of the long medieval tradition that established the use of reason as one of the most important of human activities".[333] Also, contrary to common belief, David Lindberg writes, "the late medieval scholar rarely experienced the coercive power of the Church and would have regarded himself as free (particularly in the natural sciences) to follow reason and observation wherever they led".[334] The caricature of the period is also reflected in some more specific notions. One misconception, first propagated in the 19th century[335] and still very common, is that all people in the Middle Ages believed that the Earth was flat.[335] This is untrue, as lecturers in the medieval universities commonly argued that evidence showed the Earth was a sphere.[336] Lindberg and Ronald Numbers, another scholar of the period, state that there "was scarcely a Christian scholar of the Middle Ages who did not acknowledge [Earth's] sphericity and even know its approximate circumference".[337] Other misconceptions such as "the Church prohibited autopsies and dissections during the Middle Ages", "the rise of Christianity killed off ancient science", or "the medieval Christian Church suppressed the growth of natural philosophy", are all cited by Numbers as examples of widely popular myths that still pass as historical truth, although they are not supported by historical research." (wikipedia.org) "Vikings[a] is the modern name given to seafaring people primarily[3] from Scandinavia (present-day Denmark, Norway and Sweden),[4][5][6] who from the late 8th to the late 11th centuries raided, pirated, traded and settled throughout parts of Europe.[7][8][9] They also voyaged as far as the Mediterranean, North Africa, the Middle East, and North America. In some of the countries they raided and settled in, this period is popularly known as the Viking Age, and the term "Viking" also commonly includes the inhabitants of the Scandinavian homelands as a collective whole. The Vikings had a profound impact on the early medieval history of Scandinavia, the British Isles, France, Estonia, and Kievan Rus'.[10] Expert sailors and navigators aboard their characteristic longships, Vikings established Norse settlements and governments in the British Isles, Ireland, the Faroe Islands, Iceland, Greenland, Normandy, the Baltic coast, and along the Dnieper and Volga trade routes in what is now European Russia, Belarus[11] and Ukraine[12] (where they were also known as Varangians). The Normans, Norse-Gaels, Rus' people, Faroese and Icelanders emerged from these Norse colonies. The Vikings also voyaged to Constantinople, Iran,[13] and Arabia.[14] They were the first Europeans to reach North America, briefly settling in Newfoundland (Vinland). While spreading Norse culture to foreign lands, they simultaneously brought home slaves, concubines and foreign cultural influences to Scandinavia, profoundly influencing the genetic[15] and historical development of both. During the Viking Age the Norse homelands were gradually consolidated from smaller kingdoms into three larger kingdoms: Denmark, Norway and Sweden. The Vikings spoke Old Norse and made inscriptions in runes. For most of the period they followed the Old Norse religion, but later became Christians. The Vikings had their own laws, art and architecture. Most Vikings were also farmers, fishermen, craftsmen and traders. Popular conceptions of the Vikings often strongly differ from the complex, advanced civilisation of the Norsemen that emerges from archaeology and historical sources. A romanticised picture of Vikings as noble savages began to emerge in the 18th century; this developed and became widely propagated during the 19th-century Viking revival.[16][17] Perceived views of the Vikings as violent, piratical heathens or as intrepid adventurers owe much to conflicting varieties of the modern Viking myth that had taken shape by the early 20th century. Current popular representations of the Vikings are typically based on cultural clichés and stereotypes, complicating modern appreciation of the Viking legacy. These representations are rarely accurate—for example, there is no evidence that they wore horned helmets, a costume element that first appeared in Wagnerian opera.... Etymology Runestone raised in memory of Tóki the Viking.[18] The etymology of "viking" is uncertain. In the Middle Ages it came to mean Scandinavian pirate or raider.[19][20][21] The Anglo-Saxons regarded the word wicing as synonymous with pirate. This is because in various Old English sources the word wicing is translated into the Latin pirata. It was not seen as a reference to nationality, with other terms such as Norðmenn (Northmen) and Dene (Danes) being used for that. In Asser's 'Life of Alfred' the Danes are referred to as pagani (pagans) not piratae (pirates). However, Asser's Latin pagani is more often than not translated as 'the Vikings', in modern English, which some regard as a mistranslation.[22] The earliest reference to wicing (viking), in English sources, is from the Épinal-Erfurt glossary that was created around 700.[23] However there is a problem with this, as the first known attack by viking raiders in England, at Lindisfarne, was not till the end of the 8th century nearly a hundred years after the reference in the Épinal-Erfurt glossary.[24]Also the origin of the word itself is disputed, with some believing that it is a loan-word from Old Norse.[25] The form occurs as a personal name on some Swedish runestones. The stone of Tóki víking (Sm 10) was raised in memory of a local man named Tóki who got the name Tóki víking (Toki the Viking), presumably because of his activities as a Viking.[26] The Gårdstånga Stone (DR 330) uses the phrase "Þeʀ drængaʀ waʀu wiða unesiʀ i wikingu" (These valiant men were widely renowned on viking raids),[27] referring to the stone's dedicatees as Vikings. The Västra Strö 1 Runestone has an inscription in memory of a Björn, who was killed when "on a viking raid".[28][29] In Sweden there is a locality known since the Middle Ages as Vikingstad. The Bro Stone (U 617) was raised in memory of Assur who is said to have protected the land from Vikings (Saʀ vaʀ vikinga vorðr með Gæiti).[30][31] There is little indication of any negative connotation in the term before the end of the Viking Age. Other theories suggest that its origin is from the Old English wicing and Old Frisian wizing that are almost 300 years older, and probably derive from wic itself related to the Latin vicus "village, habitation".[25] Another less popular theory is that víking from the feminine vík, meaning "creek, inlet, small bay".[32] Various theories have been offered that the word viking may be derived from the name of the historical Norwegian district of Víkin, meaning "a person from Víkin". However, there are a few major problems with this theory. People from the Viken area were not called "Viking" in Old Norse manuscripts, but are referred to as víkverir, ('Vík dwellers'). In addition, that explanation could explain only the masculine (víkingr) and not the feminine (víking), which is a serious problem because the masculine is easily derived from the feminine but hardly the other way around.[33][34][35] Another etymology that gained support in the early twenty-first century, derives Viking from the same root as Old Norse vika, f. 'sea mile', originally 'the distance between two shifts of rowers', from the root *weik or *wîk, as in the Proto-Germanic verb *wîkan, 'to recede'.[36][37][38][39] This is found in the Proto-Nordic verb *wikan, 'to turn', similar to Old Icelandic víkja (ýkva, víkva) 'to move, to turn', with well-attested nautical usages.[40] Linguistically, this theory is better attested,[40] and the term most likely predates the use of the sail by the Germanic peoples of North-Western Europe, because the Old Frisian spelling Witsing or Wīsing shows that the word was pronounced with a palatal k and thus in all probability existed in North-Western Germanic before that palatalisation happened, that is, in the 5th century or before (in the western branch).[39][38][41] The Stora Hammars I image stone, showing the saga of Hildr, under what may be the rite of blood eagle, and on the bottom a Viking ship. In that case, the idea behind it seems to be that the tired rower moves aside for the rested rower on the thwart when he relieves him. The Old Norse feminine víking (as in the phrase fara í víking) may originally have been a sea journey characterised by the shifting of rowers, i.e. a long-distance sea journey, because in the pre-sail era, the shifting of rowers would distinguish long-distance sea journeys. A víkingr (the masculine) would then originally have been a participant on a sea journey characterised by the shifting of rowers. In that case, the word Viking was not originally connected to Scandinavian seafarers but assumed this meaning when the Scandinavians begun to dominate the seas.[36] In Old English, the word wicing appears first in the Anglo-Saxon poem, Widsith, which probably dates from the 9th century. In Old English, and in the history of the archbishops of Hamburg-Bremen written by Adam of Bremen in about 1070, the term generally referred to Scandinavian pirates or raiders. As in the Old Norse usages, the term is not employed as a name for any people or culture in general. The word does not occur in any preserved Middle English texts. One theory made by the Icelander Örnolfur Kristjansson is that the key to the origins of the word is "wicinga cynn" in Widsith, referring to the people or the race living in Jórvík (York, in the ninth century under control by Norsemen), Jór-Wicings (note, however, that this is not the origin of Jórvík).[42] The word Viking was introduced into Modern English during the 18th-century Viking revival, at which point it acquired romanticised heroic overtones of "barbarian warrior" or noble savage. During the 20th century, the meaning of the term was expanded to refer to not only seaborne raiders from Scandinavia and other places settled by them (like Iceland and the Faroe Islands), but also any member of the culture that produced said raiders during the period from the late 8th to the mid-11th centuries, or more loosely from about 700 to as late as about 1100. As an adjective, the word is used to refer to ideas, phenomena, or artefacts connected with those people and their cultural life, producing expressions like Viking age, Viking culture, Viking art, Viking religion, Viking ship and so on.[42] In Eastern Europe, of which parts were ruled by a Norse elite, víkingr came be perceived as a positive concept meaning "hero" in the Russian borrowed form vityaz' (витязь).[43] Other names Europe in 814. Roslagen is located along the coast of the northern tip of the pink area marked "Swedes and Goths". The Vikings were known as Ascomanni ("ashmen") by the Germans for the ash wood of their boats,[44] Dubgail and Finngail ( "dark and fair foreigners") by the Irish,[45] Lochlannaich ("people from the land of lakes") by the Gaels,[46] Dene (Dane) by the Anglo-Saxons[47] and Northmonn by the Frisians.[41] The scholarly consensus[48] is that the Rus' people originated in what is currently coastal eastern Sweden around the eighth century and that their name has the same origin as Roslagen in Sweden (with the older name being Roden).[49][50][51] According to the prevalent theory, the name Rus', like the Proto-Finnic name for Sweden (*Ruotsi), is derived from an Old Norse term for "the men who row" (rods-) as rowing was the main method of navigating the rivers of Eastern Europe, and that it could be linked to the Swedish coastal area of Roslagen (Rus-law) or Roden, as it was known in earlier times.[52][53] The name Rus' would then have the same origin as the Finnish and Estonian names for Sweden: Ruotsi and Rootsi.[53][54] The Slavs and the Byzantines also called them Varangians (Russian: варяги, from Old Norse Væringjar 'sworn men', from vàr- "confidence, vow of fealty", related to Old English wær "agreement, treaty, promise", Old High German wara "faithfulness"[55]). Scandinavian bodyguards of the Byzantine emperors were known as the Varangian Guard. The Rus' initially appeared in Serkland in the 9th century, traveling as merchants along the Volga trade route, selling furs, honey, and slaves, as well as luxury goods such as amber, Frankish swords, and walrus ivory.[26] These goods were mostly exchanged for Arabian silver coins, called dirhams. Hoards of 9th century Baghdad-minted silver coins have been found in Sweden, particularly in Gotland. During and after the Viking raid on Seville in 844 CE the Muslim chroniclers of al-Andalus referred to the Vikings as Magians (Arabic: al-Majus مجوس), conflating them with fire worshipping Zoroastrians from Persia.[56][57] When Ibn Fadlan was taken captive by Vikings in the Volga, he referred to them as Rus.[58][59][60] The Franks normally called them Northmen or Danes, while for the English they were generally known as Danes or heathen and the Irish knew them as pagans or gentiles.[61] Anglo-Scandinavian is an academic term referring to the people, and archaeological and historical periods during the 8th to 13th centuries in which there was migration to—and occupation of—the British Isles by Scandinavian peoples generally known in English as Vikings. It is used in distinction from Anglo-Saxon. Similar terms exist for other areas, such as Hiberno-Norse for Ireland and Scotland. History Viking Age Main article: Viking Age Sea-faring Norsemen depicted invading England. Illuminated illustration from the 12th century Miscellany on the Life of St. Edmund (Pierpont Morgan Library) The Viking Age in Scandinavian history is taken to have been the period from the earliest recorded raids by Norsemen in 793 until the Norman conquest of England in 1066.[62] Vikings used the Norwegian Sea and Baltic Sea for sea routes to the south. The Normans were descendants of those Vikings who had been given feudal overlordship of areas in northern France, namely the Duchy of Normandy, in the 10th century. In that respect, descendants of the Vikings continued to have an influence in northern Europe. Likewise, King Harold Godwinson, the last Anglo-Saxon king of England, had Danish ancestors. Two Vikings even ascended to the throne of England, with Sweyn Forkbeard claiming the English throne in 1013 until 1014 and his son Cnut the Great being king of England between 1016 and 1035.[63][64][65][66][67] Geographically, the Viking Age covered Scandinavian lands (modern Denmark, Norway and Sweden), as well as territories under North Germanic dominance, mainly the Danelaw, including Scandinavian York, the administrative centre of the remains of the Kingdom of Northumbria,[68] parts of Mercia, and East Anglia.[69] Viking navigators opened the road to new lands to the north, west and east, resulting in the foundation of independent settlements in the Shetland, Orkney, and Faroe Islands; Iceland; Greenland;[70] and L'Anse aux Meadows, a short-lived settlement in Newfoundland, circa 1000.[71] The Greenland settlement was established around 980, during the Medieval Warm Period, and its demise by the mid-15th century may have been partly due to climate change.[72] The Viking Rurik dynasty took control of territories in Slavic and Finnic-dominated areas of Eastern Europe; they annexed Kiev in 882 to serve as the capital of the Kievan Rus'.[73] As early as 839, when Swedish emissaries are first known to have visited Byzantium, Scandinavians served as mercenaries in the service of the Byzantine Empire.[74] In the late 10th century, a new unit of the imperial bodyguard formed. Traditionally containing large numbers of Scandinavians, it was known as the Varangian Guard. The word Varangian may have originated in Old Norse, but in Slavic and Greek it could refer either to Scandinavians or Franks. In these years, Swedish men left to enlist in the Byzantine Varangian Guard in such numbers that a medieval Swedish law, Västgötalagen, from Västergötland declared no one could inherit while staying in "Greece"—the then Scandinavian term for the Byzantine Empire—to stop the emigration,[75] especially as two other European courts simultaneously also recruited Scandinavians:[76] Kievan Rus' c. 980–1060 and London 1018–1066 (the Þingalið).[76] There is archaeological evidence that Vikings reached Baghdad, the centre of the Islamic Empire.[77] The Norse regularly plied the Volga with their trade goods: furs, tusks, seal fat for boat sealant, and slaves. Important trading ports during the period include Birka, Hedeby, Kaupang, Jorvik, Staraya Ladoga, Novgorod, and Kiev. Scandinavian Norsemen explored Europe by its seas and rivers for trade, raids, colonization, and conquest. In this period, voyaging from their homelands in Denmark, Norway and Sweden the Norsemen settled in the present-day Faroe Islands, Iceland, Norse Greenland, Newfoundland, the Netherlands, Germany, Normandy, Italy, Scotland, England, Wales, Ireland, the Isle of Man, Estonia, Ukraine, Russia and Turkey, as well as initiating the consolidation that resulted in the formation of the present day Scandinavian countries. In the Viking Age, the present day nations of Norway, Sweden and Denmark did not exist, but were largely homogeneous and similar in culture and language, although somewhat distinct geographically. The names of Scandinavian kings are reliably known for only the later part of the Viking Age. After the end of the Viking Age the separate kingdoms gradually acquired distinct identities as nations, which went hand-in-hand with their Christianisation. Thus the end of the Viking Age for the Scandinavians also marks the start of their relatively brief Middle Ages. Intermixing with the Slavs Slavic and Viking tribes were "closely linked, fighting one another, intermixing and trading".[78][79][80] In the Middle Ages, ware was transferred from Slavic areas to Scandinavia, and Denmark could be considered "a melting pot of Slavic and Scandinavian elements".[78] It is argued that the presence of Slavs in Scandinavia is "more significant than previously thought"[78] although "the Slavs and their interaction with Scandinavia have not been adequately investigated".[81] A 10th-century grave of a warrior-woman in Denmark was long thought to belong to a Viking. However, new analyses suggest that the woman may have been a Slav from present-day Poland.[78] The first king of the Swedes, Eric, was married to Gunhild, of the Polish House of Piast.[82] Likewise, his son, Olof, fell in love with Edla, a Slavic woman, and took her as his frilla (concubine).[83] She bore him a son and a daughter: Emund the Old, King of Sweden, and Astrid, Queen of Norway. Cnut the Great, King of Denmark, England and Norway, was the son of a daughter of Mieszko I of Poland,[84] possibly the former Polish queen of Sweden, wife of Eric. Richeza of Poland, Queen of Sweden, married Magnus the Strong, and bore him several children, including Canute V, King of Denmark.[85] Catherine Jagiellon, of the House of Jagiellon, was married to John III, King of Sweden. She was the mother of Sigismund III Vasa, King of Poland, King of Sweden, and Grand Duke of Finland.[86] Ragnvald Ulfsson, son of Jarl Ulf Tostesson and the Wendic Princess Ingeborg, had a Slavic name (Rogvolod, from Slavic Рогволод).[87] Expansion Main article: Viking expansion Viking expeditions (blue line): depicting the immense breadth of their voyages through most of Europe, the Mediterranean Sea, Northern Africa, Asia Minor, the Arctic, and North America. Lower Normandy, depicted as a ″Viking territory in 911″, was not part of the lands granted by the king of the Franks to Rollo in 911, but Upper Normandy. Guests from Overseas (1901) by Nicholas Roerich, depicting a Varangian raid Colonization of Iceland by Norwegian Vikings began in the ninth century. The first source mentioning Iceland and Greenland is a papal letter of 1053. Twenty years later, they appear in the Gesta of Adam of Bremen. It was not until after 1130, when the islands had become Christianized, that accounts of the history of the islands were written from the point of view of the inhabitants in sagas and chronicles.[88] The Vikings explored the northern islands and coasts of the North Atlantic, ventured south to North Africa, east to Kievan Rus (now – Ukraine, Belarus), Constantinople, and the Middle East.[89] They raided and pillaged, traded, acted as mercenaries and settled colonies over a wide area.[90] Early Vikings probably returned home after their raids. Later in their history, they began to settle in other lands.[91] Vikings under Leif Erikson, heir to Erik the Red, reached North America and set up short-lived settlements in present-day L'Anse aux Meadows, Newfoundland, Canada. This expansion occurred during the Medieval Warm Period.[92] Viking expansion into continental Europe was limited. Their realm was bordered by powerful tribes to the south. Early on, it was the Saxons who occupied Old Saxony, located in what is now Northern Germany. The Saxons were a fierce and powerful people and were often in conflict with the Vikings. To counter the Saxon aggression and solidify their own presence, the Danes constructed the huge defence fortification of Danevirke in and around Hedeby.[93] The Vikings witnessed the violent subduing of the Saxons by Charlemagne, in the thirty-year Saxon Wars of 772–804. The Saxon defeat resulted in their forced christening and the absorption of Old Saxony into the Carolingian Empire. Fear of the Franks led the Vikings to further expand Danevirke, and the defence constructions remained in use throughout the Viking Age and even up until 1864.[94] The south coast of the Baltic Sea was ruled by the Obotrites, a federation of Slavic tribes loyal to the Carolingians and later the Frankish empire. The Vikings—led by King Gudfred—destroyed the Obotrite city of Reric on the southern Baltic coast in 808 AD and transferred the merchants and traders to Hedeby.[95] This secured Viking supremacy in the Baltic Sea, which continued throughout the Viking Age. Because of the expansion of the Vikings across Europe, a comparison of DNA and archeology undertaken by scientists at the University of Cambridge and University of Copenhagen suggested that the term "Viking" may have evolved to become "a job description, not a matter of heredity," at least in some Viking bands.[96] Motives The motives driving the Viking expansion are a topic of much debate in Nordic history. Researchers have suggested that Vikings may have originally started sailing and raiding due to a need to seek out women from foreign lands.[97][98][99][100] The concept was expressed in the 11th century by historian Dudo of Saint-Quentin in his semi imaginary History of The Normans.[101] Rich and powerful Viking men tended to have many wives and concubines; these polygynous relationships may have led to a shortage of eligible women for the average Viking male. Due to this, the average Viking man could have been forced to perform riskier actions to gain wealth and power to be able to find suitable women.[102][103][104] Viking men would often buy or capture women and make them into their wives or concubines.[105][106] Polygynous marriage increases male-male competition in society because it creates a pool of unmarried men who are willing to engage in risky status-elevating and sex seeking behaviors.[107][108] The Annals of Ulster states that in 821 the Vikings plundered an Irish village and "carried off a great number of women into captivity".[109] One common theory posits that Charlemagne "used force and terror to Christianise all pagans", leading to baptism, conversion or execution, and as a result, Vikings and other pagans resisted and wanted revenge.[110][111][112][113][114] Professor Rudolf Simek states that "it is not a coincidence if the early Viking activity occurred during the reign of Charlemagne".[110][115] The ascendance of Christianity in Scandinavia led to serious conflict, dividing Norway for almost a century. However, this time period did not commence until the 10th century, Norway was never subject to aggression by Charlemagne and the period of strife was due to successive Norwegian kings embracing Christianity after encountering it overseas.[116] Viking-era towns of Scandinavia Another explanation is that the Vikings exploited a moment of weakness in the surrounding regions. Contrary to Simek's assertion, Viking raids occurred sporadically long before the reign of Charlemagne; but exploded in frequency and size after his death, when his empire fragmented into multiple much weaker entities.[117] England suffered from internal divisions and was relatively easy prey given the proximity of many towns to the sea or to navigable rivers. Lack of organised naval opposition throughout Western Europe allowed Viking ships to travel freely, raiding or trading as opportunity permitted. The decline in the profitability of old trade routes could also have played a role. Trade between western Europe and the rest of Eurasia suffered a severe blow when the Western Roman Empire fell in the 5th century.[118] The expansion of Islam in the 7th century had also affected trade with western Europe.[119] Raids in Europe, including raids and settlements from Scandinavia, were not unprecedented and had occurred long before the Vikings arrived. The Jutes invaded the British Isles three centuries earlier, pouring out from Jutland during the Age of Migrations, before the Danes settled there. The Saxons and the Angles did the same, embarking from mainland Europe. The Viking raids were, however, the first to be documented in writing by eyewitnesses, and they were much larger in scale and frequency than in previous times.[117] Vikings themselves were expanding; although their motives are unclear, historians believe that scarce resources or a lack of mating opportunities were a factor.[120] The "Highway of Slaves" was a term for a route that the Vikings found to have a direct pathway from Scandinavia to Constantinople and Baghdad while traveling on the Baltic Sea. With the advancements of their ships during the ninth century, the Vikings were able to sail to Kievan Rus and some northern parts of Europe.[121] Jomsborg Curmsun Disc – obverse, Jomsborg, 980s Jomsborg was a semi-legendary Viking stronghold at the southern coast of the Baltic Sea (medieval Wendland, modern Pomerania), that existed between the 960s and 1043. Its inhabitants were known as Jomsvikings. Jomsborg's exact location, or its existence, has not yet been established, though it is often maintained that Jomsborg was somewhere on the islands of the Oder estuary.[122] End of the Viking Age While the Vikings were active beyond their Scandinavian homelands, Scandinavia was itself experiencing new influences and undergoing a variety of cultural changes.[123] Emergence of nation-states and monetary economies By the late 11th century, royal dynasties were legitimised by the Catholic Church (which had had little influence in Scandinavia 300 years earlier) which were asserting their power with increasing authority and ambition, with the three kingdoms of Denmark, Norway, and Sweden taking shape. Towns appeared that functioned as secular and ecclesiastical administrative centres and market sites, and monetary economies began to emerge based on English and German models.[124] By this time the influx of Islamic silver from the East had been absent for more than a century, and the flow of English silver had come to an end in the mid-11th century.[125] Assimilation into Christendom Christianity had taken root in Denmark and Norway with the establishment of dioceses in the 11th century, and the new religion was beginning to organise and assert itself more effectively in Sweden. Foreign churchmen and native elites were energetic in furthering the interests of Christianity, which was now no longer operating only on a missionary footing, and old ideologies and lifestyles were transforming. By 1103, the first archbishopric was founded in Scandinavia, at Lund, Scania, then part of Denmark. The assimilation of the nascent Scandinavian kingdoms into the cultural mainstream of European Christendom altered the aspirations of Scandinavian rulers and of Scandinavians able to travel overseas, and changed their relations with their neighbours. One of the primary sources of profit for the Vikings had been slave-taking from other European peoples. The medieval Church held that Christians should not own fellow Christians as slaves, so chattel slavery diminished as a practice throughout northern Europe. This took much of the economic incentive out of raiding, though sporadic slaving activity continued into the 11th century. Scandinavian predation in Christian lands around the North and Irish Seas diminished markedly. The kings of Norway continued to assert power in parts of northern Britain and Ireland, and raids continued into the 12th century, but the military ambitions of Scandinavian rulers were now directed toward new paths. In 1107, Sigurd I of Norway sailed for the eastern Mediterranean with Norwegian crusaders to fight for the newly established Kingdom of Jerusalem, and Danes and Swedes participated energetically in the Baltic Crusades of the 12th and 13th centuries.[126] Culture A variety of sources illuminate the culture, activities, and beliefs of the Vikings. Although they were generally a non-literate culture that produced no literary legacy, they had an alphabet and described themselves and their world on runestones. Most contemporary literary and written sources on the Vikings come from other cultures that were in contact with them.[127] Since the mid-20th century, archaeological findings have built a more complete and balanced picture of the lives of the Vikings.[128][129] The archaeological record is particularly rich and varied, providing knowledge of their rural and urban settlement, crafts and production, ships and military equipment, trading networks, as well as their pagan and Christian religious artefacts and practices. Literature and language See also: Old Norse and The Norse Sagas One of the few surviving manuscript leaves from the Heimskringla Sagas, written by Snorri Sturluson c. 1230. The leaf tells of King Ólafur. The most important primary sources on the Vikings are contemporary texts from Scandinavia and regions where the Vikings were active.[130] Writing in Latin letters was introduced to Scandinavia with Christianity, so there are few native documentary sources from Scandinavia before the late 11th and early 12th centuries.[131] The Scandinavians did write inscriptions in runes, but these are usually very short and formulaic. Most contemporary documentary sources consist of texts written in Christian and Islamic communities outside Scandinavia, often by authors who had been negatively affected by Viking activity. Later writings on the Vikings and the Viking Age can also be important for understanding them and their culture, although they need to be treated cautiously. After the consolidation of the church and the assimilation of Scandinavia and its colonies into the mainstream of medieval Christian culture in the 11th and 12th centuries, native written sources begin to appear in Latin and Old Norse. In the Viking colony of Iceland, an extraordinary vernacular literature blossomed in the 12th through 14th centuries, and many traditions connected with the Viking Age were written down for the first time in the Icelandic sagas. A literal interpretation of these medieval prose narratives about the Vikings and the Scandinavian past is doubtful, but many specific elements remain worthy of consideration, such as the great quantity of skaldic poetry attributed to court poets of the 10th and 11th centuries, the exposed family trees, the self images, the ethical values, that are contained in these literary writings. Indirectly, the Vikings have also left a window open onto their language, culture and activities, through many Old Norse place names and words found in their former sphere of influence. Some of these place names and words are still in direct use today, almost unchanged, and shed light on where they settled and what specific places meant to them. Examples include place names like Egilsay (from Eigils ey meaning Eigil's Island), Ormskirk (from Ormr kirkja meaning Orms Church or Church of the Worm), Meols (from merl meaning Sand Dunes), Snaefell (Snow Fell), Ravenscar (Ravens Rock), Vinland (Land of Wine or Land of Winberry), Kaupanger (Market Harbour), Tórshavn (Thor's Harbour), and the religious centre of Odense, meaning a place where Odin was worshipped. Viking influence is also evident in concepts like the present-day parliamentary body of the Tynwald on the Isle of Man. Common words in everyday English language, such as leg, skin, dirt, sky, egg, kid, anger, window, husband, knife, bag, gift, glove, guest, wing, birth, law, gate, scab, skirt, root, skull, reindeer, happy, wrong, ugly, low, weak, loose, want, give, take, get, smile, guess, seem, hit, kick, scare, crawl, call, lift, both, they, them, and their, stem from the Old Norse of the Vikings and give us an opportunity to understand their interactions with the people and cultures of the British Isles.[132] In the Northern Isles of Shetland and Orkney, Old Norse completely replaced the local languages and over time evolved into the now extinct Norn language. Some modern words and names only emerge and contribute to our understanding after a more intense research of linguistic sources from medieval or later records, such as York (Horse Bay), Swansea (Sveinn's Isle) or some of the place names in Normandy like Tocqueville (Toki's farm).[133] Linguistic and etymological studies continue to provide a vital source of information on the Viking culture, their social structure and history and how they interacted with the people and cultures they met, traded, attacked or lived with in overseas settlements.[134][135] A lot of Old Norse connections are evident in the modern-day languages of Swedish, Norwegian, Danish, Faroese and Icelandic.[136] Old Norse did not exert any great influence on the Slavic languages in the Viking settlements of Eastern Europe. It has been speculated that the reason for this was the great differences between the two languages, combined with the Rus' Vikings more peaceful businesses in these areas and the fact that they were outnumbered. The Norse named some of the rapids on the Dnieper, but this can hardly be seen from the modern names.[137][138] Runestones Main article: Runestone Lingberg Runestone The Lingsberg Runestone in Sweden Jelling Stones Runic inscriptions of the larger of the Jelling Stones in Denmark Two types of Norse runestones from the Viking Age The Norse of the Viking Age could read and write and used a non-standardised alphabet, called runor, built upon sound values. While there are few remains of runic writing on paper from the Viking era, thousands of stones with runic inscriptions have been found where Vikings lived. They are usually in memory of the dead, though not necessarily placed at graves. The use of runor survived into the 15th century, used in parallel with the Latin alphabet. The runestones are unevenly distributed in Scandinavia: Denmark has 250 runestones, Norway has 50 while Iceland has none.[139] Sweden has as many as between 1,700[139] and 2,500[140] depending on definition. The Swedish district of Uppland has the highest concentration with as many as 1,196 inscriptions in stone, whereas Södermanland is second with 391.[141][142] The majority of runic inscriptions from the Viking period are found in Sweden. Many runestones in Scandinavia record the names of participants in Viking expeditions, such as the Kjula runestone that tells of extensive warfare in Western Europe and the Turinge Runestone, which tells of a war band in Eastern Europe. Other runestones mention men who died on Viking expeditions. Among them include the England runestones (Swedish: Englandsstenarna) which is a group of about 30 runestones in Sweden which refer to Viking Age voyages to England. They constitute one of the largest groups of runestones that mention voyages to other countries, and they are comparable in number only to the approximately 30 Greece Runestones[143] and the 26 Ingvar Runestones, the latter referring to a Viking expedition to the Middle East.[144] They were engraved in Old Norse with the Younger Futhark.[145] Piraeus Lion drawing of curved lindworm. The runes on the lion tell of Swedish warriors, most likely Varangians, mercenaries in the service of the Byzantine (Eastern Roman) Emperor. The Jelling stones date from between 960 and 985. The older, smaller stone was raised by King Gorm the Old, the last pagan king of Denmark, as a memorial honouring Queen Thyre.[146] The larger stone was raised by his son, Harald Bluetooth, to celebrate the conquest of Denmark and Norway and the conversion of the Danes to Christianity. It has three sides: one with an animal image, one with an image of the crucified Jesus Christ, and a third bearing the following inscription:     King Haraldr ordered this monument made in memory of Gormr, his father, and in memory of Thyrvé, his mother; that Haraldr who won for himself all of Denmark and Norway and made the Danes Christian.[147] Runestones attest to voyages to locations such as Bath,[148] Greece (how the Vikings referred to the Byzantium territories generally),[149] Khwaresm,[150] Jerusalem,[151] Italy (as Langobardland),[152] Serkland (i.e. the Muslim world),[153][154] England[155] (including London[156]), and various places in Eastern Europe. Viking Age inscriptions have also been discovered on the Manx runestones on the Isle of Man. Runic alphabet usage in modern times The last known people to use the Runic alphabet were an isolated group of people known as the Elfdalians, that lived in the locality of Älvdalen in the Swedish province of Dalarna. They spoke the language of Elfdalian, the language unique to Älvdalen. The Elfdalian language differentiates itself from the other Scandinavian languages as it evolved much closer to Old Norse. The people of Älvdalen stopped using runes as late as the 1920s. Usage of runes therefore survived longer in Älvdalen than anywhere else in the world.[157] The last known record of the Elfdalian Runes is from 1929; they are a variant of the Dalecarlian runes, runic inscriptions that were also found in Dalarna. Traditionally regarded as a Swedish dialect,[158] but by several criteria closer related to West Scandinavian dialects,[159] Elfdalian is a separate language by the standard of mutual intelligibility.[160][161][162] Although there is no mutual intelligibility, due to schools and public administration in Älvdalen being conducted in Swedish, native speakers are bilingual and speak Swedish at a native level. Residents in the area who speak only Swedish as their sole native language, neither speaking nor understanding Elfdalian, are also common. Älvdalen can be said to have had its own alphabet during the 17th and 18th century. Today there are about 2,000-3000 native speakers of Elfdalian. Burial sites See also: Norse funeral and Ship burial Burial mounds at Gamle Uppsala Burial mounds (Gamla Uppsala) Lindholm Høje Funerary stone settings (Lindholm Høje) Examples of Viking burial mounds and stone set graves, collectively known as tumuli There are numerous burial sites associated with Vikings throughout Europe and their sphere of influence—in Scandinavia, the British Isles, Ireland, Greenland, Iceland, Faeroe Islands, Germany, The Baltic, Russia, etc. The burial practices of the Vikings were quite varied, from dug graves in the ground, to tumuli, sometimes including so-called ship burials. According to written sources, most of the funerals took place at sea. The funerals involved either burial or cremation, depending on local customs. In the area that is now Sweden, cremations were predominant; in Denmark burial was more common; and in Norway both were common.[163] Viking barrows are one of the primary source of evidence for circumstances in the Viking Age.[164] The items buried with the dead give some indication as to what was considered important to possess in the afterlife.[165] It is unknown what mortuary services were given to dead children by the Vikings.[166] Some of the most important burial sites for understanding the Vikings include:     Norway: Oseberg; Gokstad; Borrehaugene.     Sweden: Gettlinge gravfält; the cemeteries of Birka, a World Heritage Site;[167] Valsgärde; Gamla Uppsala; Hulterstad gravfält, near Alby; Hulterstad, Öland.     Denmark: Jelling, a World Heritage Site; Lindholm Høje; Ladby ship; Mammen chamber tomb and hoard.     Estonia: Salme ships – The largest ship burial ground ever uncovered.     Scotland: Port an Eilean Mhòir ship burial; Scar boat burial, Orkney.     Faroe Islands: Hov.     Iceland: Mosfellsbær in Capital Region;[168][169] the boat burial in Vatnsdalur, Austur-Húnavatnssýsla.[163][170][171]     Greenland: Brattahlíð.[172]     Germany: Hedeby.     Latvia: Grobiņa.     Ukraine: the Black Grave.     Russia: Gnezdovo. Ships Main article: Viking ships Prow of the Oseberg ship, at Oslo Museum There have been several archaeological finds of Viking ships of all sizes, providing knowledge of the craftsmanship that went into building them. There were many types of Viking ships, built for various uses; the best-known type is probably the longship.[173] Longships were intended for warfare and exploration, designed for speed and agility, and were equipped with oars to complement the sail, making navigation possible independently of the wind. The longship had a long, narrow hull and shallow draught to facilitate landings and troop deployments in shallow water. Longships were used extensively by the Leidang, the Scandinavian defence fleets. The longship allowed the Norse to go Viking, which might explain why this type of ship has become almost synonymous with the concept of Vikings.[174][175] The Vikings built many unique types of watercraft, often used for more peaceful tasks. The knarr was a dedicated merchant vessel designed to carry cargo in bulk. It had a broader hull, deeper draught, and a small number of oars (used primarily to manoeuvre in harbours and similar situations). One Viking innovation was the 'beitass', a spar mounted to the sail that allowed their ships to sail effectively against the wind.[176] It was common for seafaring Viking ships to tow or carry a smaller boat to transfer crews and cargo from the ship to shore. Sea Stallion A reconstructed longship Knarr Haithabu A model of the knarr ship type Two typical viking ships Ships were an integral part of the Viking culture. They facilitated everyday transportation across seas and waterways, exploration of new lands, raids, conquests, and trade with neighbouring cultures. They also held a major religious importance. People with high status were sometimes buried in a ship along with animal sacrifices, weapons, provisions and other items, as evidenced by the buried vessels at Gokstad and Oseberg in Norway[177] and the excavated ship burial at Ladby in Denmark. Ship burials were also practised by Vikings abroad, as evidenced by the excavations of the Salme ships on the Estonian island of Saaremaa.[178] Well-preserved remains of five Viking ships were excavated from Roskilde Fjord in the late 1960s, representing both the longship and the knarr. The ships were scuttled there in the 11th century to block a navigation channel and thus protect Roskilde, then the Danish capital, from seaborne assault. The remains of these ships are on display at the Viking Ship Museum in Roskilde. In 2019, archaeologists uncovered two Viking boat graves in Gamla Uppsala. They also discovered that one of the boats still holds the remains of a man, a dog, and a horse, along with other items.[179] This has shed light on death rituals of Viking communities in the region. Everyday life Social structure A large reconstructed chieftains longhouse at Lofotr Viking Museum, Norway Reconstructed town houses from Haithabu (now in Germany) Viking society was divided into the three socio-economic classes: Thralls, Karls and Jarls. This is described vividly in the Eddic poem of Rígsþula, which also explains that it was the god Ríg—father of mankind also known as Heimdallr—who created the three classes. Archaeology has confirmed this social structure.[180] Thralls were the lowest ranking class and were slaves. Slaves comprised as much as a quarter of the population.[181] Slavery was of vital importance to Viking society, for everyday chores and large scale construction and also to trade and the economy. Thralls were servants and workers in the farms and larger households of the Karls and Jarls, and they were used for constructing fortifications, ramps, canals, mounds, roads and similar hard work projects. According to the Rigsthula, Thralls were despised and looked down upon. New thralls were supplied by either the sons and daughters of thralls or captured abroad. The Vikings often deliberately captured many people on their raids in Europe, to enslave them as thralls. The thralls were then brought back home to Scandinavia by boat, used on location or in newer settlements to build needed structures, or sold, often to the Arabs in exchange for silver. Other names for thrall were 'træl' and 'ty'. Karls were free peasants. They owned farms, land and cattle and engaged in daily chores like ploughing the fields, milking the cattle, building houses and wagons, but used thralls to make ends meet. Other names for Karls were 'bonde' or simply free men. Similar classes were churls and huskarls. The Jarls were the aristocracy of the Viking society. They were wealthy and owned large estates with huge longhouses, horses and many thralls. The thralls did most of the daily chores, while the Jarls did administration, politics, hunting, sports, visited other Jarls or went abroad on expeditions. When a Jarl died and was buried, his household thralls were sometimes sacrificially killed and buried next to him, as many excavations have revealed.[182] In daily life, there were many intermediate positions in the overall social structure and it is believed that there must have been some social mobility. These details are unclear, but titles and positions like hauldr, thegn, landmand, show mobility between the Karls and the Jarls. Other social structures included the communities of félag in both the civil and the military spheres, to which its members (called félagi) were obliged. A félag could be centred around certain trades, a common ownership of a sea vessel or a military obligation under a specific leader. Members of the latter were referred to as drenge, one of the words for warrior. There were also official communities within towns and villages, the overall defence, religion, the legal system and the Things. Status of women Typical jewellery worn by women of the Karls and Jarls: ornamented silver brooches, coloured glass-beads and amulets Like elsewhere in medieval Europe, most women in Viking society were subordinate to their husbands and fathers and had little political power.[183][184] However, the written sources portray free Viking women as having independence and rights. Viking women generally appear to have had more freedom than women elsewhere,[184] as illustrated in the Icelandic Grágás and the Norwegian Frostating laws and Gulating laws.[185] Most free Viking women were housewives, and the woman's standing in society was linked to that of her husband.[184] Marriage gave a woman a degree of economic security and social standing encapsulated in the title húsfreyja (lady of the house). Norse laws assert the housewife's authority over the 'indoor household'. She had the important roles of managing the farm's resources, conducting business, as well as child-rearing, although some of this would be shared with her husband.[186] After the age of 20, an unmarried woman, referred to as maer and mey, reached legal majority and had the right to decide her place of residence and was regarded as her own person before the law.[185] An exception to her independence was the right to choose a husband, as marriages were normally arranged by the family.[187] The groom would pay a bride-price (mundr) to the bride's family, and the bride brought assets into the marriage, as a dowry.[186] A married woman could divorce her husband and remarry.[184][188] Concubinage was also part of Viking society, whereby a woman could live with a man and have children with him without marrying; such a woman was called a frilla.[188] Usually she would be the mistress of a wealthy and powerful man who also had a wife.[183] The wife had authority over the mistresses if they lived in her household.[184] Through her relationship to a man of higher social standing, a concubine and her family could advance socially; although her position was less secure than that of a wife.[183] There was little distinction made between children born inside or outside marriage: both had the right to inherit property from their parents, and there were no "legitimate" or "illegitimate" children.[188] However, children born in wedlock had more inheritance rights than those born out of wedlock.[186] A woman had the right to inherit part of her husband's property upon his death,[186] and widows enjoyed the same independent status as unmarried women.[188] The paternal aunt, paternal niece and paternal granddaughter, referred to as odalkvinna, all had the right to inherit property from a deceased man.[185] A woman with no husband, sons or male relatives could inherit not only property but also the position as head of the family when her father or brother died. Such a woman was referred to as Baugrygr, and she exercised all the rights afforded to the head of a family clan, until she married, by which her rights were transferred to her new husband.[185] Women had religious authority and were active as priestesses (gydja) and oracles (sejdkvinna).[189] They were active within art as poets (skalder)[189] and rune masters, and as merchants and medicine women.[189] There may also have been female entrepreneurs, who worked in textile production.[184] Women may also have been active within military office: the tales about shieldmaidens are unconfirmed, but some archaeological finds such as the Birka female Viking warrior may indicate that at least some women in military authority existed.[190] These liberties of the Viking women gradually disappeared after the introduction of Christianity,[191] and from the late 13th-century, they are no longer mentioned.[185] Examinations of Viking Age burials suggests that women lived longer, and nearly all well past the age of 35, as compared to earlier times. Female graves from before the Viking Age in Scandinavia holds a proportional large number of remains from women aged 20 to 35, presumably due to complications of childbirth.[192] Appearances Reconstructed Vikings costume on display at Archaeological Museum in Stavanger, Norway Scandinavian Vikings were similar in appearance to modern Scandinavians; "their skin was fair and the hair color varied between blond, dark and reddish". Genetic studies suggest that people were mostly blond in what is now eastern Sweden, while red hair was mostly found in western Scandinavia.[193] Most Viking men had shoulder-length hair and beards, and slaves (thralls) were usually the only men with short hair.[194] The length varied according to personal preference and occupation. Men involved in warfare, for example, may have had slightly shorter hair and beards for practical reasons. Men in some regions bleached their hair a golden saffron color.[194] Females also had long hair, with girls often wearing it loose or braided and married women often wearing it in a bun.[194] The average height is estimated to have been 67 inches (5'5") for men and 62 inches (5'1") for women.[193] The three classes were easily recognisable by their appearances. Men and women of the Jarls were well groomed with neat hairstyles and expressed their wealth and status by wearing expensive clothes (often silk) and well crafted jewellery like brooches, belt buckles, necklaces and arm rings. Almost all of the jewellery was crafted in specific designs unique to the Norse (see Viking art). Finger rings were seldom used and earrings were not used at all, as they were seen as a Slavic phenomenon. Most Karls expressed similar tastes and hygiene, but in a more relaxed and inexpensive way.[180][195] Archaeological finds from Scandinavia and Viking settlements in the British Isles support the idea of the well groomed and hygienic Viking. Burial with grave goods was a common practice in the Scandinavian world, through the Viking Age and well past the Christianization of the Norse peoples.[196] Within these burial sites and homesteads, combs, often made from antler, are a common find.[197] The manufacturing of such antler combs was common, as at the Viking settlement at Dublin hundreds of examples of combs from the tenth-century have survived, suggesting that grooming was a common practice.[198] The manufacturing of such combs was also widespread throughout the Viking world, as examples of similar combs have been found at Viking settlements in Ireland,[199] England,[200] and Scotland.[201] The combs share a common visual appearance as well, with the extant examples often decorated with linear, interlacing, and geometric motifs, or other forms of ornamentation depending on the comb's period and type, but stylistically similar to Viking Age art.[202] The practice of grooming was a concern for all levels of Viking age society, as grooming products, combs, have been found in common graves as well as aristocratic ones.[203] Farming and cuisine The sagas tell about the diet and cuisine of the Vikings,[204] but first hand evidence, like cesspits, kitchen middens and garbage dumps have proved to be of great value and importance. Undigested remains of plants from cesspits at Coppergate in York have provided much information in this respect. Overall, archaeo-botanical investigations have been undertaken increasingly in recent decades, as a collaboration between archaeologists and palaeoethno-botanists. This new approach sheds light on the agricultural and horticultural practices of the Vikings and their cuisine.[205] Pot of soapstone, partly reconstructed, Viking Age (From Birka, Sweden) The combined information from various sources suggests a diverse cuisine and ingredients. Meat products of all kinds, such as cured, smoked and whey-preserved meat,[206] sausages, and boiled or fried fresh meat cuts, were prepared and consumed.[207] There were plenty of seafood, bread, porridges, dairy products, vegetables, fruits, berries and nuts. Alcoholic drinks like beer, mead, bjórr (a strong fruit wine) and, for the rich, imported wine, were served.[208][209] Certain livestock were typical and unique to the Vikings, including the Icelandic horse, Icelandic cattle, a plethora of sheep breeds,[210] the Danish hen and the Danish goose.[211][212] The Vikings in York mostly ate beef, mutton, and pork with small amounts of horse meat. Most of the beef and horse leg bones were found split lengthways, to extract the marrow. The mutton and swine were cut into leg and shoulder joints and chops. The frequent remains of pig skull and foot bones found on house floors indicate that brawn and trotters were also popular. Hens were kept for both their meat and eggs, and the bones of game birds such as black grouse, golden plover, wild ducks, and geese have also been found.[213] Seafood was important, in some places even more so than meat. Whales and walrus were hunted for food in Norway and the north-western parts of the North Atlantic region, and seals were hunted nearly everywhere. Oysters, mussels and shrimp were eaten in large quantities and cod and salmon were popular fish. In the southern regions, herring was also important.[214][215][216] Milk and buttermilk were popular, both as cooking ingredients and drinks, but were not always available, even at farms.[217] Milk came from cows, goats and sheep, with priorities varying from location to location,[218] and fermented milk products like skyr or surmjölk were produced as well as butter and cheese.[219] Food was often salted and enhanced with spices, some of which were imported like black pepper, while others were cultivated in herb gardens or harvested in the wild. Home grown spices included caraway, mustard and horseradish as evidenced from the Oseberg ship burial[208] or dill, coriander, and wild celery, as found in cesspits at Coppergate in York. Thyme, juniper berry, sweet gale, yarrow, rue and peppercress were also used and cultivated in herb gardens.[205][220] Everyday life in the Viking Age Vikings collected and ate fruits, berries and nuts. Apple (wild crab apples), plums and cherries were part of the diet,[221] as were rose hips and raspberry, wild strawberry, blackberry, elderberry, rowan, hawthorn and various wild berries, specific to the locations.[220] Hazelnuts were an important part of the diet in general and large amounts of walnut shells have been found in cities like Hedeby. The shells were used for dyeing, and it is assumed that the nuts were consumed.[205][217] The invention and introduction of the mouldboard plough revolutionised agriculture in Scandinavia in the early Viking Age and made it possible to farm even poor soils. In Ribe, grains of rye, barley, oat and wheat dated to the 8th century have been found and examined, and are believed to have been cultivated locally.[222] Grains and flour were used for making porridges, some cooked with milk, some cooked with fruit and sweetened with honey, and also various forms of bread. Remains of bread from primarily Birka in Sweden were made of barley and wheat. It is unclear if the Norse leavened their breads, but their ovens and baking utensils suggest that they did.[223] Flax was a very important crop for the Vikings: it was used for oil extraction, food consumption and most importantly the production of linen. More than 40% of all known textile recoveries from the Viking Age can be traced as linen. This suggests a much higher actual percentage, as linen is poorly preserved compared to wool for example.[224] The quality of food for common people was not always particularly high. The research at Coppergate shows that the Vikings in York made bread from whole meal flour—probably both wheat and rye—but with the seeds of cornfield weeds included. Corncockle (Agrostemma), would have made the bread dark-coloured, but the seeds are poisonous, and people who ate the bread might have become ill. Seeds of carrots, parsnip, and brassicas were also discovered, but they were poor specimens and tend to come from white carrots and bitter tasting cabbages.[221] The rotary querns often used in the Viking Age left tiny stone fragments (often from basalt rock) in the flour, which when eaten wore down the teeth. The effects of this can be seen on skeletal remains of that period.[223] Sports Sports were widely practised and encouraged by the Vikings.[225][226] Sports that involved weapons training and developing combat skills were popular. This included spear and stone throwing, building and testing physical strength through wrestling (see glima), fist fighting, and stone lifting. In areas with mountains, mountain climbing was practised as a sport. Agility and balance were built and tested by running and jumping for sport, and there is mention of a sport that involved jumping from oar to oar on the outside of a ship's railing as it was being rowed.[227] Swimming was a popular sport and Snorri Sturluson describes three types: diving, long-distance swimming, and a contest in which two swimmers try to dunk one another. Children often participated in some of the sport disciplines and women have also been mentioned as swimmers, although it is unclear if they took part in competition. King Olaf Tryggvason was hailed as a master of both mountain climbing and oar-jumping, and was said to have excelled in the art of knife juggling as well. Skiing and ice skating were the primary winter sports of the Vikings, although skiing was also used as everyday means of transport in winter and in the colder regions of the north. Horse fighting was practised for sport, although the rules are unclear. It appears to have involved two stallions pitted against each other, within smell and sight of fenced-off mares. Whatever the rules were, the fights often resulted in the death of one of the stallions. Icelandic sources refer to the sport of knattleik. A ball game akin to hockey, knattleik involved a bat and a small hard ball and was usually played on a smooth field of ice. The rules are unclear, but it was popular with both adults and children, even though it often led to injuries. Knattleik appears to have been played only in Iceland, where it attracted many spectators, as did horse fighting. Hunting, as a sport, was limited to Denmark, where it was not regarded as an important occupation. Birds, deer, hares and foxes were hunted with bow and spear, and later with crossbows. The techniques were stalking, snare and traps and par force hunting with dog packs. Games and entertainment Rook, Lewis chessmen, at the British Museum in London Both archaeological finds and written sources testify to the fact that the Vikings set aside time for social and festive gatherings.[225][226][228] Board games and dice games were played as a popular pastime at all levels of society. Preserved gaming pieces and boards show game boards made of easily available materials like wood, with game pieces manufactured from stone, wood or bone, while other finds include elaborately carved boards and game pieces of glass, amber, antler or walrus tusk, together with materials of foreign origin, such as ivory. The Vikings played several types of tafl games; hnefatafl, nitavl (nine men's morris) and the less common kvatrutafl. Chess also appeared at the end of the Viking Age. Hnefatafl is a war game, in which the object is to capture the king piece—a large hostile army threatens and the king's men have to protect the king. It was played on a board with squares using black and white pieces, with moves made according to dice rolls. The Ockelbo Runestone shows two men engaged in Hnefatafl, and the sagas suggest that money or valuables could have been involved in some dice games.[225][228] On festive occasions storytelling, skaldic poetry, music and alcoholic drinks, like beer and mead, contributed to the atmosphere.[228] Music was considered an art form and music proficiency as fitting for a cultivated man. The Vikings are known to have played instruments including harps, fiddles, lyres and lutes.[225] Experimental archaeology Experimental archaeology of the Viking Age is a flourishing branch and several places have been dedicated to this technique, such as Jorvik Viking Centre in the United Kingdom, Sagnlandet Lejre and Ribe Viking Center [da] in Denmark, Foteviken Museum in Sweden or Lofotr Viking Museum in Norway. Viking-age reenactors have undertaken experimental activities such as iron smelting and forging using Norse techniques at Norstead in Newfoundland for example.[229] On 1 July 2007, the reconstructed Viking ship Skuldelev 2, renamed Sea Stallion,[230] began a journey from Roskilde to Dublin. The remains of that ship and four others were discovered during a 1962 excavation in the Roskilde Fjord. Tree-ring analysis has shown the ship was built of oak in the vicinity of Dublin in about 1042. Seventy multi-national crew members sailed the ship back to its home, and Sea Stallion arrived outside Dublin's Custom House on 14 August 2007. The purpose of the voyage was to test and document the seaworthiness, speed, and manoeuvrability of the ship on the rough open sea and in coastal waters with treacherous currents. The crew tested how the long, narrow, flexible hull withstood the tough ocean waves. The expedition also provided valuable new information on Viking longships and society. The ship was built using Viking tools, materials, and much the same methods as the original ship. Other vessels, often replicas of the Gokstad ship (full- or half-scale) or Skuldelev have been built and tested as well. The Snorri (a Skuldelev I Knarr), was sailed from Greenland to Newfoundland in 1998.[231] Cultural assimilation Elements of a Scandinavian identity and practices were maintained in settler societies, but they could be quite distinct as the groups assimilated into the neighboring societies. Assimilation to the Frankish culture in Normandy for example was rapid.[232] Links to a Viking identity remained longer in the remote islands of Iceland and the Faroes.[232] Weapons and warfare Main article: Viking Age arms and armour Viking swords Knowledge about the arms and armour of the Viking age is based on archaeological finds, pictorial representation, and to some extent on the accounts in the Norse sagas and Norse laws recorded in the 13th century. According to custom, all free Norse men were required to own weapons and were permitted to carry them at all times. These arms indicated a Viking's social status: a wealthy Viking had a complete ensemble of a helmet, shield, mail shirt, and sword. However, swords were rarely used in battle, probably not sturdy enough for combat and most likely only used as symbolic or decorative items.[233][234] A typical bóndi (freeman) was more likely to fight with a spear and shield, and most also carried a seax as a utility knife and side-arm. Bows were used in the opening stages of land battles and at sea, but they tended to be considered less "honourable" than melee weapons. Vikings were relatively unusual for the time in their use of axes as a main battle weapon. The Húscarls, the elite guard of King Cnut (and later of King Harold II) were armed with two-handed axes that could split shields or metal helmets with ease. The warfare and violence of the Vikings were often motivated and fuelled by their beliefs in Norse religion, focusing on Thor and Odin, the gods of war and death.[235][236] In combat, it is believed that the Vikings sometimes engaged in a disordered style of frenetic, furious fighting known as berserkergang, leading them to be termed berserkers. Such tactics may have been deployed intentionally by shock troops, and the berserk-state may have been induced through ingestion of materials with psychoactive properties, such as the hallucinogenic mushrooms, Amanita muscaria,[237] or large amounts of alcohol.[238] Trade See also: Trade during the Viking Age, Trade route from the Varangians to the Greeks, and Volga trade route The scales and weights of a Viking trader, used for measuring silver and sometimes gold (From the Sigtuna box found in Sweden) The Vikings established and engaged in extensive trading networks throughout the known world and had a profound influence on the economic development of Europe and Scandinavia.[239][240] Except for the major trading centres of Ribe, Hedeby and the like, the Viking world was unfamiliar with the use of coinage and was based on so called bullion economy, that is, the weight of precious metals. Silver was the most common metal in the economy, although gold was also used to some extent. Silver circulated in the form of bars, or ingots, as well as in the form of jewellery and ornaments. A large number of silver hoards from the Viking Age have been uncovered, both in Scandinavia and the lands they settled.[241][better source needed] Traders carried small scales, enabling them to measure weight very accurately, so it was possible to have a very precise system of trade and exchange, even without a regular coinage.[239] Goods Organized trade covered everything from ordinary items in bulk to exotic luxury products. The Viking ship designs, like that of the knarr, were an important factor in their success as merchants.[242] Imported goods from other cultures included:[243]     Spices were obtained from Chinese and Persian traders, who met with the Viking traders in Russia. Vikings used homegrown spices and herbs like caraway, thyme, horseradish and mustard,[244] but imported cinnamon.     Glass was much prized by the Norse. The imported glass was often made into beads for decoration and these have been found in the thousands. Åhus in Scania and the old market town of Ribe were major centres of glass bead production.[245][246][247]     Silk was a very important commodity obtained from Byzantium (modern day Istanbul) and China. It was valued by many European cultures of the time, and the Vikings used it to indicate status such as wealth and nobility. Many of the archaeological finds in Scandinavia include silk.[248][249][250]     Wine was imported from France and Germany as a drink of the wealthy, augmenting the regular mead and beer. To counter these valuable imports, the Vikings exported a large variety of goods. These goods included:[243] Mjölnir, hammer of Thor, made of amber (Found in Sweden)     Amber—the fossilised resin of the pine tree—was frequently found on the North Sea and Baltic coastline. It was worked into beads and ornamental objects, before being traded. (See also the Amber Road).     Fur was also exported as it provided warmth. This included the furs of pine martens, foxes, bears, otters and beavers.     Cloth and wool. The Vikings were skilled spinners and weavers and exported woollen cloth of a high quality.     Down was collected and exported. The Norwegian west coast supplied eiderdowns and sometimes feathers were bought from the Samis. Down was used for bedding and quilted clothing. Fowling on the steep slopes and cliffs was dangerous work and was often lethal.[251]     Slaves, known as thralls in Old Norse. On their raids, the Vikings captured many people, among them monks and clergymen. They were sometimes sold as slaves to Arab merchants in exchange for silver. Other exports included weapons, walrus ivory, wax, salt and cod. As one of the more exotic exports, hunting birds were sometimes provided from Norway to the European aristocracy, from the 10th century.[251] Many of these goods were also traded within the Viking world itself, as well as goods such as soapstone and whetstone. Soapstone was traded with the Norse on Iceland and in Jutland, who used it for pottery. Whetstones were traded and used for sharpening weapons, tools and knives.[243] There are indications from Ribe and surrounding areas, that the extensive medieval trade with oxen and cattle from Jutland (see Ox Road), reach as far back as c. 720 AD. This trade satisfied the Vikings' need for leather and meat to some extent, and perhaps hides for parchment production on the European mainland. Wool was also very important as a domestic product for the Vikings, to produce warm clothing for the cold Scandinavian and Nordic climate, and for sails. Sails for Viking ships required large amounts of wool, as evidenced by experimental archaeology. There are archaeological signs of organised textile productions in Scandinavia, reaching as far back as the early Iron Ages. Artisans and craftsmen in the larger towns were supplied with antlers from organised hunting with large-scale reindeer traps in the far north. They were used as raw material for making everyday utensils like combs.[251] Legacy Medieval perceptions Exploration and expansion routes of Norsemen In England the Viking Age began dramatically on 8 June 793 when Norsemen destroyed the abbey on the island of Lindisfarne. The devastation of Northumbria's Holy Island shocked and alerted the royal courts of Europe to the Viking presence. "Never before has such an atrocity been seen," declared the Northumbrian scholar Alcuin of York.[252] Medieval Christians in Europe were totally unprepared for the Viking incursions and could find no explanation for their arrival and the accompanying suffering they experienced at their hands save the "Wrath of God".[253] More than any other single event, the attack on Lindisfarne demonised perception of the Vikings for the next twelve centuries. Not until the 1890s did scholars outside Scandinavia begin to seriously reassess the achievements of the Vikings, recognizing their artistry, technological skills, and seamanship.[254] Norse Mythology, sagas, and literature tell of Scandinavian culture and religion through tales of heroic and mythological heroes. Early transmission of this information was primarily oral, and later texts relied on the writings and transcriptions of Christian scholars, including the Icelanders Snorri Sturluson and Sæmundur fróði. Many of these sagas were written in Iceland, and most of them, even if they had no Icelandic provenance, were preserved there after the Middle Ages due to the continued interest of Icelanders in Norse literature and law codes. The 200-year Viking influence on European history is filled with tales of plunder and colonisation, and the majority of these chronicles came from western witnesses and their descendants. Less common, though equally relevant, are the Viking chronicles that originated in the east, including the Nestor chronicles, Novgorod chronicles, Ibn Fadlan chronicles, Ibn Rusta chronicles, and brief mentions by Photius, patriarch of Constantinople, regarding their first attack on the Byzantine Empire. Other chroniclers of Viking history include Adam of Bremen, who wrote, in the fourth volume of his Gesta Hammaburgensis Ecclesiae Pontificum, "[t]here is much gold here (in Zealand), accumulated by piracy. These pirates, which are called wichingi by their own people, and Ascomanni by our own people, pay tribute to the Danish king." In 991, the Battle of Maldon between Viking raiders and the inhabitants of Maldon in Essex was commemorated with a poem of the same name. Post-medieval perceptions A modern reenactment of a Viking battle Early modern publications, dealing with what is now called Viking culture, appeared in the 16th century, e.g. Historia de gentibus septentrionalibus (History of the northern people) of Olaus Magnus (1555), and the first edition of the 13th-century Gesta Danorum (Deeds of the Danes), by Saxo Grammaticus, in 1514. The pace of publication increased during the 17th century with Latin translations of the Edda (notably Peder Resen's Edda Islandorum of 1665). In Scandinavia, the 17th-century Danish scholars Thomas Bartholin and Ole Worm and the Swede Olaus Rudbeck used runic inscriptions and Icelandic sagas as historical sources. An important early British contributor to the study of the Vikings was George Hickes, who published his Linguarum vett. septentrionalium thesaurus (Dictionary of the Old Northern Languages) in 1703–05. During the 18th century, British interest and enthusiasm for Iceland and early Scandinavian culture grew dramatically, expressed in English translations of Old Norse texts and in original poems that extolled the supposed Viking virtues. The word "viking" was first popularised at the beginning of the 19th century by Erik Gustaf Geijer in his poem, The Viking. Geijer's poem did much to propagate the new romanticised ideal of the Viking, which had little basis in historical fact. The renewed interest of Romanticism in the Old North had contemporary political implications. The Geatish Society, of which Geijer was a member, popularised this myth to a great extent. Another Swedish author who had great influence on the perception of the Vikings was Esaias Tegnér, a member of the Geatish Society, who wrote a modern version of Friðþjófs saga hins frœkna, which became widely popular in the Nordic countries, the United Kingdom, and Germany. Viking long ships besieging Paris in 845, 19th century portrayal Fascination with the Vikings reached a peak during the so-called Viking revival in the late 18th and 19th centuries as a branch of Romantic nationalism. In Britain this was called Septentrionalism, in Germany "Wagnerian" pathos, and in the Scandinavian countries Scandinavism. Pioneering 19th-century scholarly editions of the Viking Age began to reach a small readership in Britain, archaeologists began to dig up Britain's Viking past, and linguistic enthusiasts started to identify the Viking-Age origins of rural idioms and proverbs. The new dictionaries of the Old Norse language enabled the Victorians to grapple with the primary Icelandic sagas.[255] Until recently, the history of the Viking Age was largely based on Icelandic sagas, the history of the Danes written by Saxo Grammaticus, the Russian Primary Chronicle, and Cogad Gáedel re Gallaib. Few scholars still accept these texts as reliable sources, as historians now rely more on archaeology and numismatics, disciplines that have made valuable contributions toward understanding the period.[256][citation needed] In 20th-century politics The romanticised idea of the Vikings constructed in scholarly and popular circles in northwestern Europe in the 19th and early 20th centuries was a potent one, and the figure of the Viking became a familiar and malleable symbol in different contexts in the politics and political ideologies of 20th-century Europe.[257] In Normandy, which had been settled by Vikings, the Viking ship became an uncontroversial regional symbol. In Germany, awareness of Viking history in the 19th century had been stimulated by the border dispute with Denmark over Schleswig-Holstein and the use of Scandinavian mythology by Richard Wagner. The idealised view of the Vikings appealed to Germanic supremacists who transformed the figure of the Viking in accordance with the ideology of a Germanic master race.[258] Building on the linguistic and cultural connections between Norse-speaking Scandinavians and other Germanic groups in the distant past, Scandinavian Vikings were portrayed in Nazi Germany as a pure Germanic type. The cultural phenomenon of Viking expansion was re-interpreted for use as propaganda to support the extreme militant nationalism of the Third Reich, and ideologically informed interpretations of Viking paganism and the Scandinavian use of runes were employed in the construction of Nazi mysticism. Other political organisations of the same ilk, such as the former Norwegian fascist party Nasjonal Samling, similarly appropriated elements of the modern Viking cultural myth in their symbolism and propaganda. Soviet and earlier Slavophile historians emphasized a Slavic rooted foundation in contrast to the Normanist theory of the Vikings conquering the Slavs and founding the Kievan Rus'.[259] They accused Normanist theory proponents of distorting history by depicting the Slavs as undeveloped primitives. In contrast, Soviet historians stated that the Slavs laid the foundations of their statehood long before the Norman/Viking raids, while the Norman/Viking invasions only served to hinder the historical development of the Slavs. They argued that Rus' composition was Slavic and that Rurik and Oleg' success was rooted in their support from within the local Slavic aristocracy.[citation needed]. After the dissolution of the USSR, Novgorod acknowledged its Viking history by incorporating a Viking ship into its logo.[260] In modern popular culture      This section appears to contain trivial, minor, or unrelated references to popular culture. Please reorganize this content to explain the subject's impact on popular culture, providing citations to reliable, secondary sources, rather than simply listing appearances. Unsourced material may be challenged and removed. (December 2019) File:Jomvikings Winkinger Kampftraining.webmPlay media Viking reenactment training (Jomsvikings group) Led by the operas of German composer Richard Wagner, such as Der Ring des Nibelungen, Vikings and the Romanticist Viking Revival have inspired many creative works. These have included novels directly based on historical events, such as Frans Gunnar Bengtsson's The Long Ships (which was also released as a 1963 film), and historical fantasies such as the film The Vikings, Michael Crichton's Eaters of the Dead (movie version called The 13th Warrior), and the comedy film Erik the Viking. The vampire Eric Northman, in the HBO TV series True Blood, was a Viking prince before being turned into a vampire. Vikings appear in several books by the Danish American writer Poul Anderson, while British explorer, historian, and writer Tim Severin authored a trilogy of novels in 2005 about a young Viking adventurer Thorgils Leifsson, who travels around the world. In 1962, American comic book writer Stan Lee and his brother Larry Lieber, together with Jack Kirby, created the Marvel Comics superhero Thor, which they based on the Norse god of the same name. The character is featured in the 2011 Marvel Studios film Thor and its sequels Thor: The Dark World and Thor: Ragnarok. The character also appears in the 2012 film The Avengers and its associated animated series. The appearance of Vikings within popular media and television has seen a resurgence in recent decades, especially with the History Channel's series Vikings (2013), directed by Michael Hirst. The show has a loose grounding in historical facts and sources, but bases itself more so on literary sources, such as fornaldarsaga Ragnars saga loðbrókar, itself more legend than fact, and Old Norse Eddic and Skaldic poetry.[261] The events of the show frequently make references to the Völuspá, an Eddic poem describing the creation of the world, often directly referencing specific lines of the poem in the dialogue.[262] The show portrays some of the social realities of the medieval Scandinavian world, such as slavery[263] and the greater role of women within Viking society.[264] The show also addresses the topics of gender equity in Viking society with the inclusion of shield maidens through the character Lagertha, also based on a legendary figure.[265] Recent archaeological interpretations and osteological analysis of previous excavations of Viking burials has given support to the idea of the Viking woman warrior, namely the excavation and DNA study of the Birka female Viking warrior, within recent years. However, the conclusions remain contentious. Vikings have served as an inspiration for numerous video games, such as The Lost Vikings (1993), Age of Mythology (2002), and For Honor (2017).[266] All three Vikings from The Lost Vikings series—Erik the Swift, Baleog the Fierce, and Olaf the Stout—appeared as a playable hero in the crossover title Heroes of the Storm (2015).[267] The Elder Scrolls V: Skyrim (2011) is an action role-playing video game heavily inspired by Viking culture.[268][269] Vikings are the lead focus of the 2020 video game Assassin's Creed Valhalla, which is set in 873 AD, and recounts an alternative history of the Viking invasion of Britain.[270] Modern reconstructions of Viking mythology have shown a persistent influence in late 20th- and early 21st-century popular culture in some countries, inspiring comics, movies, television series, role-playing games, computer games, and music, including Viking metal, a subgenre of heavy metal music. Since the 1960s, there has been rising enthusiasm for historical reenactment. While the earliest groups had little claim for historical accuracy, the seriousness and accuracy of reenactors has increased. The largest such groups include The Vikings and Regia Anglorum, though many smaller groups exist in Europe, North America, New Zealand, and Australia. Many reenactor groups participate in live-steel combat, and a few have Viking-style ships or boats. The Minnesota Vikings of the National Football League are so-named owing to the large Scandinavian population in the US state of Minnesota. During the banking boom of the first decade of the twenty-first century, Icelandic financiers came to be styled as útrásarvíkingar (roughly 'raiding Vikings').[271][272][273] Common misconceptions Horned helmets Main article: Horned helmet Magnus Barelegs Viking Festival Apart from two or three representations of (ritual) helmets—with protrusions that may be either stylised ravens, snakes, or horns—no depiction of the helmets of Viking warriors, and no preserved helmet, has horns. The formal, close-quarters style of Viking combat (either in shield walls or aboard "ship islands") would have made horned helmets cumbersome and hazardous to the warrior's own side. Historians therefore believe that Viking warriors did not wear horned helmets; whether such helmets were used in Scandinavian culture for other, ritual purposes, remains unproven. The general misconception that Viking warriors wore horned helmets was partly promulgated by the 19th-century enthusiasts of Götiska Förbundet, founded in 1811 in Stockholm.[274] They promoted the use of Norse mythology as the subject of high art and other ethnological and moral aims. The Vikings were often depicted with winged helmets and in other clothing taken from Classical antiquity, especially in depictions of Norse gods. This was done to legitimise the Vikings and their mythology by associating it with the Classical world, which had long been idealised in European culture. The latter-day mythos created by national romantic ideas blended the Viking Age with aspects of the Nordic Bronze Age some 2,000 years earlier. Horned helmets from the Bronze Age were shown in petroglyphs and appeared in archaeological finds (see Bohuslän and Vikso helmets). They were probably used for ceremonial purposes.[275] Modern "Viking" helmets Cartoons like Hägar the Horrible and Vicky the Viking, and sports kits such as those of the Minnesota Vikings and Canberra Raiders have perpetuated the myth of the horned helmet.[276] Viking helmets were conical, made from hard leather with wood and metallic reinforcement for regular troops. The iron helmet with mask and mail was for the chieftains, based on the previous Vendel-age helmets from central Sweden. The only original Viking helmet discovered is the Gjermundbu helmet, found in Norway. This helmet is made of iron and has been dated to the 10th century.[277] Barbarity The image of wild-haired, dirty savages sometimes associated with the Vikings in popular culture is a distorted picture of reality.[9] Viking tendencies were often misreported, and the work of Adam of Bremen, among others, told largely disputable tales of Viking savagery and uncleanliness.[278] Use of skulls as drinking vessels There is no evidence that Vikings drank out of the skulls of vanquished enemies. This was a misconception based on a passage in the skaldic poem Krákumál speaking of heroes drinking from ór bjúgviðum hausa (branches of skulls). This was a reference to drinking horns, but was mistranslated in the 17th century[279] as referring to the skulls of the slain.[280] Genetic legacy Margaryan et al. 2020 analyzed 442 Viking world individuals from various archaeological sites in Europe.[281] They were found to be closely related to modern Scandinavians. The Y-DNA composition of the individuals in the study was also similar to that of modern Scandinavians. The most common Y-DNA haplogroup was I1 (95 samples), followed by R1b (84 samples) and R1a, especially (but not exclusively) of the Scandinavian R1a-Z284 subclade (61 samples). The study showed what many historians have hypothesized, that it was common for Norseman settlers to marry foreign women. Some individuals from the study, such as those found in Foggia, display typical Scandinavian Y-DNA haplogroups but also Southern European autosomal ancestry, suggesting that they were the descendants of Viking settler males and local women. The 5 individual samples from Foggia were likely Normans. The same pattern of a combination of Scandinavian Y-DNA and local autosomal ancestry is seen in other samples from the study, for example Varangians buried near lake Ladoga and Vikings in England, suggesting that Viking men had married into local families in those places too.[281] The study found evidence of a major influx of Danish Viking ancestry into England, a Swedish influx into Estonia and Finland; and Norwegian influx into Ireland, Iceland and Greenland during the Viking Age.[281] Margaryan et al. 2020 examined the skeletal remains of 42 individuals from the Salme ship burials in Estonia. The skeletal remains belonged to warriors killed in battle who were later buried together with numerous valuable weapons and armour. DNA testing and isotope analysis revealed that the men came from central Sweden.[281] Female descent studies show evidence of Norse descent in areas closest to Scandinavia, such as the Shetland and Orkney islands.[282] Inhabitants of lands farther away show most Norse descent in the male Y-chromosome lines.[283] A specialised genetic and surname study in Liverpool showed marked Norse heritage: up to 50% of males of families that lived there before the years of industrialisation and population expansion.[284] High percentages of Norse inheritance—tracked through the R-M420 haplotype—were also found among males in the Wirral and West Lancashire.[285] This was similar to the percentage of Norse inheritance found among males in the Orkney Islands.[286] Recent research suggests that the Celtic warrior Somerled, who drove the Vikings out of western Scotland and was the progenitor of Clan Donald, may have been of Viking descent, a member of haplogroup R-M420.[287] Margaryan et al. 2020 examined an elite warrior burial from Bodzia (Poland) dated to 1010-1020 AD. The cemetery in Bodzia is exceptional in terms of Scandinavian and Kievian Rus links. The Bodzia man (sample VK157, or burial E864/I) was not a simple warrior from the princely retinue, but he belonged to the princely family himself. His burial is the richest one in the whole cemetery, moreover, strontium analysis of his teeth enamel shows he was not local.  It is assumed that he came to Poland with the Prince of Kiev, Sviatopolk the Accursed, and met a violent death in combat. This corresponds to the events of 1018 AD when Sviatopolk himself disappeared after having retreated from Kiev to Poland. It cannot be excluded that the Bodzia man was Sviatopolk himself, as the genealogy of the Rurikids at this period is extremely sketchy and the dates of birth of many princes of this dynasty may be quite approximative. The Bodzia man carried haplogroup I1-S2077 and had both Scandinavian ancestry and Russian admixture." (wikipedia.org) "A crown is a traditional form of head adornment, or hat, worn by monarchs as a symbol of their power and dignity. A crown is often, by extension, a symbol of the monarch's government or items endorsed by it. The word itself is used, particularly in Commonwealth countries, as an abstract name for the monarchy itself, as distinct from the individual who inhabits it (see The Crown). A specific type of crown (or coronet for lower ranks of peerage) is employed in heraldry under strict rules. Indeed, some monarchies never had a physical crown, just a heraldic representation, as in the constitutional kingdom of Belgium, where no coronation ever took place; the royal installation is done by a solemn oath in parliament, wearing a military uniform: the King is not acknowledged as by divine right, but assumes the only hereditary public office in the service of the law; so he in turn will swear in all members of "his" federal government.... Variations     Costume headgear imitating a monarch's crown is also called a crown hat. Such costume crowns may be worn by actors portraying a monarch, people at costume parties, or ritual "monarchs" such as the king of a Carnival krewe, or the person who found the trinket in a king cake.     The nuptial crown, sometimes called a coronal, worn by a bride, and sometimes the bridegroom, at her wedding is found in many European cultures since ancient times. In the present day, it is most common in Eastern Orthodox cultures. The Eastern Orthodox marriage service has a section called the crowning, wherein the bride and groom are crowned as "king" and "queen" of their future household. In Greek weddings, the crowns are diadems usually made of white flowers, synthetic or real, often adorned with silver or mother of pearl. They are placed on the heads of the newlyweds and are held together by a ribbon of white silk. They are then kept by the couple as a reminder of their special day. In Slavic weddings, the crowns are usually made of ornate metal, designed to resemble an imperial crown, and are held above the newlyweds' heads by their best men. A parish usually owns one set to use for all the couples that are married there since these are much more expensive than Greek-style crowns. This was common in Catholic countries in the past.     Crowns are also often used as symbols of religious status or veneration, by divinities (or their representation such as a statue) or by their representatives, e.g. the Black Crown of the Karmapa Lama, sometimes used a model for wider use by devotees.     A Crown of thorns according to the New Testament, was placed on the head of Jesus before his crucifixion and has become a common symbol of martyrdom.     According to Roman Catholic tradition, the Blessed Virgin Mary was crowned as Queen of Heaven after her assumption into heaven. She is often depicted wearing a crown, and statues of her in churches and shrines are ceremonially crowned during May.     The Crown of Immortality is also common in historical symbolism.     The heraldic symbol of Three Crowns, referring to the three evangelical Magi (wise men), traditionally called kings, is believed thus to have become the symbol of the Swedish kingdom, but it also fits the historical (personal, dynastic) Kalmar Union (1397–1520) between the three kingdoms of Denmark, Sweden, and Norway.     In India, crowns are known as makuta (Sanskrit for "crest"), and have been used in India since ancient times and are described adorning Hindu gods or kings. The makuta style was then copied by the Indianized kingdoms that was influenced by Hindu-Buddhist concept of kingship in Southeast Asia, such as in Java and Bali in Indonesia, Cambodia, Burma and Thailand.     Dancers of certain traditional Thai dances often wear crowns (mongkut) on their head. These are inspired in the crowns worn by deities and by kings.     In pre-Hispanic Philippines crown-like diadems, or Putong, were worn by elite individuals and deities, among an array of golden ornaments.[2][3] Terminology Three distinct categories of crowns exist in those monarchies that use crowns or state regalia.     Coronation: worn by monarchs when being crowned.     State: worn by monarchs on other state occasions.     Consort crowns: worn by a consort, signifying rank granted as a constitutional courtesy protocol. Crowns or similar headgear, as worn by nobility and other high-ranking people below the ruler, is in English often called a coronet; However, in many languages, this distinction is not made and the same word is used for both types of headgear (e.g., French couronne, German Krone, Dutch kroon). In some of these languages the term "rank crown" (rangkroon, etc.) refers to the way these crowns may be ranked according to hierarchical status. In Classical antiquity, the crown (corona) that was sometimes awarded to people other than rulers, such as triumphal military generals or athletes, was actually a wreath or chaplet, or ribbon-like diadem. History Crown of King of Persis Ardashir II, 1st century BC. Crowns have been discovered in pre-historic times from Harayana, India.[4] The precursor to the crown was the browband called the diadem, which had been worn by the Achaemenid Persian emperors. It was adopted by Constantine I and was worn by all subsequent rulers of the later Roman Empire. Numerous crowns of various forms were used in antiquity, such as the Hedjet, Deshret, Pschent (double crown) and Khepresh of Pharaonic Egypt. The Pharaohs of Egypt also wore the diadem, which was associated with solar cults, an association which was not completely lost, as it was later revived under the Roman Emperor Augustus.[5] By the time of the Pharaoh Amenophis III (r.1390-1352c) wearing a diadem clearly became a symbol of royalty. The corona radiata, the "radiant crown" known best on the Statue of Liberty, and perhaps worn by the Helios that was the Colossus of Rhodes, was worn by Roman emperors as part of the cult of Sol Invictus prior to the Roman Empire's conversion to Christianity. It was referred to as "the chaplet studded with sunbeams” by Lucian, about 180 AD.[6] The Iron Crown of Lombardy, probably the most ancient royal insignia of Europe. Perhaps the oldest extant Christian crown in Europe is the Iron Crown of Lombardy, of Roman and Longobard antiquity, used by the Holy Roman Empire and the Kingdom of Italy. Later again used to crown modern Kings of Napoleonic and Austrian Italy, and to represent united Italy after 1860. Today, the crown is kept in the Cathedral of Monza. In the Christian tradition of European cultures, where ecclesiastical sanction authenticates monarchic power when a new monarch ascends the throne, the crown is placed on the new monarch's head by a religious official in a coronation ceremony. Some, though not all, early Holy Roman Emperors travelled to Rome at some point in their careers to be crowned by the pope. Napoleon, according to legend, surprised Pius VII when he reached out and crowned himself, although in reality this order of ceremony had been pre-arranged (see coronation). Today, only the British Monarchy and Tongan Monarchy, with their anointed and crowned monarchs, continue this tradition, although many monarchies retain a crown as a national symbol. The French Crown Jewels were sold in 1885 on the orders of the Third French Republic, with only a token number, their precious stones replaced by glass, retained for historic reasons and displayed in the Louvre. The Spanish Crown Jewels were destroyed in a major fire in the 18th century while the so-called "Irish Crown Jewels" (actually merely the British Sovereign's insignia of the Most Illustrious Order of St Patrick) were stolen from Dublin Castle in 1907, just before the investiture of Bernard Edward Barnaby FitzPatrick, 2nd Baron Castletown. The Crown of King George XII of Georgia made of gold and decorated with 145 diamonds, 58 rubies, 24 emeralds, and 16 amethysts. It took the form of a circlet surmounted by ornaments and eight arches. A globe surmounted by a cross rested on the top of the crown Special headgear to designate rulers dates back to pre-history, and is found in many separate civilizations around the globe. Commonly, rare and precious materials are incorporated into the crown, but that is only essential for the notion of crown jewels. Gold and precious jewels are common in western and oriental crowns. In the Native American civilizations of the Pre-Columbian New World, rare feathers, such as that of the quetzal, often decorated crowns; so too in Polynesia (e.g. Hawaii). Coronation ceremonies are often combined with other rituals, such as enthronement (the throne is as much a symbol of monarchy as the crown) and anointing (again, a religious sanction, the only defining act in the Biblical tradition of Israel). In other cultures, no crown is used in the equivalent of coronation, but the head may still be otherwise symbolically adorned; for example, with a royal tikka in the Hindu tradition of India." (wikipedia.org) "Symbols of death are the motifs, images and concepts associated with death throughout different cultures, religions and societies. Images Image of the Grim Reaper on the tailfin of a U.S. Navy F-14D Tomcat of Flight Squadron, VF-101, nicknamed the "Grim Reapers." Traditional Jolly Roger, the flag of "Black Sam" Bellamy and other pirates of the 18th century, displaying a skull and crossbones. Various images are used traditionally to symbolize death; these rank from blunt depictions of cadavers and their parts to more allusive suggestions that time is fleeting and all men are mortals. The human skull is an obvious and frequent symbol of death, found in many cultures and religious traditions.[1] Human skeletons and sometimes non-human animal skeletons and skulls can also be used as blunt images of death; the traditional figures of the Grim Reaper – a black-hooded skeleton with a scythe – is one use of such symbolism.[2] Within the Grim Reaper itself, the skeleton represents the decayed body whereas the robe symbolizes those worn by religious people conducting funeral services.[2] The skull and crossbones motif (☠) has been used among Europeans as a symbol of both piracy and poison.[3] The skull is also important as it remains the only "recognizable" aspect of a person once they have died.[3] Decayed cadavers can also be used to depict death; in medieval Europe, they were often featured in artistic depictions of the danse macabre, or in cadaver tombs which depicted the living and decomposed body of the person entombed. Coffins also serve as blunt reminders of mortality.[4] Europeans were also seen to use coffins and cemeteries to symbolize the wealth and status of the person who has died, serving as a reminder to the living and the deceased as well.[4] Less blunt symbols of death frequently allude to the passage of time and the fragility of life, and can be described as memento mori;[5] that is, an artistic or symbolic reminder of the inevitability of death. Clocks, hourglasses, sundials, and other timepieces both call to mind that time is passing.[3] Similarly, a candle both marks the passage of time, and bears witness that it will eventually burn itself out as well as a symbol of hope of salvation.[3] These sorts of symbols were often incorporated into vanitas paintings, a variety of early still life. Certain animals such as crows, cats, owls, moths, vultures and bats are associated with death; some because they feed on carrion, others because they are nocturnal.[3] Along with death, vultures can also represent transformation and renewal.[3] Religious symbols Veve of Maman Brigitte, the loa of death in Haitian Vodou. Religious symbols of death and depictions of the afterlife will vary with the religion practiced by the people who use them. Tombs, tombstones, and other items of funeral architecture are obvious candidates for symbols of death.[3] In ancient Egypt, the gods Osiris and Ptah were typically depicted as mummies; these gods governed the Egyptian afterlife. In Christianity, the Christian cross is frequently used on graves, and is meant to call to mind the crucifixion of Jesus.[3] Some Christians also erect temporary crosses along public highways as memorials for those who died in accidents. In Buddhism, the symbol of a wheel represents the perpetual cycle of death and rebirth that happens in samsara.[6] The symbol of a grave or tomb, especially one in a picturesque or unusual location, can be used to represent death, as in Nicolas Poussin's famous painting Et in Arcadia ego. Images of life in the afterlife are also symbols of death. Here, again, the ancient Egyptians produced detailed pictorial representations of the life enjoyed by the dead. In Christian folk religion, the spirits of the dead are often depicted as winged angels or angel-like creatures, dwelling among the clouds; this imagery of the afterlife is frequently used in comic depictions of the life after death.[3] In the Islamic view of the Afterlife, death is symbolised by a black and white ram which in turn will be slain to symbolise the Death of Death. The Banshee also symbolizes the coming of death in Irish Mythology.[3] This is typically represented by an older woman who is seen sobbing to symbolize the suffering of a person before their death.[3] Colors Black is the color of mourning in many European cultures. Black clothing is typically worn at funerals to show mourning for the death of the person. In East Asia, white is similarly associated with mourning; it represented the purity and perfection of the deceased person's spirit.[7] During the Victorian era, purple and grey were considered to be mourning colors in addition to black.[8] Furthermore, in Revelation 6 in The Bible, Death is one of the four horsemen; and he rides a pale horse." (wikipedia.org) "A tippet is a scarf-like narrow piece of clothing, worn over the shoulders. It may also be likened to a stole in the secular rather than ecclesiastic sense of this word. Tippets evolved in the fourteenth century from long sleeves and typically had one end hanging down to the knees. A tippet (or tappit) could also be the long, narrow, streamer-like strips of fabric worn as an armband just above the elbow, that hung gracefully to the knee or even the ground.[1] In later fashion, a tippet is often any scarf-like wrap, usually made of fur, such as the sixteenth-century zibellino[2] or the fur-lined capelets worn in the mid-18th century.... Ecclesiastical use Anglican priest wearing a black tippet. Anglican The ceremonial scarf worn by Anglican priests, deacons, and lay readers is called a tippet, although it is also known as a "preaching scarf". It is worn with choir dress and hangs straight down at the front. Ordained clergy (bishops, priests and deacons) wear a black tippet. In the last century or so variations have arisen to accommodate forms of lay leadership. Authorized readers (known in some dioceses as licensed lay ministers) sometimes wear a blue one. Commissioned evangelists of the Church Army are presented with a cherry red 'collar' type tippet, as a sign of authority to preach, but some replace this with a scarf form of the tippet, but retaining the distinctive red colour. A red tippet is also worn in some Anglican dioceses by commissioned lay workers. Tippets are often worn for the Daily Offices of Morning Prayer and Evening Prayer, as required in Canon B8 of the Church of England (in the Canon, the word "scarf" is used in reference to the tippet).[3] Stricter low church clergy may wear the tippet, and not a coloured stole, as part of choir dress during any church service, including for the Holy Communion. This follows a practice that was enforced from the Reformation until the late 19th century. By contrast, some Anglican Catholics tend not to wear the tippet, preferring to wear the choir habit of Roman Catholic clergy instead. Clergy who are entitled to wear medals, orders, or awards sometimes fix them to the upper left side of the tippet on suitable occasions (such as Remembrance Sunday). Sometimes the end of the tippet is embroidered with the coat of arms of an ecclesiastical institution with which the cleric is affiliated. It is common for the Canons of Cathedral churches to have the coat of arms of their cathedral embroidered on one or both sides of the tippet, commonly on the breast rather than the end, as a sign of office. The tippet is not the stole, which although often worn like a scarf, is a Eucharistic vestment, usually made of richer material, and varying according to the liturgical colour of the day. Other denominations In the British Army, all serving chaplains are issued with a tippet to be worn directly over battledress when ministering in conflict zones. Anglican chaplains wear the standard black tippet, whilst Roman Catholic chaplains are distinguished by a violet coloured tippet. Some Lutherans also use the tippet. Members of the Lutheran Society of the Holy Trinity wear a black tippet embroidered with the Society's seal when presiding at the daily office. The black preaching scarf (or rarely blue, grey, or green) is also worn by some Scottish Presbyterian ministers and other non-conformist clergy. British military nurses A different and non-religious sort of tippet, a shoulder-length cape, has been part of the uniform of British military nurses or of nursing uniforms in Commonwealth countries. These are often decorated with piping and may have badges or insignia indicating the wearer's rank." (wikipedia.org) " Woman's dolman mantle, front & back views. Harper's Bazaar, November 1871 A mantle (from old French mantel, from mantellum, the Latin term for a cloak) is a type of loose garment usually worn over indoor clothing to serve the same purpose as an overcoat. Technically, the term describes a long, loose cape-like cloak worn from the 12th to the 16th century by both sexes, although by the 19th century, it was used to describe any loose-fitting, shaped outer garment similar to a cape.[1] For example, the dolman, a 19th-century cape-like woman's garment with partial sleeves is often described as a mantle.[2] In English, the idiom "to take up/pick up/assume the mantle" is from the Bible, and means to take a position of authority, leadership or responsibility in a particular area, especially in the sense of carrying on for a previous figure.[3] The most notable appearance in the Bible is in 2 Kings 2:13, where Elisha takes up Elijah's mantle (Hebrew: אדרת‎ ’addereṯ).... Mantelets Mantelet, French, 1895 A variation on the mantle is the mantelet (also spelled mantelot and mantlet), typically describing a short version of the mantle. The term appears as early as 1386, in "The Knight's Tale" by Geoffrey Chaucer. In the 18th century, a mantelet was a woman's short cloak, and in the early 19th century, it was an ornamental scarf that crossed over the chest and tied behind, usually made of fur or lace.[1] By the end of the 19th century, a mantelet was a woman's shoulder cape with elongated ends in front, sometimes held in position by a belt at the waist." (wikipedia.org) "A royal mantle, or more simply a mantle, is a garment normally worn by emperors, kings or queens as a symbol of authority. When worn at a coronation, such mantles may be referred to as coronation mantles. Many princes also wear such a mantle. Sometimes the mantles are worn only once, but in other instances they may be worn or used on other occasions, such as during the opening of a session of the nation's legislature. Mantles also feature prominently in state portraiture and artwork featuring monarchs and princes. In principle, there is no difference between the mantles of an emperor and king. Different countries have their own styles, and the shape of mantles has changed somewhat over the centuries. The oldest coats were not very long, and they were not lined with fur. In the 18th century, cloaks become more like each other and appeared everywhere in Europe. The French example was lined with fur, and a cloak with a long train became standard. Only the German emperors continued their short coat from the 12th century to the end of their empire. The non-crowned but inaugurated Dutch kings wear a robe on the French model. In the Netherlands, one does not speak of a coronation mantle but uses the term "royal robe" (Dutch: Koningsmantel; Dutch phonetic: γoningsmant∂l)." (wikipedia.org) "In works of art, the adjective macabre (US: /məˈkɑːb/ or UK: /məˈkɑːbrə/; French: [makabʁ]) means "having the quality of having a grim or ghastly atmosphere". The macabre works to emphasize the details and symbols of death. The term also refers to works particularly gruesome in nature.... History The quality is not often found in ancient Greek and Latin writers[citation needed], though there are traces of it in Apuleius and the author of the Satyricon. Outstanding instances in English literature include the works of John Webster, Robert Louis Stevenson, Mervyn Peake, Charles Dickens, Roald Dahl, Thomas Hardy and Cyril Tourneur.[1] In American literature, authors whose work feature this quality include Edgar Allan Poe, H. P. Lovecraft, and Stephen King. The word has gained its significance from its use in French as la danse macabre for the allegorical representation of the ever-present and universal power of death, known in English as the Dance of Death and in German as Totentanz. The typical form which the allegory takes is that of a series of images in which Death appears, either as a dancing skeleton or as a shrunken shrouded corpse, to people representing every age and condition of life, and leads them all in a dance to the grave. Of the numerous examples painted or sculptured on the walls of cloisters or church yards through medieval Europe, few remain except in woodcuts and engravings.     The series at Basel originally at the Klingenthal, a nunnery in Little Basel, dated from the beginning of the 14th century. In the middle of the 15th century this was moved to the churchyard of the Predigerkloster at Basel, and was restored, probably by Hans Kluber, in 1568. The collapse of the wall in 1805 reduced it to fragments, and only drawings of it remain.     A Dance of Death in its simplest form still survives in the Marienkirche at Lübeck as 15th-century painting on the walls of a chapel. Here there are 24 figures in couples, between each is a dancing Death linking the groups by outstretched hands, the whole ring being led by a Death playing on a pipe.     In Tallinn (Reval), Estonia there is a well-known Danse Macabre painting by Bernt Notke displayed at St. Nikolaus Church (Niguliste), dating the end of 15th century.     At Dresden there is a sculptured life-size series in the old Neustädter Kirchhoff, moved here from the palace of Duke George in 1701 after a fire.     At Rouen in the cloister of St Maclou there also remains a sculptured danse macabre.     There was a celebrated fresco of the subject in the cloister of Old St Pauls in London.     There was another in the now destroyed Hungerford Chapel at Salisbury, of which only a single woodcut, "Death and the Gallant", remains.     Of the many engraved reproductions of the Old St Pauls fresco, the most famous is the series drawn by Holbein. The theme continued to inspire artists and musicians long after the medieval period, Schubert's string quartet Death and the Maiden (1824) being one example, and Camille Saint-Saëns' tone poem Danse macabre, op. 40 (1847). In the 20th century, Ingmar Bergman's 1957 film The Seventh Seal has a personified Death, and could thus count as macabre. The origin of this allegory in painting and sculpture is disputed. It occurs as early as the 14th century, and has often been attributed to the overpowering consciousness of the presence of death due to the Black Death and the miseries of the Hundred Years' War. It has also been attributed to a form of the Morality, a dramatic dialogue between Death and his victims in every station of life, ending in a dance off the stage.[2] The origin of the peculiar form the allegory has taken has also been found in the dancing skeletons on late Roman sarcophagi and mural paintings at Cumae or Pompeii, and a false connection has been traced with "The Triumph of Death", attributed to Orcagna, in the Campo Santo at Pisa. Etymology The etymology of the word "macabre" is uncertain. According to Gaston Paris[3] it first occurs in the form "macabre" in Jean le Fèvre's Respit de la mort (1376), Je fis de Macabré la danse, and he takes this accented form to be the true one, and traces it in the name of the first painter of the subject. The more usual explanation is based on the Latin name, Machabaeorum chorea (Dance of Maccabees). The seven tortured brothers, with their mother and Eleazar (2 Maccabees 6 and 7) were prominent figures on this hypothesis in the supposed dramatic dialogues.[4] Other connections have been suggested, as for example with St. Macarius, or Macaire, the hermit, who, according to Vasari, is to be identified with the figure pointing to the decaying corpses in the Pisan Triumph of Death, or with an Arabic word maqābir (مقابر), cemeteries (plural of maqbara." (wikipedia.org) "Memento mori (Latin for 'remember that you [have to] die'[2]) is an artistic or symbolic reminder of the inevitability of death.[2] The concept has its roots in the philosophers of classical antiquity and Christianity, and appeared in funeral art and architecture of the medieval period. Memento mori jewelry with skull or coffin motifs became popular in the late 16th century, and it was reflected in the artistic genre of vanitas, where symbolic objects such as hourglasses and wilting flowers signified the impermanence of human life.... Pronunciation and translation In English, the phrase is pronounced /məˈmɛntoʊ ˈmɔːri/, mə-MEN-toh MOR-ee. Memento is the 2nd person singular active imperative of meminī, 'to remember, to bear in mind', usually serving as a warning: "remember!" Morī is the present infinitive of the deponent verb morior 'to die'.[3] In other words, "remember death" or "remember that you die".[4] History of the concept In classical antiquity The philosopher Democritus trained himself by going into solitude and frequenting tombs.[5] Plato's Phaedo, where the death of Socrates is recounted, introduces the idea that the proper practice of philosophy is "about nothing else but dying and being dead".[6] The Stoics of classical antiquity were particularly prominent in their use of this discipline, and Seneca's letters are full of injunctions to meditate on death.[7] The Stoic Epictetus told his students that when kissing their child, brother, or friend, they should remind themselves that they are mortal, curbing their pleasure, as do "those who stand behind men in their triumphs and remind them that they are mortal".[8] The Stoic Marcus Aurelius invited the reader to "consider how ephemeral and mean all mortal things are" in his Meditations.[9][10] In Judaism Several passages in the Old Testament urge a remembrance of death. In Psalm 90, Moses prays that God would teach his people "to number our days that we may get a heart of wisdom" (Ps. 90:12). In Ecclesiastes, the Preacher insists that "It is better to go to the house of mourning than to go to the house of feasting, for this is the end of all mankind, and the living will lay it to heart" (Eccl. 7:2). In Isaiah, the lifespan of human beings is compared to the short lifespan of grass: "The grass withers, the flower fades when the breath of the LORD blows on it; surely the people are grass" (Is. 40:7). In early Christianity The expression memento mori developed with the growth of Christianity, which emphasized Heaven, Hell, and salvation of the soul in the afterlife.[11] The 2nd-century Christian writer Tertullian claimed that during his triumphal procession, a victorious general would have someone (in later versions, a slave) standing behind him, holding a crown over his head and whispering "Respice post te. Hominem te memento" ("Look after you [to the time after your death] and remember you're [only] a man."). Though in modern times this has become a standard trope, in fact no other ancient authors confirm this, and it may have been Christian moralizing rather than an accurate historical report.[12] In Europe from the medieval era to the Victorian era Dance of Death (15th-century fresco). No matter one's station in life, the Dance of Death unites all. Philosophy The thought was then utilized in Christianity, whose strong emphasis on divine judgment, heaven, hell, and the salvation of the soul brought death to the forefront of consciousness.[13] In the Christian context, the memento mori acquires a moralizing purpose quite opposed to the nunc est bibendum (now is the time to drink) theme of classical antiquity. To the Christian, the prospect of death serves to emphasize the emptiness and fleetingness of earthly pleasures, luxuries, and achievements, and thus also as an invitation to focus one's thoughts on the prospect of the afterlife. A Biblical injunction often associated with the memento mori in this context is In omnibus operibus tuis memorare novissima tua, et in aeternum non peccabis (the Vulgate's Latin rendering of Ecclesiasticus 7:40, "in all thy works be mindful of thy last end and thou wilt never sin.") This finds ritual expression in the rites of Ash Wednesday, when ashes are placed upon the worshipers' heads with the words, "Remember Man that you are dust and unto dust, you shall return." Memento mori has been an important part of ascetic disciplines as a means of perfecting the character by cultivating detachment and other virtues, and by turning the attention towards the immortality of the soul and the afterlife.[14] Architecture Unshrouded skeleton on Diana Warburton's tomb (dated 1693) in St John the Baptist Church, Chester The most obvious places to look for memento mori meditations are in funeral art and architecture. Perhaps the most striking to contemporary minds is the transi or cadaver tomb, a tomb that depicts the decayed corpse of the deceased. This became a fashion in the tombs of the wealthy in the fifteenth century, and surviving examples still offer a stark reminder of the vanity of earthly riches. Later, Puritan tomb stones in the colonial United States frequently depicted winged skulls, skeletons, or angels snuffing out candles. These are among the numerous themes associated with skull imagery. Another example of memento mori is provided by the chapels of bones, such as the Capela dos Ossos in Évora or the Capuchin Crypt in Rome. These are chapels where the walls are totally or partially covered by human remains, mostly bones. The entrance to the Capela dos Ossos has the following sentence: "We bones, lying here bare, await yours." Visual art Philippe de Champaigne's Vanitas (c. 1671) is reduced to three essentials: Life, Death, and Time Timepieces have been used to illustrate that the time of the living on Earth grows shorter with each passing minute. Public clocks would be decorated with mottos such as ultima forsan ("perhaps the last" [hour]) or vulnerant omnes, ultima necat ("they all wound, and the last kills"). Clocks have carried the motto tempus fugit, "time flees". Old striking clocks often sported automata who would appear and strike the hour; some of the celebrated automaton clocks from Augsburg, Germany had Death striking the hour. Private people carried smaller reminders of their own mortality. Mary, Queen of Scots owned a large watch carved in the form of a silver skull, embellished with the lines of Horace, "Pale death knocks with the same tempo upon the huts of the poor and the towers of Kings." In the late 16th and through the 17th century, memento mori jewelry was popular. Items included mourning rings,[15] pendants, lockets, and brooches.[16] These pieces depicted tiny motifs of skulls, bones, and coffins, in addition to messages and names of the departed, picked out in precious metals and enamel.[16][17] During the same period there emerged the artistic genre known as vanitas, Latin for "emptiness" or "vanity". Especially popular in Holland and then spreading to other European nations, vanitas paintings typically represented assemblages of numerous symbolic objects such as human skulls, guttering candles, wilting flowers, soap bubbles, butterflies, and hourglasses. In combination, vanitas assemblies conveyed the impermanence of human endeavours and of the decay that is inevitable with the passage of time. See also the themes associated with the image of the skull. Literature Memento mori is also an important literary theme. Well-known literary meditations on death in English prose include Sir Thomas Browne's Hydriotaphia, Urn Burial and Jeremy Taylor's Holy Living and Holy Dying. These works were part of a Jacobean cult of melancholia that marked the end of the Elizabethan era. In the late eighteenth century, literary elegies were a common genre; Thomas Gray's Elegy Written in a Country Churchyard and Edward Young's Night Thoughts are typical members of the genre. In the European devotional literature of the Renaissance, the Ars Moriendi, memento mori had moral value by reminding individuals of their mortality.[18] Music Apart from the genre of requiem and funeral music, there is also a rich tradition of memento mori in the Early Music of Europe. Especially those facing the ever-present death during the recurring bubonic plague pandemics from the 1340s onward tried to toughen themselves by anticipating the inevitable in chants, from the simple Geisslerlieder of the Flagellant movement to the more refined cloistral or courtly songs. The lyrics often looked at life as a necessary and god-given vale of tears with death as a ransom, and they reminded people to lead sinless lives to stand a chance at Judgment Day. The following two Latin stanzas (with their English translations) are typical of memento mori in medieval music; they are from the virelai ad mortem festinamus of the Llibre Vermell de Montserrat from 1399:     Vita brevis breviter in brevi finietur,     Mors venit velociter quae neminem veretur,     Omnia mors perimit et nulli miseretur.     Ad mortem festinamus peccare desistamus.         Life is short, and shortly it will end;         Death comes quickly and respects no one,         Death destroys everything and takes pity on no one.         To death we are hastening, let us refrain from sinning.     Ni conversus fueris et sicut puer factus     Et vitam mutaveris in meliores actus,     Intrare non poteris regnum Dei beatus.     Ad mortem festinamus peccare desistamus.         If you do not turn back and become like a child,         And change your life for the better,         You will not be able to enter, blessed, the Kingdom of God.         To death we are hastening, let us refrain from sinning. Danse macabre The danse macabre is another well-known example of the memento mori theme, with its dancing depiction of the Grim Reaper carrying off rich and poor alike. This and similar depictions of Death decorated many European churches.... The salutation of the Hermits of St. Paul of France Memento mori was the salutation used by the Hermits of St. Paul of France (1620-1633), also known as the Brothers of Death.[19] It is sometimes claimed that the Trappists use this salutation, but this is not true.[20] In Puritan America Thomas Smith's Self-Portrait Colonial American art saw a large number of memento mori images due to Puritan influence. The Puritan community in 17th-century North America looked down upon art because they believed that it drew the faithful away from God and, if away from God, then it could only lead to the devil. However, portraits were considered historical records and, as such, they were allowed. Thomas Smith, a 17th-century Puritan, fought in many naval battles and also painted. In his self-portrait, we see these pursuits represented alongside a typical Puritan memento mori with a skull, suggesting his awareness of imminent death. The poem underneath the skull emphasizes Thomas Smith's acceptance of death and of turning away from the world of the living:     Why why should I the World be minding, Therein a World of Evils Finding. Then Farwell World: Farwell thy jarres, thy Joies thy Toies thy Wiles thy Warrs. Truth Sounds Retreat: I am not sorye. The Eternall Drawes to him my heart, By Faith (which can thy Force Subvert) To Crowne me (after Grace) with Glory. Mexico's Day of the Dead Posada's 1910 La Calavera Catrina Main article: Day of the Dead Much memento mori art is associated with the Mexican festival Day of the Dead, including skull-shaped candies and bread loaves adorned with bread "bones." This theme was also famously expressed in the works of the Mexican engraver José Guadalupe Posada, in which people from various walks of life are depicted as skeletons. Another manifestation of memento mori is found in the Mexican "Calavera", a literary composition in verse form normally written in honour of a person who is still alive, but written as if that person were dead. These compositions have a comedic tone and are often offered from one friend to another during Day of the Dead.[21] Contemporary culture Roman Krznaric suggests Memento Mori is an important topic to bring back into our thoughts and belief system; “Philosophers have come up with lots of what I call ‘death tasters’ – thought experiments for seizing the day." These thought experiments are powerful to get us re-oriented back to death into current awareness and living with spontaneity. Albert Camus stated “Come to terms with death, thereafter anything is possible.” Jean-Paul Sartre expressed that life is given to us early, and is shortened at the end, all the while taken away at every step of the way, emphasizing that the end is only the beginning every day.[22] Similar concepts in other religions and cultures In Buddhism The Buddhist practice maraṇasati meditates on death. The word is a Pāli compound of maraṇa 'death' (an Indo-European cognate of Latin mori) and sati 'awareness', so very close to memento mori. It is first used in early Buddhist texts, the suttapiṭaka of the Pāli Canon, with parallels in the āgamas of the "Northern" Schools. In Japanese Zen and samurai culture In Japan, the influence of Zen Buddhist contemplation of death on indigenous culture can be gauged by the following quotation from the classic treatise on samurai ethics, Hagakure:[23]     The Way of the Samurai is, morning after morning, the practice of death, considering whether it will be here or be there, imagining the most sightly way of dying, and putting one's mind firmly in death. Although this may be a most difficult thing, if one will do it, it can be done. There is nothing that one should suppose cannot be done.[24] In the annual appreciation of cherry blossom and fall colors, hanami and momijigari, it was philosophized that things are most splendid at the moment before their fall, and to aim to live and die in a similar fashion.[citation needed] In Tibetan Buddhism Tibetan Citipati mask depicting Mahākāla. The skull mask of Citipati is a reminder of the impermanence of life and the eternal cycle of life and death. In Tibetan Buddhism, there is a mind training practice known as Lojong. The initial stages of the classic Lojong begin with 'The Four Thoughts that Turn the Mind', or, more literally, 'Four Contemplations to Cause a Revolution in the Mind'.[citation needed] The second of these four is the contemplation on impermanence and death. In particular, one contemplates that;     All compounded things are impermanent.     The human body is a compounded thing.     Therefore, death of the body is certain.     The time of death is uncertain and beyond our control. There are a number of classic verse formulations of these contemplations meant for daily reflection to overcome our strong habitual tendency to live as though we will certainly not die today. Lalitavistara Sutra The following is from the Lalitavistara Sūtra, a major work in the classical Sanskrit canon:     अध्रुवं त्रिभवं शरदभ्रनिभं नटरङ्गसमा जगिर् ऊर्मिच्युती। गिरिनद्यसमं लघुशीघ्रजवं व्रजतायु जगे यथ विद्यु नभे॥         The three worlds are fleeting like autumn clouds.         Like a staged performance, beings come and go.         In tumultuous waves, rushing by, like rapids over a cliff.         Like lightning, wanderers in samsara burst into existence, and are gone in a flash.     ज्वलितं त्रिभवं जरव्याधिदुखैः मरणाग्निप्रदीप्तमनाथमिदम्। भवनि शरणे सद मूढ जगत् भ्रमती भ्रमरो यथ कुम्भगतो॥         Beings are ablaze with the sufferings of sickness and old age,         And with no defence against the conflagration of Death         The bewildered, seeking refuge in worldly existence         Spin round and round, like bees trapped in a jar.[25] The Udānavarga A very well known verse in the Pali, Sanskrit and Tibetan canons states [this is from the Sanskrit version, the Udānavarga:     सर्वे क्षयान्ता निचयाः पतनान्ताः समुच्छ्रयाः |     सम्योगा विप्रयोगान्ता मरणान्तं हि जीवितम् |1,22|         All that is acquired will be lost         What rises will fall         Where there is meeting there will be separation         What is born will surely die.[26] Shantideva, Bodhicaryavatara Shantideva, in the Bodhisattvacaryāvatāra 'Bodhisattva's Way of Life' reflects at length: कृताकृतापरीक्षोऽयं मृत्युर्विश्रम्भघातकः। स्वस्थास्वस्थैरविश्वास्य आकमिस्मकमहाशनि:॥ २/३४॥     Death does not differentiate between tasks done and undone. This traitor is not to be trusted by the healthy or the ill, for it is like an unexpected, great thunderbolt. BCA 2.33 अप्रिया न भविष्यन्ति प्रियो मे न भविष्यति। अहं च न भविष्यामि सर्वं च न भविष्यति॥ २/३७॥     My enemies will not remain, nor will my friends remain. I shall not remain. Nothing will remain. BCA 2:35 तत्तत्स्मरणताम याति यद्यद्वस्त्वनुभयते। स्वप्नानुभूतवत्सर्वं गतं न पूनरीक्ष्यते॥ २/३६॥     Whatever is experienced will fade to a memory. Like an experience in a dream, everything that has passed will not be seen again. BCA 2:36 रात्रिन्दिवमविश्राममायुषो वर्धते व्ययः। आयस्य चागमो नास्ति न मरिष्यामि किं न्वहम्॥ २/४०     Day and night, a life span unceasingly diminishes, and there is no adding onto it. Shall I not die then? BCA 2:39 यमदूतैर्गृहीतस्य कुतो बन्धुः कुतः सुह्रत्। पुण्यमेकं तदा त्राणं मया तच्च न सेवितम्॥ २/४१॥     For a person seized by the messengers of Death, what good is a relative and what good is a friend? At that time, merit alone is a protection, and I have not applied myself to it. BCA 2:41 In more modern Tibetan Buddhist works In a practice text written by the 19th century Tibetan master Dudjom Lingpa for serious meditators, he formulates the second contemplation in this way:[27][28]     On this occasion when you have such a bounty of opportunities in terms of your body, environment, friends, spiritual mentors, time, and practical instructions, without procrastinating until tomorrow and the next day, arouse a sense of urgency, as if a spark landed on your body or a grain of sand fell in your eye. If you have not swiftly applied yourself to practice, examine the births and deaths of other beings and reflect again and again on the unpredictability of your lifespan and the time of your death, and on the uncertainty of your own situation. Meditate on this until you have definitively integrated it with your mind... The appearances of this life, including your surroundings and friends, are like last night’s dream, and this life passes more swiftly than a flash of lightning in the sky. There is no end to this meaningless work. What a joke to prepare to live forever! Wherever you are born in the heights or depths of saṃsāra, the great noose of suffering will hold you tight. Acquiring freedom for yourself is as rare as a star in the daytime, so how is it possible to practice and achieve liberation? The root of all mind training and practical instructions is planted by knowing the nature of existence. There is no other way. I, an old vagabond, have shaken my beggar’s satchel, and this is what came out. The contemporary Tibetan master, Yangthang Rinpoche, in his short text 'Summary of the View, Meditation, and Conduct':[29]     །ཁྱེད་རྙེད་དཀའ་བ་མི་ཡི་ལུས་རྟེན་རྙེད། །སྐྱེ་དཀའ་བའི་ངེས་འབྱུང་གི་བསམ་པ་སྐྱེས། །མཇལ་དཀའ་བའི་མཚན་ལྡན་གྱི་བླ་མ་མཇལ། །འཕྲད་དཀའ་བ་དམ་པའི་ཆོས་དང་འཕྲད།     འདི་འདྲ་བའི་ལུས་རྟེན་བཟང་པོ་འདི། །ཐོབ་དཀའ་བའི་ཚུལ་ལ་ཡང་ཡང་སོམ། རྙེད་པ་འདི་དོན་ཡོད་མ་བྱས་ན། །འདི་མི་རྟག་རླུང་གསེབ་མར་མེ་འདྲ།     ཡུན་རིང་པོའི་བློ་གཏད་འདི་ལ་མེད། །ཤི་བར་དོར་གྲོལ་བའི་གདེངས་མེད་ན། །ཚེ་ཕྱི་མའི་སྡུག་བསྔལ་ཨ་རེ་འཇིགས། །མཐའ་མེད་པའི་འཁོར་བར་འཁྱམས་དགོས་ཚེ།     །འདིའི་རང་བཞིན་བསམ་ན་སེམས་རེ་སྐྱོ། །ཚེ་འདི་ལ་བློ་གདེངས་ཐོབ་པ་ཞིག །ཅི་ནས་ཀྱང་མཛད་རྒྱུ་བཀའ་དྲིན་ཆེ། །འདི་བདག་གིས་ཁྱོད་ལ་རེ་བ་ཡིན།         You have obtained a human life, which is difficult to find,         Have aroused an intention of a spirit of emergence, which is difficult to arouse,         Have met a qualified guru, who is difficult to meet,         And you have encountered the sublime Dharma, which is difficult to encounter.         Reflect again and again on the difficulty Of obtaining such a fine human life.         If you do not make this meaningful,         It will be like a butter lamp in the wind of impermanence.         Do not count on this lasting a long time. The Tibetan Canon also includes copious materials on the meditative preparation for the death process and intermediate period bardo between death and rebirth. Amongst them are the famous "Tibetan Book of the Dead", in Tibetan Bardo Thodol, the "Natural Liberation through Hearing in the Bardo". In Islam The "remembrance of death" (Arabic: تذكرة الموت‎, Tadhkirat al-Mawt; deriving from تذكرة, tadhkirah, Arabic for memorandum or admonition), has been a major topic of Islamic spirituality since the time of the Islamic prophet Muhammad in Medina. It is grounded in the Qur'an, where there are recurring injunctions to pay heed to the fate of previous generations.[30] The hadith literature, which preserves the teachings of Muhammad, records advice for believers to "remember often death, the destroyer of pleasures."[31] Some Sufis have been called "ahl al-qubur," the "people of the graves," because of their practice of frequenting graveyards to ponder on mortality and the vanity of life, based on the teaching of Muhammad to visit graves.[32] Al-Ghazali devotes to this topic the last book of his "The Revival of the Religious Sciences".[33] Iceland The Hávamál ("Sayings of the High One"), a 13th century Icelandic compilation poetically attributed to the god Odin, includes two sections – the Gestaþáttr and the Loddfáfnismál – offering many gnomic proverbs expressing the memento mori philosophy, most famously Gestaþáttr number 77:     Deyr fé,     deyja frændur,     deyr sjálfur ið sama;     ek veit einn at aldri deyr,     dómr um dauðan hvern.         Animals die,         friends die,         and thyself, too, shall die;         but one thing I know that never dies         the tales of the one who died." (wikipedia.org) "A vanitas is a symbolic work of art showing the transience of life, the futility of pleasure, and the certainty of death, often contrasting symbols of wealth and symbols of ephemerality and death. Best-known are vanitas still lifes, a common genre in Low Countries of the 16th and 17th centuries; they have also been created at other times and in other media and genres.... Etymology The Latin noun vanitas (from the Latin adjective vanus 'empty') means 'emptiness', 'futility', or 'worthlessness', the traditional Christian view being that earthly goods and pursuits are transient and worthless.[2] It alludes to Ecclesiastes 1:2; 12:8, where vanitas translates the Hebrew word hevel, which also includes the concept of transitoriness.[3][4][5] Themes Pierfrancesco Cittadini 17th century Italian school Vanitas themes were common in medieval funerary art, with most surviving examples in sculpture. By the 15th century, these could be extremely morbid and explicit, reflecting an increased obsession with death and decay also seen in the Ars moriendi, the Danse Macabre, and the overlapping motif of the Memento mori. From the Renaissance such motifs gradually became more indirect and, as the still-life genre became popular, found a home there. Paintings executed in the vanitas style were meant to remind viewers of the transience of life, the futility of pleasure, and the certainty of death. They also provided a moral justification for painting attractive objects. Motifs Vanitas by Harmen Steenwijck Common vanitas symbols include skulls, which are a reminder of the certainty of death; rotten fruit (decay); bubbles (the brevity of life and suddenness of death); smoke, watches, and hourglasses (the brevity of life); and musical instruments (brevity and the ephemeral nature of life). Fruit, flowers and butterflies can be interpreted in the same way, and a peeled lemon was, like life, attractive to look at but bitter to taste. Art historians debate how much, and how seriously, the vanitas theme is implied in still-life paintings without explicit imagery such as a skull. As in much moralistic genre painting, the enjoyment evoked by the sensuous depiction of the subject is in a certain conflict with the moralistic message.[6] Composition of flowers is a less obvious style of vanitas by Abraham Mignon in the National Museum, Warsaw. Barely visible amid vivid and perilous nature (snakes, poisonous mushrooms), a bird skeleton is a symbol of vanity and shortness of life. Vanitas by Jan Sanders van Hemessen Outside visual art     The first movement in composer Robert Schumann's 5 Pieces in a Folk Style, for Cello and Piano, Op. 102 is entitled Vanitas vanitatum: Mit Humor.     Vanitas vanitatum is the title of an oratorio written by an Italian Baroque composer Giacomo Carissimi (1604/1605 -1674).     Composer Richard Barrett's Vanity, for orchestra, is greatly inspired by this movement.     Vanitas is the seventh album by British Extreme Metal band Anaal Nathrakh.     Vanitas is the name of a character from the Kingdom Hearts franchise.     Vanitas is the name of one of the two main characters from Vanitas no Carte     Vanitas is the second album by US power metal band Platinum. In modern times     Jana Sterbak, Vanitas: Flesh Dress for an Albino Anorectic, artwork, 1987.     Alexander de Cadenet, Skull Portraits, various subjects, 1996 – present.     Philippe Pasqua, series of skulls, sculpture, 1990s – present.     Damien Hirst, For the Love of God, sculpture (A diamond skull), 2007.     Anne de Carbuccia, One Planet One Future, various subjects, 2013 – present." (wikipedia.org) "Skull symbolism is the attachment of symbolic meaning to the human skull. The most common symbolic use of the skull is as a representation of death, mortality and the unachievable nature of immortality. Humans can often recognize the buried fragments of an only partially revealed cranium even when other bones may look like shards of stone. The human brain has a specific region for recognizing faces,[1] and is so attuned to finding them that it can see faces in a few dots and lines or punctuation marks; the human brain cannot separate the image of the human skull from the familiar human face. Because of this, both the death and the now-past life of the skull are symbolized. Hindu temples and depiction of some Hindu deities have displayed association with skulls. Moreover, a human skull with its large eye sockets displays a degree of neoteny, which humans often find visually appealing—yet a skull is also obviously dead, and to some can even seem to look sad due to the downward facing slope on the ends of the eye sockets. A skull with the lower jaw intact may also appear to be grinning or laughing due to the exposed teeth. As such, human skulls often have a greater visual appeal than the other bones of the human skeleton, and can fascinate even as they repel. Our present society predominantly associates skulls with death and evil. Unicode reserves character U+1F480 (💀) for a human skull pictogram.... Examples The skull that is often engraved or carved on the head of early New England tombstones might be merely a symbol of mortality, but the skull is also often backed by an angelic pair of wings,[2] lofting mortality beyond its own death. lady at round mirror and dressing table resembling a skull "All is Vanity" by C. Allan Gilbert All is Vanity by C. Allan Gilbert, 1873-1929 One of the best-known examples of skull symbolism occurs in Shakespeare's Hamlet, where the title character recognizes the skull of an old friend: "Alas, poor Yorick! I knew him, Horatio; a fellow of infinite jest..." Hamlet is inspired to utter a bitter soliloquy of despair and rough ironic humor. Compare Hamlet's words "Here hung those lips that I have kissed I know not how oft" to Talmudic sources: "...Rabi Ishmael [the High Priest]... put [the severed head of a martyr] in his lap... and cried: oh sacred mouth!...who buried you in ashes...!". The skull was a symbol of melancholy for Shakespeare's contemporaries.[3] Skull art is found in depictions of some Hindu Gods. Lord Shiva has been depicted as carrying skull.[4] Goddess Chamunda is described as wearing a garland of severed heads or skulls (Mundamala). Kedareshwara Temple, Hoysaleswara Temple, Chennakeshava Temple, Lakshminarayana Temple are some of the Hindu temples that include sculptures of skulls and Goddess Chamunda.[5] The temple of Kali is veneered with skulls, but the goddess Kali offers life through the welter of blood. In Elizabethan England, the Death's-Head Skull, usually a depiction without the lower jawbone, was emblematic of bawds, rakes, sexual adventurers and prostitutes; the term Death's-Head was actually parlance for these rakes, and most of them wore half-skull rings to advertise their station, either professionally or otherwise. The original Rings were wide silver objects, with a half-skull decoration not much wider than the rest of the band; This allowed it to be rotated around the finger to hide the skull in polite company, and to reposition it in the presence of likely conquests.[citation needed] Sugar skull given for the Day of the Dead, made with chocolate and amaranth from Mexico Sugar skull given for the Day of the Dead, made with chocolate and amaranth Skulls and skeletons are the main symbol of the Day of the Dead, a Mexican holiday. Skull-shaped decorations called calaveras are a common sight during the festivities. Venetian painters of the 16th century elaborated moral allegories for their patrons, and memento mori was a common theme. The theme carried by an inscription on a rustic tomb, "Et in Arcadia ego"—"I too [am] in Arcadia", if it is Death that is speaking—is made famous by two paintings by Nicolas Poussin, but the motto made its pictorial debut in Guercino's version, 1618-22 (in the Galleria Barberini, Rome): in it, two awestruck young shepherds come upon an inscribed plinth, in which the inscription ET IN ARCADIA EGO gains force from the prominent presence of a wormy skull in the foreground. Next to Mary Magdalene's dressing-mirror, in a convention of Baroque painting[citation needed], the Skull has quite different connotations and reminds the viewer that the Magdalene has become a symbol for repentance. In C. Allan Gilbert's much-reproduced lithograph of a lovely Gibson Girl seated at her fashionable toilette, an observer can witness its transformation into an alternate image. A ghostly echo of the worldly Magdalene's repentance motif lurks behind this turn-of-the-20th century icon. The skull becomes an icon itself when its painted representation becomes a substitute for the real thing. Simon Schama chronicled the ambivalence of the Dutch to their own worldly success during the Dutch Golden Age of the first half of the 17th century in The Embarrassment of Riches. The possibly frivolous and merely decorative nature of the still life genre was avoided by Pieter Claesz in his Vanitas (illustration, below right): Skull, opened case-watch, overturned emptied wineglasses, snuffed candle, book: "Lo, the wine of life runs out, the spirit is snuffed, oh Man, for all your learning, time yet runs on: Vanity!" The visual cues of the hurry and violence of life are contrasted with eternity in this somber, still and utterly silent painting. Skull on table Vanitas, by Pieter Claesz, painted in 1630 from the Mauritzhuis, The Hague Vanitas, by Pieter Claesz, 1630 (Mauritzhuis, The Hague) When the skull appears in Nazi SS insignia, the death's-head (Totenkopf) represents loyalty unto death. However, when tattooed on the forearm its apotropaic power helps an outlaw biker cheat death.[6] The skull and crossbones signify "Poison" when they appear on a glass bottle containing a white powder, or any container in general. But it is not the same emblem when it flies high above the deck as the Jolly Roger: there the pirate death's-head epitomizes the pirates' ruthlessness and despair; their usage of death imagery might be paralleled with their occupation challenging the natural order of things.[7] "Pirates also affirmed their unity symbolically", Marcus Rediker asserts, remarking the skeleton or skull symbol with bleeding heart and hourglass on the black pirate ensign, and asserting "it triad of interlocking symbols— death, violence, limited time—simultaneously pointed to meaningful parts of the seaman's experience, and eloquently bespoke the pirates' own consciousness of themselves as preyed upon in turn. Pirates seized the symbol of mortality from ship captains who used the skull 'as a marginal sign in their logs to indicate the record of a death'"[8] Today, humans typically note the skull and crossbones sign as the almost universal symbol for toxicity. The skull of Adam at the foot of the Cross: detail from a Crucifixion by Fra Angelico, from 1435 The skull of Adam at the foot of the Cross: detail from a Crucifixion by Fra Angelico, 1435 When a skull was worn as a trophy on the belt of the Lombard king Alboin, it was a constant grim triumph over his old enemy, and he drank from it. In the same way a skull is a warning when it decorates the palisade of a city, or deteriorates on a pike at a Traitor's Gate. The Skull Tower, with the embedded skulls of Serbian rebels, was built in 1809 on the highway near Niš, Serbia, as a stark political warning from the Ottoman government. In this case the skulls are the statement: that the current owner had the power to kill the former. "Drinking out of a skull the blood of slain (sacrificial) enemies is mentioned by Ammianus and Livy,[9] and Solinus describes the Irish custom of bathing the face in the blood of the slain and drinking it."[10] The rafters of a traditional Jívaro medicine house in Peru,[11] or in New Guinea. The late medieval and Early Renaissance Northern and Italian painters place the skull where it lies at the foot of the Cross at Golgotha (Aramaic for the place of the skull). But for them it has become quite specifically the skull of Adam. The Serpent crawling through the eyes of a skull is a familiar image that survives in contemporary Goth subculture. The serpent is a chthonic god of knowledge and of immortality, because he sloughs off his skin. The serpent guards the Tree in the Greek Garden of the Hesperides and, later, a Tree in the Garden of Eden. The serpent in the skull is always making its way through the socket that was the eye: knowledge persists beyond death, the emblem says, and the serpent has the secret. Symbolism of Fortuna's wheel divine justice and Skull mortality in a Pompeiian mosaic Symbolism of chance (Fortuna's wheel) divine justice (right angle and plumb-bob) and mortality in a Pompeiian mosaic The skull speaks. It says "Et in Arcadia ego" or simply "Vanitas." In a first-century mosaic tabletop from a Pompeiian triclinium (now in Naples), the skull is crowned with a carpenter's square and plumb-bob, which dangles before its empty eyesockets (Death as the great leveller), while below is an image of the ephemeral and changeable nature of life: a butterfly atop a wheel—a table for a philosopher's symposium. Skull in lady's hat "Calavera de la Catrina" by José Guadalupe Posada Calavera de la Catrina by José Guadalupe Posada (1851-1913) An example of the OSS "Black Propaganda" Humor: at left an Adolf Hitler profile on a "German Reich" stamp; at right the OSS-forged Hitler face version, turned into a death's head on a "Fallen Reich" stamp Similarly, a skull might be seen crowned by a chaplet of dried roses, a carpe diem, though rarely as bedecked as Mexican printmaker José Guadalupe Posada's Catrina. In Mesoamerican architecture, stacks of skulls (real or sculpted) represented the result of human sacrifices. The skull speaks in the catacombs of the Capuchin brothers beneath the church of Santa Maria della Concezione in Rome,[12] where disassembled bones and teeth and skulls of the departed Capuchins have been rearranged to form a rich Baroque architecture of the human condition, in a series of anterooms and subterranean chapels with the inscription, set in bones:     Noi eravamo quello che voi siete, e quello che noi siamo voi sarete.     "We were what you are; and what we are, you will be." An old Yoruba folktale[13] tells of a man who encountered a skull mounted on a post by the wayside. To his astonishment, the skull spoke. The man asked the skull why it was mounted there. The skull said that it was mounted there for talking. The man then went to the king, and told the king of the marvel he had found, a talking skull. The king and the man returned to the place where the skull was mounted; the skull remained silent. The king then commanded that the man be beheaded, and ordered that his head be mounted in place of the skull. In Vajrayana Buddhist iconography, skull symbolism is often used in depictions of wrathful deities and of dakinis. In some Korean life replacement narratives, a person discovers an abandoned skull and worships it. The skull later gives advice on how to cheat the gods of death and prevent an early death. In fashion Alexander McQueen is credited with popularizing a fashion trend with stylized skulls, starting with skull-decorated bags and scarves. The trend is extant by the early 2010s." (wikipedia.org) "Death is frequently imagined as a personified force. In some mythologies, a character known as the Grim Reaper (often depicted as a robed skeleton) causes the victim's death by coming to collect that person's soul. Other beliefs hold that the Spectre of Death is only a psychopomp, serving to sever the last ties between the soul and the body, and to guide the deceased to the afterlife, without having any control over when or how the victim dies. Death is most often[clarification needed] personified in male form, although in certain cultures Death is perceived as female (for instance, Marzanna in Slavic mythology or Santa Muerte in Mexico).... By region Death from the Cary-Yale Tarot Deck (15th century) Americas La Calavera Catrina Latin America As is the case in many Romance languages (including French, Portuguese, Italian, and Romanian), the Spanish word for death, muerte, is a feminine noun. As such, it is common in Spanish-speaking cultures to personify death as a female figure. In Aztec mythology, Mictecacihuatl is the "Queen of Mictlan" (the Aztec underworld), ruling over the afterlife with her husband Mictlantecuhtli. Other epithets for her include "Lady of the Dead," as her role includes keeping watch over the bones of the dead. Mictecacihuatl was represented with a fleshless body and with jaw agape to swallow the stars during the day. She presided over the ancient festivals of the dead, which evolved from Aztec traditions into the modern Day of the Dead after synthesis with Spanish cultural traditions.[citation needed] Our Lady of the Holy Death (Santa Muerte) is a female deity or folk saint of Mexican folk religion, whose popularity has been growing in Mexico and the United States in recent years. Since the pre-Columbian era, Mexican culture has maintained a certain reverence towards death, as seen in the widespread commemoration of the Day of the Dead. La Calavera Catrina, a character symbolizing death, is also an icon of the Mexican Day of the Dead. San La Muerte (Saint Death) is a skeletal folk saint venerated in Paraguay, northeast Argentina, and southern Brazil. As the result of internal migration in Argentina since the 1960s, the veneration of San La Muerte has been extended to Greater Buenos Aires and the national prison system as well. Saint Death is depicted as a male skeleton figure usually holding a scythe. Although the Catholic Church in Mexico has attacked the devotion of Saint Death as a tradition that mixes paganism with Christianity and is contrary to the Christian belief of Christ defeating death, many devotees consider the veneration of San La Muerte as being part of their Catholic faith. The rituals connected and powers ascribed to San La Muerte are very similar to those of Santa Muerte; the resemblance between their names, however, is coincidental. In Guatemala, San Pascualito is a skeletal folk saint venerated as "King of the Graveyard." He is depicted as a skeletal figure with a scythe, sometimes wearing a cape and crown. He is associated with death and the curing of diseases. In the Brazilian religion Umbanda, the orixá Omolu personifies sickness and death as well as healing. The image of the death is also associated with Exu, lord of the crossroads, who rules cemeteries and the hour of midnight. In Haitian Vodou, the Guédé are a family of spirits that embody death and fertility. The most well-known of these spirits is Baron Samedi. Asia East Asia See also: Life replacement narratives Yama was introduced to Chinese mythology through Buddhism. In Chinese, he is known as King Yan (t 閻王, s 阎王, p Yánwáng) or Yanluo (t 閻羅王, s 阎罗王, p Yánluówáng), ruling the ten gods of the underworld Diyu. He is normally depicted wearing a Chinese judge's cap and traditional Chinese robes and appears on most forms of hell money offered in ancestor worship. From China, Yama spread to Japan as the Great King Enma (閻魔大王, Enma-Dai-Ō), ruler of Jigoku (地獄); Korea as the Great King Yeomra (염라대왕), ruler of Jiok (지옥); and Vietnam as Diêm La Vương, ruler of Địa Ngục or Âm Phủ. Separately, in Korean mythology, death's principal figure is the "Netherworld Emissary" Jeoseungsaja (저승사자, shortened to Saja (사자)). He is depicted as a stern and ruthless bureaucrat in Yeomna's service. A psychopomp, he escorts all—good or evil—from the land of the living to the netherworld when the time comes.[1] One of the representative names is Ganglim (강림), the Saja who guides the soul to the entrance of the underworld. According to legend, he always carries Jeokpaeji (적패지), the list with the names of the dead written on a red cloth. When he calls the name on Jeokpaeji three times, the soul leaves the body and follows him inevitably. The Kojiki relates that the Japanese goddess Izanami was burnt to death giving birth to the fire god Hinokagutsuchi. She then entered a realm of perpetual night called Yomi-no-Kuni. Her husband Izanagi pursued her there but discovered his wife was no longer as beautiful as before. After an argument, she promised she would take a thousand lives every day, becoming a goddess of death. There are also death gods called shinigami (死神), which are closer to the Western tradition of the Grim Reaper; while common in modern Japanese arts and fiction, they were essentially absent in traditional mythology. India Yama, the Hindu lord of death, presiding over his court in hell The Sanskrit word for death is mrityu (cognate with Latin mors and Lithuanian mirtis), which is often personified in Dharmic religions. In Hindu scriptures, the lord of death is called King Yama (यम राज, Yama Rājā). He is also known as the King of Karmic Justice (Dharmaraja) as one's karma at death was considered to lead to a just rebirth. Yama rides a black buffalo and carries a rope lasso to lead the soul back to his home, called Naraka, pathalloka, or Yamaloka. There are many forms of reapers, although some say there is only one who disguises himself as a small child. His agents, the Yamadutas, carry souls back to Yamalok. There, all the accounts of a person's good and bad deeds are stored and maintained by Chitragupta. The balance of these deeds allows Yama to decide where the soul should reside in its next life, following the theory of reincarnation. Yama is also mentioned in the Mahabharata as a great philosopher and devotee of the Supreme Brahman. Buddhist scriptures also mention the figure Mara much in the same way. Western Asia Main article: Mot (god) The Canaanites of the 12th- and 13th-century BC Levant personified death as the god Mot (lit. "Death"). He was considered a son of the king of the gods, El. His contest with the storm god Baʿal forms part of the myth cycle from the Ugaritic texts. The Phoenicians also worshipped death under the name Mot and a version of Mot later became Maweth, the devil or angel of death in Judaism.[2][3] Zoroastrianism ASTWIHĀD (Av. Astō.vīδōtu, lit. "he who dissolves the bones, bone-breaker, divider of the body"), the demon of death in the Avesta (Vd. 4.49, 5.8-9) and later Zoroastrian texts. He destroys life in cooperation with Vāyu, and none can escape him (Aogəmadaēčā 57.73). In Pahlavi literature he is identified with the Evil Wāy (q.v.): "Astwihād is the Evil Wāy who carries the breath-soul away. As it is said: When he touches a man with his hand, it is sleep; when he casts his shadow on him, it is fever; and when he looks upon him with his eyes, he deprives him of the breath-soul" (Bundahišn, p. 186.12). Astwihād was sent by Ahriman to cast his fatal noose on Gayōmard (cf. the noose of Vedic Yama), and he is one of the evil assessors of the soul at its judgment. His meaning is summed up in Dādestān ī Dēnīg 36.38: "Astwihād is explained as the disintegration of material beings" (astwihād wizārīhēd astōmandān wišōbagīh).[1] Europe Baltic "Death" (Nāve; 1897) by Janis Rozentāls Latvians named Death Veļu māte, but for Lithuanians it was Giltinė, deriving from the word gelti ("to sting"). Giltinė was viewed as an old, ugly woman with a long blue nose and a deadly poisonous tongue. The legend tells that Giltinė was young, pretty, and communicative until she was trapped in a coffin for seven years. Her sister was the goddess of life and destiny, Laima, symbolizing the relationship between beginning and end. Like the Scandinavians, Lithuanians and Latvians later began using Grim Reaper imagery for death. Celtic Bunworth Banshee, "Fairy Legends and Traditions of the South of Ireland", by Thomas Crofton Croker, 1825 In Breton folklore, a spectral figure called the Ankou (yr Angau in Welsh) portends death. Usually, the Ankou is the spirit of the last person that died within the community and appears as a tall, haggard figure with a wide hat and long white hair or a skeleton with a revolving head. The Ankou drives a deathly wagon or cart with a creaking axle. The cart or wagon is piled high with corpses and a stop at a cabin means instant death for those inside.[4] Irish mythology features a similar creature known as a dullahan, whose head would be tucked under his or her arm (dullahans were not one, but an entire species). The head was said to have large eyes and a smile that could reach the head's ears. The dullahan would ride a black horse or a carriage pulled by black horses, and stop at the house of someone about to die, and call their name, and immediately the person would die. The dullahan did not like being watched, and it was believed that if a dullahan knew someone was watching them, they would lash that person's eyes with their whip, which was made from a spine; or they would toss a basin of blood on the person, which was a sign that the person was next to die. Gaelic lore also involves a female spirit known as Banshee (Modern Irish Gaelic: bean sí pron. banshee, literally fairy woman), who heralds the death of a person by shrieking or keening. The banshee is often described as wearing red or green, usually with long, disheveled hair. She can appear in a variety of forms, typically that of an ugly, frightful hag, but in some stories she chooses to appear young and beautiful. Some tales recount that the creature was actually a ghost, often of a specific murdered woman or a mother who died in childbirth. When several banshees appeared at once, it was said to indicate the death of someone great or holy. In Ireland and parts of Scotland, a traditional part of mourning is the keening woman (bean chaointe), who wails a lament – in Irish: Caoineadh, caoin meaning "to weep, to wail." In Scottish folklore there was a belief that a black, dark green or white dog known as a Cù Sìth took dying souls to the afterlife. Comparable figures exist in Irish and Welsh stories. In Welsh Folklore, Gwyn ap Nudd is the escort of the grave, the personification of Death and Winter who leads the Wild Hunt to collect wayward souls and escort them to the Otherworld, sometimes it is Melwas, Arawn or Afallach in a similar position. Hellenic Main article: Thanatos In Ancient Greek religion and Greek mythology, Death (Thanatos) is one of the twin sons of Nyx (night). Like her, he is seldom portrayed directly. He sometimes appears in art as a winged and bearded man, and occasionally as a winged and beardless youth. When he appears together with his twin brother, Hypnos, the god of sleep, Thanatos generally represents a gentle death. Thanatos, led by Hermes psychopompos, takes the shade of the deceased to the near shore of the river Styx, whence the ferryman Charon, on payment of a small fee, conveys the shade to Hades, the realm of the dead. Homer's Iliad 16.681, and the Euphronios Krater's depiction of the same episode, have Apollo instruct the removal of the heroic, semi-divine Sarpedon's body from the battlefield by Hypnos and Thanatos, and conveyed thence to his homeland for proper funeral rites.[citation needed] Among the other children of Nyx are Thanatos' sisters, the Keres, blood-drinking, vengeant spirits of violent or untimely death, portrayed as fanged and taloned, with bloody garments. Scandinavia Hel (1889) by Johannes Gehrts, pictured here with her hound Garmr. In Scandinavia, Norse mythology personified death in the shape of Hel, the goddess of death and ruler over the realm of the same name, where she received a portion of the dead.[5] In the times of the Black Plague, Death would often be depicted as an old woman known by the name of Pesta, meaning "plague hag," wearing a black hood. She would go into a town carrying either a rake or a broom. If she brought the rake, some people would survive the plague; if she brought the broom, however, everyone would die.[6] Scandinavians later adopted the Grim Reaper with a scythe and black robe. Today, Ingmar Bergman's film The Seventh Seal features one of the world's most famous representations of this personification of Death.[citation needed] Slavic Prague Astronomical Clock In Poland, Death – Śmierć or kostuch – has an appearance similar to the Grim Reaper, although its robe was traditionally white instead of black. Because the word śmierć is feminine in gender, death is frequently portrayed as a skeletal old woman, as depicted in 15th-century dialogue "Rozmowa Mistrza Polikarpa ze Śmiercią" (Latin: "Dialogus inter Mortem et Magistrum Polikarpum"). In Serbia and other South Slavic countries, the Grim Reaper is well known as Smrt ("Death") or Kosač ("Billhook"). Slavic people found this very similar to the Devil and other dark powers. One popular saying about death is: Smrt ne bira ni vreme, ni mesto, ni godinu ("Death does not choose a time, place or year" – which means death is destiny.)[original research?] Morana is a Slavic goddess of winter time, death and rebirth. A figurine of the same name is traditionally created at the end of winter/beginning of spring and symbolically taken away from villages to be set in fire and/or thwown into a river, that takes her away from the world of the living. In the Czech Republic, the medieval Prague Astronomical Clock carries a depiction of Death striking the hour. A version first appeared in 1490.[7][8] The Low Countries In the Netherlands, and to a lesser extent in Belgium, the personification of Death is known as Magere Hein ("Meager Hein") or Pietje de Dood ("Peter the Death").[9] Historically, he was sometimes simply referred to as Hein or variations thereof such as Heintje, Heintjeman and Oom Hendrik ("Uncle Hendrik"). Related archaic terms are Beenderman ("Bone-man"), Scherminkel (very meager person, "skeleton") and Maaijeman ("mow-man", a reference to his scythe).[10] The concept of Magere Hein predates Christianity, but was Christianized and likely gained its modern name and features (scythe, skeleton, black robe etc.) during the Middle Ages. The designation "Meager" comes from its portrayal as a skeleton, which was largely influenced by the Christian "Dance of Death" (Dutch: dodendans) theme that was prominent in Europe during the late Middle Ages. "Hein" was a Middle Dutch name originating as a short form of Heinric (see Henry (given name)). Its use was possibly related to the comparable German concept of "Freund Hein."[citation needed] Notably, many of the names given to Death can also refer to the Devil; it is likely that fear of death led to Hein's character being merged with that of Satan.[10][11] In Belgium, this personification of Death is now commonly called Pietje de Dood "Little Pete, the Death."[12] Like the other Dutch names, it can also refer to the Devil.[13] Western Europe In Western Europe, Death has commonly been personified as an animated skeleton since the Middle Ages.[14] This character, which is often depicted wielding a scythe, is said to collect the souls of the dying or recently dead. In English and German culture, Death is typically portrayed as male, but in French, Spanish, and Italian culture, it is not uncommon for Death to be female.[15] In the late 1800s, the character of Death became known as the Grim Reaper in English literature. The earliest appearance of the name "Grim Reaper" in English is in the 1847 book The Circle of Human Life:[16][17][18]     All know full well that life cannot last above seventy, or at the most eighty years. If we reach that term without meeting the grim reaper with his scythe, there or there about, meet him we surely shall. In Abrahamic religions See also: Destroying angel (Bible) The "Angel of the Lord" smites 185,000 men in the Assyrian camp (II Kings 19:35). When the Angel of Death passes through to smite the Egyptian first-born, God prevents "the destroyer" (shâchath) from entering houses with blood on the lintel and side posts (Exodus 12:23). The "destroying angel" (mal'ak ha-mashḥit) rages among the people in Jerusalem (II Sam. 24:16). In I Chronicles 21:15 the "angel of the Lord" is seen by King David standing "between the earth and the heaven, having a drawn sword in his hand stretched out over Jerusalem." The biblical Book of Job (33:22) uses the general term "destroyers" (memitim), which tradition has identified with "destroying angels" (mal'ake Khabbalah), and Prov. 16:14 uses the term the "angels of death" (mal'ake ha-mavet). The angel Azra'il is sometimes referred as the Angel of Death as well.[19]: 64–65  Jewish tradition also refers to Death as the Angel of Dark and Light, a name which stems from Talmudic lore. There is also a reference to "Abaddon" (The Destroyer), an angel who is known as the "Angel of the Abyss". In Talmudic lore, he is characterized as archangel Michael.[20] In Judaism La mort du fossoyeur (Death of the gravedigger) by Carlos Schwabe In Hebrew scriptures, Death ("Maweth/Mavet(h)") is sometimes personified as a devil or angel of death (e.g., Habakkuk 2:5; Job 18:13).[2] In both the Book of Hosea and the Book of Jeremiah, Maweth/Mot is mentioned as a deity to whom Yahweh can turn over Judah as punishment for worshiping other gods.[21] The memitim are a type of angel from biblical lore associated with the mediation over the lives of the dying. The name is derived from the Hebrew word mĕmītǐm (מְמִיתִים – "executioners", "slayers", "destroyers") and refers to angels that brought about the destruction of those whom the guardian angels no longer protected.[22] While there may be some debate among religious scholars regarding the exact nature of the memitim, it is generally accepted that, as described in the Book of Job 33:22, they are killers of some sort.[23] Form and functions According to the Midrash, the Angel of Death was created by God on the first day.[24] His dwelling is in heaven, whence he reaches earth in eight flights, whereas Pestilence reaches it in one.[25] He has twelve wings.[26] "Over all people have I surrendered thee the power," said God to the Angel of Death, "only not over this one [i.e. Moses] which has received freedom from death through the Law."[27] It is said of the Angel of Death that he is full of eyes. In the hour of death, he stands at the head of the departing one with a drawn sword, to which clings a drop of gall. As soon as the dying man sees Death, he is seized with a convulsion and opens his mouth, whereupon Death throws the drop into it. This drop causes his death; he turns putrid, and his face becomes yellow.[28] The expression "the taste of death" originated in the idea that death was caused by a drop of gall.[29] The soul escapes through the mouth, or, as is stated in another place, through the throat; therefore, the Angel of Death stands at the head of the patient (Adolf Jellinek, l.c. ii. 94, Midr. Teh. to Ps. xi.). When the soul forsakes the body, its voice goes from one end of the world to the other, but is not heard (Gen. R. vi. 7; Ex. R. v. 9; Pirḳe R. El. xxxiv.). The drawn sword of the Angel of Death, mentioned by the Chronicler (I. Chron. 21:15; comp. Job 15:22; Enoch 62:11), indicates that the Angel of Death was figured as a warrior who kills off the children of men. "Man, on the day of his death, falls down before the Angel of Death like a beast before the slaughterer" (Grünhut, "Liḳḳuṭim", v. 102a). R. Samuel's father (c. 200) said: "The Angel of Death said to me, 'Only for the sake of the honor of mankind do I not tear off their necks as is done to slaughtered beasts'" ('Ab. Zarah 20b). In later representations, the knife sometimes replaces the sword, and reference is also made to the cord of the Angel of Death, which indicates death by throttling. Moses says to God: "I fear the cord of the Angel of Death" (Grünhut, l.c. v. 103a et seq.). Of the four Jewish methods of execution, three are named in connection with the Angel of Death: Burning (by pouring hot lead down the victim's throat), slaughtering (by beheading), and throttling. The Angel of Death administers the particular punishment that God has ordained for the commission of sin. A peculiar mantle ("idra"—according to Levy, "Neuhebr. Wörterb." i. 32, a sword) belongs to the equipment of the Angel of Death (Eccl. R. iv. 7). The Angel of Death takes on the particular form which will best serve his purpose; e.g., he appears to a scholar in the form of a beggar imploring pity (the beggar should receive Tzedakah)(M. Ḳ. 28a). "When pestilence rages in the town, walk not in the middle of the street, because the Angel of Death [i.e., pestilence] strides there; if peace reigns in the town, walk not on the edges of the road. When pestilence rages in the town, go not alone to the synagogue, because there the Angel of Death stores his tools. If the dogs howl, the Angel of Death has entered the city; if they make sport, the prophet Elijah has come" (B. Ḳ. 60b). The "destroyer" (saṭan ha-mashḥit) in the daily prayer is the Angel of Death (Ber. 16b). Midr. Ma'ase Torah (compare Jellinek, "B. H." ii. 98) says: "There are six Angels of Death: Gabriel over kings; Ḳapẓiel over youths; Mashbir over animals; Mashḥit over children; Af and Ḥemah over man and beast." Samael is considered in Talmudic texts to be a member of the heavenly host with often grim and destructive duties. One of Samael's greatest roles in Jewish lore is that of the main angel of death and the head of satans.[30] Scholars and the Angel of Death The Angel of Death, sculpture of a funeral gondola, Venice. Photo by Paolo Monti, 1951. Talmud teachers of the 4th century associate quite familiarly with him. When he appeared to one on the street, the teacher reproached him with rushing upon him as upon a beast, whereupon the angel called upon him at his house. To another, he granted a respite of thirty days, that he might put his knowledge in order before entering the next world. To a third, he had no access, because he could not interrupt the study of the Talmud. To a fourth, he showed a rod of fire, whereby he is recognized as the Angel of Death (M. K. 28a). He often entered the house of Bibi and conversed with him (Ḥag. 4b). Often, he resorts to strategy in order to interrupt and seize his victim (B. M. 86a; Mak. 10a). The death of Joshua ben Levi in particular is surrounded with a web of fable. When the time came for him to die and the Angel of Death appeared to him, he demanded to be shown his place in paradise. When the angel had consented to this, he demanded the angel's knife, that the angel might not frighten him by the way. This request also was granted him, and Joshua sprang with the knife over the wall of paradise; the angel, who is not allowed to enter paradise, caught hold of the end of his garment. Joshua swore that he would not come out, and God declared that he should not leave paradise unless he had ever absolved himself of an oath; he had never absolved himself of an oath so he was allowed to remain. The Angel of Death then demanded back his knife, but Joshua refused. At this point, a heavenly voice (bat ḳol) rang out: "Give him back the knife, because the children of men have need of it will bring death." Hesitant, Joshua Ben Levi gives back the knife in exchange for the Angel of Death's name. To never forget the name, he carved Troke into his arm, the Angel of Death's chosen name. When the knife was returned to the Angel, Joshua's carving of the name faded, and he forgot. (Ket. 77b; Jellinek, l.c. ii. 48–51; Bacher, l.c. i. 192 et seq.). Rabbinic views The Rabbis found the Angel of Death mentioned in Psalm 89:48, where the Targum translates: "There is no man who lives and, seeing the Angel of Death, can deliver his soul from his hand." Eccl. 8:4 is thus explained in Midrash Rabbah to the passage: "One may not escape the Angel of Death, nor say to him, 'Wait until I put my affairs in order,' or 'There is my son, my slave: take him in my stead.'" Where the Angel of Death appears, there is no remedy, but his name (Talmud, Ned. 49a; Hul. 7b). If one who has sinned has confessed his fault, the Angel of Death may not touch him (Midrash Tanhuma, ed. Buber, 139). God protects from the Angel of Death (Midrash Genesis Rabbah lxviii.). By acts of benevolence, the anger of the Angel of Death is overcome; when one fails to perform such acts the Angel of Death will make his appearance (Derek Ereẓ Zuṭa, viii.). The Angel of Death receives his orders from God (Ber. 62b). As soon as he has received permission to destroy, however, he makes no distinction between good and bad (B. Ḳ. 60a). In the city of Luz, the Angel of Death has no power, and, when the aged inhabitants are ready to die, they go outside the city (Soṭah 46b; compare Sanh. 97a). A legend to the same effect existed in Ireland in the Middle Ages (Jew. Quart. Rev. vi. 336). In Christianity Gustave Doré Death on the Pale Horse (1865) – The fourth Horseman of the Apocalypse Death is one of the Four Horsemen of the Apocalypse portrayed in the Book of Revelation, in Revelation 6:7–8.[31]     And I looked, and behold a pale horse: and his name that sat on him was Death, and Hell followed with him. And power was given unto them over the fourth part of the earth, to kill with sword, and with hunger, and with death, and with the beasts of the earth.     — Revelation 6:8, King James Version He is also known as the Pale Horseman whose name is Thanatos, the same as that of the ancient Greek personification of death, and the only one of the horsemen to be named. Paul addresses a personified death in 1 Corinthians 15:55.     "O Death, where is your sting? O Hades, where is your victory?"     — 1 Corinthians 15:55, New King James Version In some versions, both arms of this verse are addressed to death.[32] The Christian scriptures contain the first known depiction of Abaddon as an individual entity instead of a place.     A king, the angel of the bottomless pit; whose name in Hebrew is Abaddon, and in Greek Apollyon; in Latin Exterminans.     — Revelation 9:11, Douay–Rheims Bible In Hebrews 2:14 the devil "holds the power of death."[33]     Since therefore the children share in flesh and blood, he himself likewise partook of the same things, that through death he might destroy the one who has the power of death, that is, the devil, and deliver all those who through fear of death were subject to lifelong slavery.     — Hebrews 2:14-15, English Standard Version Although many of Samael's functions resemble the Christian notion of Satan, to the point of being sometimes identified as a fallen angel,[34][35]: 257–60  in others he is not necessarily evil, since his functions are also regarded as resulting in good, such as destroying sinners.[36] Conversely, the early Christian writer Origen believed the destroying angel of Exodus 12:23 to be Satan.[37]     The last enemy to be destroyed is death.     — 1 Corinthians 15:26, New International Version In Islam In Islam, Archangel Azrael is the Malak al-Maut (angel of death). He and his many subordinates pull the souls out of the bodies, and guide them through the journey of the afterlife. Their appearance depends on the person's deed and actions, with those that did good seeing a beautiful being, and those that did wrong seeing a horrific monster. Islamic tradition discusses elaborately as to what exactly happens before, during, and after the death. The angel of death appears to the dying to take out their souls. The sinners' souls are extracted in a most painful way while the righteous are treated easily.[38] After the burial, two angels – Munkar and Nakir – come to question the dead in order to test their faith. The righteous believers answer correctly and live in peace and comfort while the sinners and disbelievers fail and punishments ensue.[38][39] The time period or stage between death and resurrection is called barzakh (the interregnum).[38] Death is a significant event in Islamic life and theology. It is seen not as the termination of life, rather the continuation of life in another form. In Islamic belief, God has made this worldly life as a test and a preparation ground for the afterlife; and with death, this worldly life comes to an end.[40] Thus, every person has only one chance to prepare themselves for the life to come where God will resurrect and judge every individual and will entitle them to rewards or punishment, based on their good or bad deeds.[40][41] And death is seen as the gateway to and beginning of the afterlife. In Islamic belief, death is predetermined by God, and the exact time of a person's death is known only to God. Media Songs "Death Don't Have No Mercy" Main article: Death Don't Have No Mercy The 1960 gospel blues song "Death Don't Have No Mercy", composed and first recorded by Blind Gary Davis, portrays death as an inevitable and periodic visitor.[42] According to the musicologist David Malvinni, it "presents a terrifying personification of the instant, sudden possibility [of] death at any moment that could have come from the medieval era's confrontation with the plague".[43] "Creeping Death" Main article: Creeping Death The 1984 thrash metal song "Creeping Death", recorded by Metallica, references the angel of death, among other religious symbols. It is described by the writer Tom King as "a tale of righteous Biblical rage and devastation straight out of the Book of Revelations".[44] Books death (Death with Interruptions or Death at Intervals) Main article: Death with Interruptions Nobel laureate José Saramago's novel features an anthropomorphised death as its main character, who insists that her name be written lowercase. She is depicted as a skeleton who can shapeshift and be omnipresent and has a scythe, though she doesn't always carry it. Her jurisdiction is limited to the imaginary country where the story happens and to the human species. It is implied that other deaths with jurisdiction over different life forms and territories exist, as well as an overarching death and/or god. The book deals with how society relates to death, both as a phenomenon and a character, and likewise how death relates to the people she is meant to kill and with loneliness and love. Death (Discworld) Main article: Death (Discworld) Death is a fictional character in Terry Pratchett's Discworld series, and depicted as one of many Deaths. His jurisdiction is specifically the Discworld itself; he is only a part, or minion, of Azrael, the universal Death. Death has appeared in every Discworld novel, with the exception of The Wee Free Men and Snuff. Mort, published in 1987, is the first time Death appears as a leading character.[45] Death (The Book Thief) Main article: The Book Thief Death is the narrator of Markus Zusak's 2005 novel The Book Thief. As the collector of souls, he tells the coming of age story about a young girl in Nazi Germany and World War II.[46] Death (Harry Potter) Main article: The Tales of Beedle the Bard Death appears in "The Tale of Three Brothers" in J.K. Rowling's The Tales of Beedle the Bard, a collection of fairytales featured in her Harry Potter series. Three brothers avoid Death and Death, furious at being avoided, offers the brothers gifts. Two of these gifts, the Elder Wand and the Resurrection Stone lead to the first two brothers' deaths. The third brother, gifted with the Invisibility Cloak avoids Death until old age, where he then goes with Death like an old friend. These gifts became the Deathly Hallows.[47] Death (Incarnations of Immortality) Main article: On a Pale Horse Death is a held office in Piers Anthony's 1983 novel On a Pale Horse.[48] The character Zane becomes Death after a suicide attempt that ends up killing the previous Death. He is taught by his fellow Incarnations Time and Fate and must defeat the Incarnation of Evil, Satan. He is given several items to aid him on his job, including a watch to stop local time, jewels to measure how much good and evil is in a person for judgment, and his pale horse Mortis, who often takes the form of a pale car. Zane as Death appears in Anthony's following novels, notably Bearing an Hourglass. Charlie Asher (A Dirty Job) Main article: A Dirty Job Death is a career in Christopher Moore's A Dirty Job.[49] Charlie Asher is chosen to be a "Death Merchant" for retrieving souls and protect them from dark forces while managing his story and raising his newborn daughter. Comics Death (DC Comics) Main article: Death (DC Comics) Death first appeared in The Sandman vol. 2, #8 (August 1989), and was created by Neil Gaiman and Mike Dringenberg.[50] She is both an embodiment of death and a psychopomp in The Sandman Universe, and depicted as a down to earth, perky, and nurturing figure. Death is the second born of The Endless and she states "When the last living thing dies, my job will be finished. I'll put the chairs on the tables, turn out the lights and lock the universe behind me when I leave."[51] Death also appears briefly in Fables #11 (May 2003) titled "Bag O' Bones", where Jack Horner traps Death in a magical bag that never gets full.[52] There has been no indication as to whether Fables has any connection to the Sandman universe. Death (Marvel Comics) Main article: Death (Marvel Comics) The character first appeared in Captain Marvel #26 (Jun. 1973) and was created by Mike Friedrich and Jim Starlin. Death is an abstract entity, the embodiment of the end of life in the Marvel Universe, and resides inside a pocket dimension known as the Realm of Death.[53] The character can change appearance at will shown in a storyline of Captain Marvel where Thanos' scheme to conquer the universe, as the character becomes determined to prove his love for Death by destroying all life. Lady MacDeath (Bug-a-Boo) Main article: Bug-a-Booo Lady MacDeath is a Grim Reaper, the personification of Death who is responsible of going after all people whose time to die has come, although unlike a typical Grim Reaper, her body is not pictured as made of bones. She uses her sickle to kill people, by hitting them in the head, and then she takes their souls to the purgatory, for them to be judged and sent whether to hell or heaven (sometimes after much bureaucracy). She always carries a list with the name of the people she must kill on the day. Most of her stories feature a pursuit, sometimes punctuated with struggles faced every day by normal people. Maurício de Souza says that the purpose of creating her is "taking death less seriously, while it doesn't come to us". Film      This section needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (May 2021) (Learn how and when to remove this template message) Death Takes a Holiday (1934) Main article: Death Takes a Holiday After years of questioning why people fear him, Death takes on human form for three days so that he can mingle among mortals and find an answer. He finds a host in Duke Lambert after revealing himself and his intentions to the Duke, and takes up temporary residence in the Duke's villa. However, events soon spiral out of control as Death falls in love with the beautiful young Grazia. As he does so, Duke Lambert, the father of Grazia's mortal lover Corrado, begs him to give Grazia up and leave her among the living. Death must decide whether to seek his own happiness, or sacrifice it so that Grazia may live. The 1998 American film Meet Joe Black is loosely based on the 1934 film. While on Earth, Death, living under the name Joe Black, enlists the wealthy Bill Parrish to be his guide to mortal life, and in exchange guarantees that Bill will not die as long as he serves as "Joe's" guide. Joe falls in love with Bill's youngest daughter, Susan, a resident in internal medicine, and learns the meaning of both friendship and love. The Seventh Seal (1957) Main article: The Seventh Seal Death is one of the main characters in 1957 Swedish historical fantasy film The Seventh Seal. The film tells the story of a knight encountering Death, whom he challenges to a chess match, believing he can survive as long as the game continues.[54] These scenes are parodied in the 1991 comedy film Bill & Ted's Bogus Journey, in which the title characters repeatedly beat Death playing a variety of family board games such as Battleships and Twister. Death goes on to accompany Bill and Ted for the remainder of the film as a major supporting character.[55] The scene from "The Seventh Seal" is also parodied in a one-act play by Woody Allen called "Death," in which the personification of death agrees to play gin rummy and loses badly, altering his plans to "take" his opponent. The Adventures of Baron Munchausen (1988) Throughout the film, Munchausen is pursued by Death, a skeletal angel with raven's wings, carrying a scythe in one hand and an hourglass in the other. At the end, Death, in the form of a grim physician, extracts Munchausen's glowing life force, and Munchausen is given a lavish funeral before boldly claiming it was "one of the many times I faced Death." Final Destination film series (2000–2011) Main article: Final Destination In each of the Final Destination films, a group of protagonists escapes a disaster in which many innocent people are killed. Their escapes alter the design intended by Death, which, while never portrayed as a physical entity, is instead described as an omniscient supernatural consciousness. In each film, the characters learn that they are doomed to die, and that Death will follow them, before leading each into a unique death by misadventure. Television In 1987 Australia produced a Grim Reaper commercial to raise public awareness about the danger of HIV/AIDS.[56] In the British children's sketch television show Horrible Histories, Death (portaryed by Simon Farnaby) is a reoccurring character who appears the segment, Stupid Deaths and later in its 6th series, Chatty Deaths. Theatre Elisabeth Viennese musical (1992) Main article: Elisabeth (musical) The personfication of Death or the Grim Reaper is the leading male role in the 1992 Viennese musical, depicting the titular Empress of Austria-Hungary Empire's fictionalised life and her entanglements and obsession with Death.[57] Portrayals of Death varies between productions from androgynous to masculine, dressed at various times in all black or all white. [58] Video Games The personification of Death appears many times in many different games, especially Castlevania and The Sims. Nearly all iterations of a "Death" or "Grim Reaper" character feature most of the same characteristics seen in other media and pop culture: a skeleton wearing a cloak and wielding a scythe." (wikipedia.org) "Norse mythology or Scandinavian mythology is the body of myths of the North Germanic peoples, stemming from Norse paganism and continuing after the Christianization of Scandinavia, and into the Scandinavian folklore of the modern period. The northernmost extension of Germanic mythology and stemming from Proto-Germanic folklore, Norse mythology consists of tales of various deities, beings, and heroes derived from numerous sources from both before and after the pagan period, including medieval manuscripts, archaeological representations, and folk tradition. The source texts mention numerous gods, such as the hammer-wielding, humanity-protecting thunder-god Thor, who relentlessly fights his foes; the one-eyed, raven-flanked god Odin, who craftily pursues knowledge throughout the worlds and bestowed among humanity the runic alphabet; the beautiful, seiðr-working, feathered cloak-clad goddess Freyja who rides to battle to choose among the slain; the vengeful, skiing goddess Skaði, who prefers the wolf howls of the winter mountains to the seashore; the powerful god Njörðr, who may calm both sea and fire and grant wealth and land; the god Freyr, whose weather and farming associations bring peace and pleasure to humanity; the goddess Iðunn, who keeps apples that grant eternal youthfulness; the mysterious god Heimdallr, who is born of nine mothers, can hear grass grow, has gold teeth, and possesses a resounding horn; the jötunn's son, the god Loki, who brings tragedy to the gods by engineering the death of the goddess Frigg's beautiful son Baldr; and numerous other deities. Most of the surviving mythology centers on the plights of the gods and their interaction with several other beings, such as humanity and the jötnar, beings who may be friends, lovers, foes, or family members of the gods. The cosmos in Norse mythology consists of Nine Worlds that flank a central sacred tree, Yggdrasil. Units of time and elements of cosmology are personified as deities or beings. Various forms of a creation myth are recounted, where the world is created from the flesh of the primordial being Ymir, and the first two humans are Ask and Embla. These worlds are foretold to be reborn after the events of Ragnarök when an immense battle occurs between the gods and their enemies, and the world is enveloped in flames, only to be reborn anew. There the surviving gods will meet, and the land will be fertile and green, and two humans will repopulate the world. Norse mythology has been the subject of scholarly discourse since the 17th century, when key texts attracted the attention of the intellectual circles of Europe. By way of comparative mythology and historical linguistics, scholars have identified elements of Germanic mythology reaching as far back as Proto-Indo-European mythology. During the modern period, the Romanticist Viking revival re-awoke an interest in the subject matter, and references to Norse mythology may now be found throughout modern popular culture. The myths have further been revived in a religious context among adherents of Germanic Neopaganism.... Terminology The historical religion of the Norse people is commonly referred to as Norse mythology. Other terms are Scandinavian mythology,[1][2][3] North Germanic mythology[4] or Nordic mythology.[5] Sources The Rök runestone (Ög 136), located in Rök, Sweden, features a Younger Futhark runic inscription that makes various references to Norse mythology. Norse mythology is primarily attested in dialects of Old Norse, a North Germanic language spoken by the Scandinavian people during the European Middle Ages and the ancestor of modern Scandinavian languages. The majority of these Old Norse texts were created in Iceland, where the oral tradition stemming from the pre-Christian inhabitants of the island was collected and recorded in manuscripts. This occurred primarily in the 13th century. These texts include the Prose Edda, composed in the 13th century by Snorri Sturluson, and the Poetic Edda, a collection of poems from earlier traditional material anonymously compiled in the 13th century.[6] The Prose Edda was composed as a prose manual for producing skaldic poetry—traditional Old Norse poetry composed by skalds. Originally composed and transmitted orally, skaldic poetry utilizes alliterative verse, kennings, and several metrical forms. The Prose Edda presents numerous examples of works by various skalds from before and after the Christianization process and also frequently refers back to the poems found in the Poetic Edda. The Poetic Edda consists almost entirely of poems, with some prose narrative added, and this poetry—Eddic poetry—utilizes fewer kennings. In comparison to skaldic poetry, Eddic poetry is relatively unadorned.[6] The Prose Edda features layers of euhemerization, a process in which deities and supernatural beings are presented as having been either actual, magic-wielding human beings who have been deified in time or beings demonized by way of Christian mythology.[7] Texts such as Heimskringla, composed in the 13th century by Snorri and Gesta Danorum, composed in Latin by Saxo Grammaticus in Denmark in the 12th century, are the results of heavy amounts of euhemerization.[8] Numerous further texts, such as the sagas, provide further information. The saga corpus consists of thousands of tales recorded in Old Norse ranging from Icelandic family histories (Sagas of Icelanders) to Migration period tales mentioning historic figures such as Attila the Hun (legendary sagas). Objects and monuments such as the Rök runestone and the Kvinneby amulet feature runic inscriptions—texts written in the runic alphabet, the indigenous alphabet of the Germanic peoples—that mention figures and events from Norse mythology.[9] Objects from the archaeological record may also be interpreted as depictions of subjects from Norse mythology, such as amulets of the god Thor's hammer Mjölnir found among pagan burials and small silver female figures interpreted as valkyries or dísir, beings associated with war, fate or ancestor cults.[10] By way of historical linguistics and comparative mythology, comparisons to other attested branches of Germanic mythology (such as the Old High German Merseburg Incantations) may also lend insight.[11] Wider comparisons to the mythology of other Indo-European peoples by scholars has resulted in the potential reconstruction of far earlier myths.[12] Only a tiny amount of poems and tales survive of the mythical tales and poems that are presumed to have existed during the Middle Ages, Viking Age, Migration Period, and before.[13] Later sources reaching into the modern period, such as a medieval charm recorded as used by the Norwegian woman Ragnhild Tregagås—convicted of witchcraft in Norway in the 14th century—and spells found in the 17th century Icelandic Galdrabók grimoire also sometimes make references to Norse mythology.[14] Other traces, such as place names bearing the names of gods may provide further information about deities, such as a potential association between deities based on the placement of locations bearing their names, their local popularity, and associations with geological features.[15] Mythology Gods and other beings Main articles: Æsir, Vanir, and Jötnar See also: List of Norse gods and goddesses The god Thor wades through a river, while the Æsir ride across the bridge, Bifröst, in an illustration by Lorenz Frølich (1895). Central to accounts of Norse mythology are the plights of the gods and their interaction with various other beings, such as with the jötnar, who may be friends, lovers, foes, or family members of the gods. Numerous gods are mentioned in the source texts. As evidenced by records of personal names and place names, the most popular god among the Scandinavians during the Viking Age was Thor the thunder god, who is portrayed as unrelentingly pursuing his foes, his mountain-crushing, thunderous hammer Mjölnir in hand. In the mythology, Thor lays waste to numerous jötnar who are foes to the gods or humanity, and is wed to the beautiful, golden-haired goddess Sif.[16] The god Odin is also frequently mentioned in surviving texts. One-eyed, wolf- and raven-flanked, with spear in hand, Odin pursues knowledge throughout the worlds. In an act of self-sacrifice, Odin is described as having hanged himself upside-down for nine days and nights on the cosmological tree Yggdrasil to gain knowledge of the runic alphabet, which he passed on to humanity, and is associated closely with death, wisdom, and poetry. Odin is portrayed as the ruler of Asgard, and leader of the Aesir. Odin's wife is the powerful goddess Frigg who can see the future but tells no one, and together they have a beloved son, Baldr. After a series of dreams had by Baldr of his impending death, his death is engineered by Loki, and Baldr thereafter resides in Hel, a realm ruled over by an entity of the same name.[17] Odin must share half of his share of the dead with a powerful goddess, Freyja. She is beautiful, sensual, wears a feathered cloak, and practices seiðr. She rides to battle to choose among the slain and brings her chosen to her afterlife field Fólkvangr. Freyja weeps for her missing husband Óðr, and seeks after him in faraway lands.[18] Freyja's brother, the god Freyr, is also frequently mentioned in surviving texts, and in his association with the weather, royalty, human sexuality, and agriculture brings peace and pleasure to humanity. Deeply lovesick after catching sight of the beautiful jötunn Gerðr, Freyr seeks and wins her love, yet at the price of his future doom.[19] Their father is the powerful god Njörðr. Njörðr is strongly associated with ships and seafaring, and so also wealth and prosperity. Freyja and Freyr's mother is Njörðr's sister (her name is unprovided in the source material). However, there is more information about his pairing with the skiing and hunting goddess Skaði. Their relationship is ill-fated, as Skaði cannot stand to be away from her beloved mountains, nor Njörðr from the seashore.[20] Together, Freyja, Freyr, and Njörðr form a portion of gods known as the Vanir. While the Aesir and the Vanir retain distinct identification, they came together as the result of the Aesir–Vanir War.[21] While they receive less mention, numerous other gods and goddesses appear in the source material. (For a list of these deities, see List of Germanic deities.) Some of the gods heard less of include the apple-bearing goddess Iðunn and her husband, the skaldic god Bragi; the gold-toothed god Heimdallr, born of nine mothers; the ancient god Týr, who lost his right hand while binding the great wolf Fenrir; and the goddess Gefjon, who formed modern-day Zealand, Denmark.[22] Various beings outside of the gods are mentioned. Elves and dwarfs are commonly mentioned and appear to be connected, but their attributes are vague and the relation between the two is ambiguous. Elves are described as radiant and beautiful, whereas dwarfs often act as earthen smiths.[23] A group of beings variously described as jötnar, thursar, and trolls (in English these are all often glossed as "giants") frequently appear. These beings may either aid, deter, or take their place among the gods.[24] The norns, dísir, and aforementioned valkyries also receive frequent mention. While their functions and roles may overlap and differ, all are collective female beings associated with fate.[25] Cosmology The cosmological, central tree Yggdrasil is depicted in The Ash Yggdrasil by Friedrich Wilhelm Heine (1886) Sól, the Sun, and Máni, the Moon, are chased by the wolves Sköll and Háti in The Wolves Pursuing Sol and Mani by J. C. Dollman (1909) In Norse cosmology, all beings live in Nine Worlds that center around the cosmological tree Yggdrasil. The gods inhabit the heavenly realm of Asgard whereas humanity inhabits Midgard, a region in the center of the cosmos. Outside of the gods, humanity, and the jötnar, these Nine Worlds are inhabited by beings, such as elves and dwarfs. Travel between the worlds is frequently recounted in the myths, where the gods and other beings may interact directly with humanity. Numerous creatures live on Yggdrasil, such as the insulting messenger squirrel Ratatoskr and the perching hawk Veðrfölnir. The tree itself has three major roots, and at the base of one of these roots live a trio of norns, female entities associated with fate.[26] Elements of the cosmos are personified, such as the Sun (Sól, a goddess), the Moon (Máni, a god), and Earth (Jörð, a goddess), as well as units of time, such as day (Dagr, a god) and night (Nótt, a jötunn).[27] The afterlife is a complex matter in Norse mythology. The dead may go to the murky realm of Hel—a realm ruled over by a female being of the same name, may be ferried away by valkyries to Odin's martial hall Valhalla, or may be chosen by the goddess Freyja to dwell in her field Fólkvangr.[28] The goddess Rán may claim those that die at sea, and the goddess Gefjon is said to be attended by virgins upon their death.[29] Texts also make reference to reincarnation.[30] Time itself is presented between cyclic and linear, and some scholars have argued that cyclic time was the original format for the mythology.[31] Various forms of a cosmological creation story are provided in Icelandic sources, and references to a future destruction and rebirth of the world—Ragnarok—are frequently mentioned in some texts.[32] Humanity According to the Prose Edda and the Poetic Edda poem, Völuspá, the first human couple consisted of Ask and Embla; driftwood found by a trio of gods and imbued with life in the form of three gifts. After the cataclysm of Ragnarok, this process is mirrored in the survival of two humans from a wood; Líf and Lífþrasir. From this two humankind are foretold to repopulate the new and green earth.[33] Influence on popular culture Main article: Norse mythology in popular culture See also: Germanic mythology and Germanic neopaganism With the widespread publication of translations of Old Norse texts that recount the mythology of the North Germanic peoples, references to the Norse gods and heroes spread into European literary culture, especially in Scandinavia, Germany, and Britain. During the later 20th century, references to Norse mythology became common in science fiction and fantasy literature, role-playing games, and eventually other cultural products such as comic books and Japanese animation. Traces of the religion can also be found in music and has its own genre, viking metal. Bands such as Amon Amarth, Bathory, Burzum and Månegarm have written songs about Norse mythology." (wikipedia.org) "The Norsemen (or Norse people) were a North Germanic ethnolinguistic group of the Early Middle Ages, during which they spoke the Old Norse language.[1][2][3][4] The language belongs to the North Germanic branch of the Indo-European languages and is the predecessor of the modern Germanic languages of Scandinavia.[4] During the late eighth century, Scandinavians embarked on a large-scale expansion in all directions, giving rise to the Viking Age. In English-language scholarship since the 19th century, Norse seafaring traders, settlers and warriors have commonly been referred to as Vikings. Historians of Anglo-Saxon England distinguish between Norse Vikings (Norsemen) from Norway who mainly invaded and occupied the islands north and north-west of Britain, Ireland and western Britain, and Danish Vikings, who principally invaded and occupied eastern Britain.[a] The identity of Norsemen derived into their modern descendants,[5] the Danes, Icelanders,[b] Faroe Islanders,[b] Norwegians, and Swedes,[6] who are now generally referred to as 'Scandinavians' rather than Norsemen.... History of the terms Norseman and Northman The word Norseman first appears in English during the early 19th century: the earliest attestation given in the third edition of the Oxford English Dictionary is from Walter Scott's 1817 Harold the Dauntless. The word was coined using the adjective norse, which was borrowed into English from Dutch during the 16th century with the sense 'Norwegian', and which by Scott's time had acquired the sense "of or relating to Scandinavia or its language, esp[ecially] in ancient or medieval times".[8] As with modern use of the word viking, therefore, the word norseman has no particular basis in medieval usage.[9] The term Norseman does echo terms meaning 'Northman', applied to Norse-speakers by the peoples they encountered during the Middle Ages.[10] The Old Frankish word Nortmann ("Northman") was Latinised as Normannus and was widely used in Latin texts. The Latin word Normannus then entered Old French as Normands. From this word came the name of the Normans and of Normandy, which was settled by Norsemen in the tenth century.[11][12] The same word entered Hispanic languages and local varieties of Latin with forms beginning not only in n-, but in l-, such as lordomanni (apparently reflecting nasal dissimilation in local Romance languages).[13] This form may in turn have been borrowed into Arabic: the prominent early Arabic source al-Mas‘ūdī identified the 844 raiders on Seville not only as Rūs but also al-lawdh’āna.[14] The Anglo-Saxon Chronicle, written in Old English, distinguishes between the pagan Norwegian Norsemen (Norðmannum) of Dublin and the Christian Danes (Dæne) of the Danelaw. In 942, it records the victory of King Edmund I over the Norse kings of York: "The Danes were previously subjected by force under the Norsemen, for a long time in bonds of captivity to the heathens".[15][16][17] Other names Norse clothes. In modern scholarship, Vikings is a common term for attacking Norsemen, especially in connection with raids and monastic plundering by Norsemen in the British Isles, but it was not used in this sense at the time. In Old Norse and Old English, the word simply meant 'pirate'.[18][19][20] The Norse were also known as Ascomanni, ashmen, by the Germans, Lochlanach (Norse) by the Gaels and Dene (Danes) by the Anglo-Saxons.[21] The Gaelic terms Finn-Gall (Norwegian Viking or Norwegian), Dubh-Gall (Danish Viking or Danish) and Gall Goidel (foreign Gaelic) were used for the people of Norse descent in Ireland and Scotland, who assimilated into the Gaelic culture.[22] Dubliners called them Ostmen, or East-people, and the name Oxmanstown (an area in central Dublin; the name is still current) comes from one of their settlements; they were also known as Lochlannaigh, or Lake-people. The Slavs, the Arabs and the Byzantines knew them as the Rus' or Rhōs (Ῥῶς), probably derived from various uses of rōþs-, i.e. "related to rowing", or from the area of Roslagen in east-central Sweden, where most of the Northmen who visited the Eastern Slavic lands originated.[23] Archaeologists and historians of today believe that these Scandinavian settlements in the East Slavic lands formed the names of the countries of Russia and Belarus. The Slavs and the Byzantines also called them Varangians (Old Norse: Væringjar, meaning "sworn men"), and the Scandinavian bodyguards of the Byzantine emperors were known as the Varangian Guard.[24] Modern Scandinavian usage In the Old Norse language, the term norrœnir menn (northern people) was used correspondingly to the modern English name Norsemen, referring to Swedes, Danes, Norwegians, Faroe Islanders, Icelanders, and others. Modern Scandinavian languages have a common word for Norsemen: the word nordbo (Swedish: nordborna, Danish: nordboerne, Norwegian: nordboerne, or nordbuane in the definite plural) is used for both ancient and modern people living in the Nordic countries and speaking one of the North Germanic languages. In modern Scandinavian languages, the term Northman (Norwegian: Nordmann;[25] Swedish: Norrman;[26] Danish: Nordmand [27]), although originally a term for people of the entire Nordic region, is now often used to refer to people of Norwegian nationality. Geography Exploration and expansion routes of Norsemen The British conception of the Vikings' origins was inaccurate. Those who plundered Britain lived in what is today Denmark, Scania, the western coast of Sweden and Norway (up to almost the 70th parallel) and along the Swedish Baltic coast up to around the 60th latitude and Lake Mälaren. They also came from the island of Gotland, Sweden. The border between the Norsemen and more southerly Germanic tribes, the Danevirke, today is located about 50 kilometres (31 mi) south of the Danish–German border. The southernmost living Vikings lived no further north than Newcastle upon Tyne, and travelled to Britain more from the east than from the north. The northern part of the Scandinavian Peninsula (with the exception of the Norwegian coast) was almost unpopulated by the Norse, because this ecology was inhabited by the Sami, the native people of northern Sweden and large areas of Norway, Finland, and the Kola Peninsula in today's Russia.[citation needed] The Norse Scandinavians established polities and settlements in what are now Great Britain (England, Scotland, Wales), Ireland, Iceland, Russia, Belarus, France, Sicily, Belgium, Ukraine, Finland, Estonia, Latvia, Lithuania, Germany, Poland, Greenland, Canada,[28] and the Faroe Islands." (wikipedia.org) "Game of Thrones is an American fantasy drama television series created by David Benioff and D. B. Weiss for HBO. It is an adaptation of A Song of Ice and Fire, a series of fantasy novels by George R. R. Martin, the first of which is A Game of Thrones. The show was shot in the United Kingdom, Canada, Croatia, Iceland, Malta, Morocco, and Spain. It premiered on HBO in the United States on April 17, 2011, and concluded on May 19, 2019, with 73 episodes broadcast over eight seasons. Set on the fictional continents of Westeros and Essos, Game of Thrones has a large ensemble cast and follows several story arcs throughout the course of the show. The first major arc concerns the Iron Throne of the Seven Kingdoms of Westeros through a web of political conflicts among the noble families either vying to claim the throne or fighting for independence from whoever sits on it. A second focuses on the last descendant of the realm's deposed ruling dynasty, who has been exiled to Essos and is plotting to return and reclaim the throne. The third follows the Night's Watch, a military order defending the realm against threats from beyond Westeros's northern border. Game of Thrones attracted a record viewership on HBO and has a broad, active, and international fan base. Critics have praised the series for its acting, complex characters, story, scope, and production values, although its frequent use of nudity and violence (including sexual violence) has been subject to criticism. The final season received significant critical backlash for its reduced length and creative decisions, with many considering it a disappointing conclusion. The series received 59 Primetime Emmy Awards, the most by a drama series, including Outstanding Drama Series in 2015, 2016, 2018 and 2019. Its other awards and nominations include three Hugo Awards for Best Dramatic Presentation, a Peabody Award, and five nominations for the Golden Globe Award for Best Television Series – Drama. Many critics and publications have named the show as one of the best television series of all time.... Premise Plot See also: Synopsis of A Song of Ice and Fire and World of A Song of Ice and Fire Game of Thrones is roughly based on the storylines of the A Song of Ice and Fire book series by George R. R. Martin, set in the fictional Seven Kingdoms of Westeros and the continent of Essos.[5][6] The series follows several simultaneous plot lines.[7] The first story arc follows a war of succession among competing claimants for control of the Iron Throne of the Seven Kingdoms, with other noble families fighting for independence from the throne. The second concerns the exiled scion's actions to reclaim the throne; the third chronicles the threat of the impending winter, as well as the legendary creatures and fierce peoples of the North.[8] Showrunner David Benioff jokingly suggested "The Sopranos in Middle-earth" as Game of Thrones's tagline, referring to its intrigue-filled plot and dark tone in a fantasy setting of magic and dragons.[9] Cast and characters Main article: List of Game of Thrones characters Game of Thrones has an ensemble cast which has been estimated to be the largest on television.[10] In 2014, several actors' contracts were renegotiated to include a seventh-season option.[11] By the final season, five of the main cast members made $1 million per episode, making them among the highest paid television performers.[12][13] Eddard "Ned" Stark (Sean Bean) is the head of House Stark. He and his wife, Catelyn (Michelle Fairley), have five children: Robb (Richard Madden), Sansa (Sophie Turner), Arya (Maisie Williams), Bran (Isaac Hempstead-Wright), and Rickon (Art Parkinson). Ned also has an illegitimate son, Jon Snow (Kit Harington), who, along with his scholarly friend, Samwell Tarly (John Bradley), serve in the Night's Watch under Lord Commander Jeor Mormont (James Cosmo). The Wildlings living north of the Wall include the young Gilly (Hannah Murray), and the warriors Tormund Giantsbane (Kristofer Hivju) and Ygritte (Rose Leslie).[14] Others associated with House Stark include Ned's ward Theon Greyjoy (Alfie Allen), Ned's vassal Roose Bolton (Michael McElhatton), and Roose's illegitimate son, Ramsay (Iwan Rheon). Robb accepts help from the healer Talisa Maegyr (Oona Chaplin), while elsewhere, Arya befriends the blacksmith's apprentice Gendry Rivers (Joe Dempsie) and the assassin Jaqen H'ghar (Tom Wlaschiha). The tall warrior, Brienne of Tarth (Gwendoline Christie), eventually comes to serve the Starks.[15] In King's Landing, the capital, Ned's old friend, King Robert I Baratheon (Mark Addy), shares a loveless political marriage with Cersei Lannister (Lena Headey). Her younger twin brother, Ser Jamie (Nikolaj Coster-Waldau), serves on the Kingsguard. The third and youngest Lannister sibling is the dwarf Tyrion (Peter Dinklage), who is attended by his mistress Shae (Sibel Kekilli) and the sellsword Bronn (Jerome Flynn). Cersei's father is Tywin (Charles Dance), head of House Lannister and richest man in Westeros. Cersei has, among three children, two sons: Joffrey (Jack Gleeson) and Tommen (Dean-Charles Chapman). Joffrey is guarded by the scar-faced warrior Sandor "The Hound" Clegane (Rory McCann).[16] The king's Small Council of advisors includes, among others, the crafty Master of Coin, Lord Petyr "Littlefinger" Baelish (Aidan Gillen), and the eunuch spymaster, Lord Varys (Conleth Hill). In Dragonstone, Robert's younger brother, Stannis (Stephen Dillane), is advised by the foreign priestess Melisandre (Carice van Houten) and former smuggler Ser Davos Seaworth (Liam Cunningham). In the Reach, the Tyrell family, led by its matriarch Olenna (Diana Rigg), is represented at court by Margery (Natalie Dormer), the matriarch's granddaughter. The High Sparrow (Jonathan Pryce) is eventually given power as a religious leader. In the southern principality of Dorne, the warrior Ellaria Sand (Indira Varma) seeks vengeance against the Lannisters.[14] Across the Narrow Sea, in Pentos, siblings Viserys Targaryen (Harry Lloyd) and Daenerys Targaryen (Emilia Clarke) (colloquially referred to as "Dany") are in exile, with the former plotting to reclaim his father's throne. Daenerys is forced into marrying Khal Drogo (Jason Momoa), a leader of the nomadic Dothraki. Her retinue eventually comes to include the exiled knight Ser Jorah Mormont (Iain Glen), her aide Missandei (Nathalie Emmanuel), the sellsword Daario Naharis (Michiel Huisman), and the elite soldier Grey Worm (Jacob Anderson).... Themes Main article: Themes in A Song of Ice and Fire The series was praised by both television critics and historians for what was perceived as a sort of medieval realism.[17][18] George R.R. Martin set out to make the story feel more like historical fiction than contemporary fantasy, with less emphasis on magic and sorcery and more on battles, political intrigue, and the characters, believing that magic should be used moderately in the epic fantasy genre.[19][20][21] Martin has said that, "the true horrors of human history derive not from orcs and Dark Lords, but from ourselves".[22] Academics have classified the series as neo-medieval which focuses on the overlapping of medieval history and popular fantasy.[23][24][25] A common theme in the fantasy genre is the battle between good and evil, which Martin says does not mirror the real world.[26] Martin explores the relationship between good and evil through the questions of redemption and character change.[27] The series allows the audience to view different characters from their perspective, unlike in many other fantasies.[21][28] In early seasons, under the influence of the A Song of Ice and Fire books, main characters were regularly killed off, and this was credited with developing tension among viewers.[29] Martin stated in an interview that he wanted to depict war and violence in a realistic way, which sometimes mean the hero or main characters could be injured or killed.[30] In later seasons, critics pointed out that certain characters had developed "plot armor" to survive in unlikely circumstances and attributed this to Game of Thrones deviating from the novels to become more of a traditional television series.[29] In a 2012 study, out of 40 recent television drama shows, Game of Thrones ranked second in deaths per episode, averaging 14.[31] A scientific study conducted in 2018 stated that about 60% of the major characters died as a result violence and war.[32] Inspirations and derivations Although the series's first season closely follows the events of the first novel, there were significant changes made for later seasons. According to Benioff, the TV adaptation is "about adapting the series as a whole and following the map George laid out for us and hitting the major milestones, but not necessarily each of the stops along the way".[33] Aspects of the novels' plots and their adaptations are based upon settings, characters, and events in European history.[34] Most of Westeros is reminiscent of high medieval Europe, from its geography and castles to its cultures, the feudal system, palace intrigues, and the knights' tournaments.[35][36] Like medieval Europe, most of the houses in the series use the patriarchal system of power.[37] The series also includes elements of gothic fiction, including torture tropes.[38] A principal inspiration for the novels is the English Wars of the Roses (1455–1485) between the houses of Lancaster and York, reflected in Martin's houses of Lannister and Stark.[39] The scheming Cersei Lannister evokes Isabella, the "She-Wolf of France" (1295–1358).[34] She and her family, as portrayed in Maurice Druon's historical novel series, The Accursed Kings, were a main inspiration of Martin's.[40] Other historical antecedents of series elements include: Hadrian's Wall (which becomes Martin's Wall), the Roman Empire, and the legend of Atlantis (ancient Valyria), Byzantine Greek fire ("wildfire"), Icelandic sagas of the Viking Age (the Ironborn), the Mongol hordes (the Dothraki), the Hundred Years' War, and the Italian Renaissance.[34] The series's popularity has been attributed, in part, to Martin's skill at fusing these elements into a seamless, credible version of alternate history." (wikipedia.org)
  • Condition: Used
  • Condition: In very good, pre-owned condition. Please see photos and description.
  • Brand: Spooky Village
  • Type: Figurine
  • Occasion: Halloween
  • Color: Multicolor
  • Style: Viking
  • Collection: Dress Up Skeleton
  • Theme: Fairy Tales, Fantasy, Mystical, Novelty, Periods & Styles, Royalty, Seasonal
  • Material: Plastic, Polyvinyl
  • Features: Indoor, Outdoor, Retired, Hangable, Semi-Posable
  • Subject: Skeletons & Skulls

PicClick Insights - 16" MEDIEVAL KING SKELETON hanging Halloween decoration viking fur mantle Norse PicClick Exclusive

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