Seller: highrating_lowprice (20,595) 100%, Location: Rego Park, New York, Ships to: Worldwide, Item: 321452741925 Item: i41109 Authentic Ancient Coin of: Greek city of Larissa in Thessaly Bronze 17mm (3.83 grams) Struck 360-325 B.C. Reference: Sear 2129 Head of nymph Larissa right, hair rolled. ΛΑΡΙΣΑIΩΝ - Horse grazing right, left forefoot raised. You are bidding on the exact item pictured, provided with a Certificate of Authenticity and Lifetime Guarantee of Authenticity. A nymph in Greek mythology and in Latin mythology is a minor female nature deity typically associated with a particular location or landform. There are 5 different types of nymphs, Celestial Nymphs, Water Nymphs, Land Nymphs, Plant Nymphs and Underworld Nymphs. Different from goddesses, nymphs are generally regarded as divine spirits who animate nature, and are usually depicted as beautiful, young nubile maidens who love to dance and sing; their amorous freedom sets them apart from the restricted and chaste wives and daughters of the Greek polis . They are believed to dwell in mountains and groves , by springs and rivers, and also in trees and in valleys and cool grottoes . Although they would never die of old age nor illness, and could give birth to fully immortal children if mated to a god, they themselves were not necessarily immortal, and could be beholden to death in various forms. Charybdis and Scylla were once nymphs. Other nymphs, always in the shape of young maidens, were part of the retinue of a god, such as Dionysus , Hermes , or Pan , or a goddess, generally the huntress Artemis . Nymphs were the frequent target of satyrs . They are frequently associated with the superior divinities: the huntress Artemis ; the prophetic Apollo ; the reveller and god of wine , Dionysus ; and rustic gods such as Pan and Hermes. Etymology Nymphs are personifications of the creative and fostering activities of nature, most often identified with the life-giving outflow of springs: as Walter Burkert (Burkert 1985:III.3.3) remarks, "The idea that rivers are gods and springs divine nymphs is deeply rooted not only in poetry but in belief and ritual; the worship of these deities is limited only by the fact that they are inseparably identified with a specific locality." The Greek word νύμφη has "bride" and "veiled" among its meanings: hence a marriageable young woman. Other readers refer the word (and also Latin nubere and German Knospe) to a root expressing the idea of "swelling" (according to Hesychius , one of the meanings of νύμφη is "rose-bud"). Greek deities series Primordial deities Titans and Olympians Aquatic deities Chthonic deities Personified concepts Other deities Asclepius , god of medicine Leto , mother of Apollo and Artemis Pan , shepherd god Nymphs Alseid Auloniad Aurai Crinaeae Dryads Eleionomae Hamadryads Hesperides Limnades Meliae Naiads Napaeae Nereids Oceanids Oreads Pegaeae Pegasides Pleiades Potamides Adaptations The Greek nymphs were spirits invariably bound to places, not unlike the Latin genius loci , and the difficulty of transferring their cult may be seen in the complicated myth that brought Arethusa to Sicily. In the works of the Greek-educated Latin poets , the nymphs gradually absorbed into their ranks the indigenous Italian divinities of springs and streams (Juturna, Egeria , Carmentis , Fontus ), while the Lymphae (originally Lumpae), Italian water-goddesses, owing to the accidental similarity of their names, could be identified with the Greek Nymphae. The mythologies of classicizing Roman poets were unlikely to have affected the rites and cult of individual nymphs venerated by country people in the springs and clefts of Latium . Among the Roman literate class, their sphere of influence was restricted, and they appear almost exclusively as divinities of the watery element. In modern Greek folklore A Sleeping Nymph Watched by a Shepherd by Angelica Kauffman , about 1780, (V&A Museum no. 23-1886) The ancient Greek belief in nymphs survived in many parts of the country into the early years of the twentieth century, when they were usually known as "nereids". At that time, John Cuthbert Lawson wrote: "...there is probably no nook or hamlet in all Greece where the womenfolk at least do not scrupulously take precautions against the thefts and malice of the nereids, while many a man may still be found to recount in all good faith stories of their beauty, passion and caprice. Nor is it a matter of faith only; more than once I have been in villages where certain Nereids were known by sight to several persons (so at least they averred); and there was a wonderful agreement among the witnesses in the description of their appearance and dress." Nymphs tended to frequent areas distant from humans but could be encountered by lone travelers outside the village, where their music might be heard, and the traveler could spy on their dancing or bathing in a stream or pool, either during the noon heat or in the middle of the night. They might appear in a whirlwind. Such encounters could be dangerous, bringing dumbness, besotted infatuation, madness or stroke to the unfortunate human. When parents believed their child to be nereid-struck, they would pray to Saint Artemidos. Modern sexual connotations The Head of a Nymph by Sophie Anderson Due to the depiction of the mythological nymphs as females who mate with men or women at their own volition, and are completely outside male control, the term is often used for women who are perceived as behaving similarly. (For example, the title of the Perry Mason detective novel The Case of the Negligent Nymph (1956) by Erle Stanley Gardner is derived from this meaning of the word.) The term nymphomania was created by modern psychology as referring to a "desire to engage in human sexual behavior at a level high enough to be considered clinically significant", nymphomaniac being the person suffering from such a disorder. Due to widespread use of the term among lay persons (often shortened to nympho) and stereotypes attached, professionals nowadays prefer the term hypersexuality , which can refer to males and females alike. The word nymphet is used to identify a sexually precocious girl. The term was made famous in the novel Lolita by Vladimir Nabokov . The main character, Humbert Humbert , uses the term many times, usually in reference to the title character. Classification As H.J. Rose states, all the names for various classes of nymphs are plural feminine adjectives agreeing with the substantive nymphai, and there was no single classification that could be seen as canonical and exhaustive. Thus the classes of nymphs tend to overlap, which complicates the task of precise classification. Rose mentions dryads and hamadryads as nymphs of trees generally, meliai as nymphs of ash trees , and naiads as nymphs of water, but no others specifically. Classification by type of dwelling Hylas and the Nymphs by John William Waterhouse , 1896 The following is not the authentic Greek classification, but is intended simply as a guide: Celestial nymphs Aurae (breezes), also called Aetae or Pnoae Asteriae (stars), mainly comprising the Atlantides (daughters of Atlas ) Hesperides (nymphs of the West, daughters of Atlas; also had attributes of the Hamadryads ) Aegle ("dazzling light") Arethusa Erytheia (or Eratheis) Hesperia (or Hispereia) Hyades (star cluster; sent rain) Pleiades (daughters of Atlas and Pleione ; constellation; also were classed as Oreads ) Larissa, sometimes written Larisa on ancient coins and inscriptions, is near the site of the Homeric Argissa. It appears in early times, when Thessaly was mainly governed by a few aristocratic families, as an important city under the rule of the Aleuadae , whose authority extended over the whole district of Pelasgiotis . This powerful family possessed for many generations before 369 BC the privilege of furnishing the tagus, the local term for the strategos of the combined Thessalian forces. The principal rivals of the Aleuadae were the Scopadac of Crannon , the remains of which (called by the Turks Old Larissa) are about 14 miles south west. The inhabitants sided with Athens during the Peloponnesian War. As the chief city of ancient Thessaly, Larissa was directly annexed by Philip II of Macedon in 344, and from then on Larissa was under Macedonian control; in 196 B.C. Larissa became an ally of Rome and was the headquarters of the Thessalian League . Larissa Coordinates 39°38.5′N 22°25′E The history of Ancient Greek coinage can be divided (along with most other Greek art forms) into four periods, the Archaic , the Classical , the Hellenistic and the Roman . The Archaic period extends from the introduction of coinage to the Greek world during the 7th century BC until the Persian Wars in about 480 BC. The Classical period then began, and lasted until the conquests of Alexander the Great in about 330 BC, which began the Hellenistic period, extending until the Roman absorption of the Greek world in the 1st century BC. The Greek cities continued to produce their own coins for several more centuries under Roman rule. The coins produced during this period are called Roman provincial coins or Greek Imperial Coins. Ancient Greek coins of all four periods span over a period of more than ten centuries. Weight standards and denominations Above: Six rod-shaped obeloi (oboloi) displayed at the Numismatic Museum of Athens , discovered at Heraion of Argos . Below: grasp of six oboloi forming one drachma Electrum coin from Ephesus , 620-600 BC, known as Phanes' coin . Obverse: Stag grazing, ΦΑΝΕΩΣ (retrograde). Reverse: Two incuse punches. The basic standards of the Ancient Greek monetary system were the Attic standard, based on the Athenian drachma of 4.3 grams of silver and the Corinthian standard based on the stater of 8.6 grams of silver, that was subdivided into three silver drachmas of 2.9 grams. The word drachm (a) means "a handful", literally "a grasp". Drachmae were divided into six obols (from the Greek word for a spit ), and six spits made a "handful". This suggests that before coinage came to be used in Greece, spits in prehistoric times were used as measures of daily transaction. In archaic/pre-numismatic times iron was valued for making durable tools and weapons, and its casting in spit form may have actually represented a form of transportable bullion , which eventually became bulky and inconvenient after the adoption of precious metals. Because of this very aspect, Spartan legislation famously forbade issuance of Spartan coin, and enforced the continued use of iron spits so as to discourage avarice and the hoarding of wealth. In addition to its original meaning (which also gave the euphemistic diminutive "obelisk", "little spit"), the word obol (ὀβολός, obolós, or ὀβελός, obelós) was retained as a Greek word for coins of small value, still used as such in Modern Greek slang (όβολα, óvola, "monies"). The obol was further subdivided into tetartemorioi (singular tetartemorion) which represented 1/4 of an obol, or 1/24 of a drachm. This coin (which was known to have been struck in Athens , Colophon , and several other cities) is mentioned by Aristotle as the smallest silver coin.:237 Various multiples of this denomination were also struck, including the trihemitetartemorion (literally three half-tetartemorioi) valued at 3/8 of an obol.: Denominations of silver drachma Image Denomination Value Weight Dekadrachm 10 drachmas 43 grams Tetradrachm 4 drachmas 17.2 grams Didrachm 2 drachmas 8.6 grams Drachma 6 obols 4.3 grams Tetrobol 4 obols 2.85 grams Triobol (hemidrachm) 3 obols 2.15 grams Diobol 2 obols 1.43 grams Obol 4 tetartemorions 0.72 grams Tritartemorion 3 tetartemorions 0.54 grams Hemiobol 2 tetartemorions 0.36 grams Trihemitartemorion 3/2 tetartemorions 0.27 grams Tetartemorion 0.18 grams Hemitartemorion ½ tetartemorion 0.09 grams Archaic period Archaic coinage Uninscribed electrum coin from Lydia , 6th century BCE. Obverse: lion head and sunburst Reverse: plain square imprints, probably used to standardise weight Electrum coin from Ephesus , 620-600 BC. Obverse: Forepart of stag. Reverse: Square incuse punch. The first coins were issued in either Lydia or Ionia in Asia Minor at some time before 600 BC, either by the non-Greek Lydians for their own use or perhaps because Greek mercenaries wanted to be paid in precious metal at the conclusion of their time of service, and wanted to have their payments marked in a way that would authenticate them. These coins were made of electrum , an alloy of gold and silver that was highly prized and abundant in that area. By the middle of the 6th century BC, technology had advanced, making the production of pure gold and silver coins simpler. Accordingly, King Croesus introduced a bi-metallic standard that allowed for coins of pure gold and pure silver to be struck and traded in the marketplace. Coins of Aegina Silver stater of Aegina, 550-530 BC. Obv. Sea turtle with large pellets down center. Rev. incuse square with eight sections. After the end of the Peloponnesian War , 404 BC, Sea turtle was replaced by the land tortoise . Silver drachma of Aegina, 404-340 BC. Obverse: Land tortoise . Reverse: inscription AΙΓ[INAΤΟΝ] ([of the] Aeg[inetans]) "Aegina" and dolphin. The Greek world was divided into more than two thousand self-governing city-states (in Greek , poleis), and more than half of them issued their own coins. Some coins circulated widely beyond their polis, indicating that they were being used in inter-city trade; the first example appears to have been the silver stater or didrachm of Aegina that regularly turns up in hoards in Egypt and the Levant , places which were deficient in silver supply. As such coins circulated more widely, other cities began to mint coins to this "Aeginetan" weight standard of (6.1 grams to the drachm), other cities included their own symbols on the coins. This is not unlike present day Euro coins, which are recognisably from a particular country, but usable all over the Euro zone . Athenian coins, however, were struck on the "Attic" standard, with a drachm equaling 4.3 grams of silver. Over time, Athens' plentiful supply of silver from the mines at Laurion and its increasing dominance in trade made this the pre-eminent standard. These coins, known as "owls" because of their central design feature, were also minted to an extremely tight standard of purity and weight. This contributed to their success as the premier trade coin of their era. Tetradrachms on this weight standard continued to be a widely used coin (often the most widely used) through the classical period. By the time of Alexander the Great and his Hellenistic successors , this large denomination was being regularly used to make large payments, or was often saved for hoarding. Classical period A Syracusan tetradrachm (c. 415–405 BC) Obverse: head of the nymph Arethusa , surrounded by four swimming dolphins and a rudder Reverse: a racing quadriga , its charioteer crowned by the goddess Victory in flight. Tetradrachm of Athens, (5th century BC) Obverse: a portrait of Athena , patron goddess of the city, in helmet Reverse: the owl of Athens, with an olive sprig and the inscription "ΑΘΕ", short for ΑΘΕΝΑΙΟΝ, "of the Athenians " The Classical period saw Greek coinage reach a high level of technical and aesthetic quality. Larger cities now produced a range of fine silver and gold coins, most bearing a portrait of their patron god or goddess or a legendary hero on one side, and a symbol of the city on the other. Some coins employed a visual pun: some coins from Rhodes featured a rose , since the Greek word for rose is rhodon. The use of inscriptions on coins also began, usually the name of the issuing city. The wealthy cities of Sicily produced some especially fine coins. The large silver decadrachm (10-drachm) coin from Syracuse is regarded by many collectors as the finest coin produced in the ancient world, perhaps ever. Syracusan issues were rather standard in their imprints, one side bearing the head of the nymph Arethusa and the other usually a victorious quadriga . The tyrants of Syracuse were fabulously rich, and part of their public relations policy was to fund quadrigas for the Olympic chariot race , a very expensive undertaking. As they were often able to finance more than one quadriga at a time, they were frequent victors in this highly prestigious event. Syracuse was one of the epicenters of numismatic art during the classical period. Led by the engravers Kimon and Euainetos, Syracuse produced some of the finest coin designs of antiquity. Hellenistic period Gold 20-stater of Eucratides I , the largest gold coin ever minted in Antiquity. Drachma of Alexandria , 222-235 AD. Obverse: Laureate head of Alexander Severus , KAI(ΣΑΡ) MAP(ΚΟΣ) AYP(ΗΛΙΟΣ) ΣЄY(ΑΣΤΟΣ) AΛЄΞANΔPOΣ ЄYΣЄ(ΒΗΣ). Reverse: Bust of Asclepius . The Hellenistic period was characterized by the spread of Greek culture across a large part of the known world. Greek-speaking kingdoms were established in Egypt and Syria , and for a time also in Iran and as far east as what is now Afghanistan and northwestern India . Greek traders spread Greek coins across this vast area, and the new kingdoms soon began to produce their own coins. Because these kingdoms were much larger and wealthier than the Greek city states of the classical period, their coins tended to be more mass-produced, as well as larger, and more frequently in gold. They often lacked the aesthetic delicacy of coins of the earlier period. Still, some of the Greco-Bactrian coins, and those of their successors in India, the Indo-Greeks , are considered the finest examples of Greek numismatic art with "a nice blend of realism and idealization", including the largest coins to be minted in the Hellenistic world: the largest gold coin was minted by Eucratides (reigned 171–145 BC), the largest silver coin by the Indo-Greek king Amyntas Nikator (reigned c. 95–90 BC). The portraits "show a degree of individuality never matched by the often bland depictions of their royal contemporaries further West" (Roger Ling, "Greece and the Hellenistic World"). The most striking new feature of Hellenistic coins was the use of portraits of living people, namely of the kings themselves. This practice had begun in Sicily, but was disapproved of by other Greeks as showing hubris (arrogance). But the kings of Ptolemaic Egypt and Seleucid Syria had no such scruples: having already awarded themselves with "divine" status, they issued magnificent gold coins adorned with their own portraits, with the symbols of their state on the reverse. The names of the kings were frequently inscribed on the coin as well. This established a pattern for coins which has persisted ever since: a portrait of the king, usually in profile and striking a heroic pose, on the obverse, with his name beside him, and a coat of arms or other symbol of state on the reverse. Minting All Greek coins were handmade , rather than machined as modern coins are. The design for the obverse was carved (in incuso ) into a block of bronze or possibly iron, called a die . The design of the reverse was carved into a similar punch. A blank disk of gold, silver, or electrum was cast in a mold and then, placed between these two and the punch struck hard with a hammer, raising the design on both sides of the coin. Coins as a symbol of the city-state Coins of Greek city-states depicted a unique symbol or feature, an early form of emblem , also known as badge in numismatics, that represented their city and promoted the prestige of their state. Corinthian stater for example depicted pegasus the mythological winged stallion, tamed by their hero Bellerophon . Coins of Ephesus depicted the bee sacred to Artemis . Drachmas of Athens depicted the owl of Athena . Drachmas of Aegina depicted a chelone . Coins of Selinunte depicted a "selinon" (σέλινον - celery ). Coins of Heraclea depicted Heracles . Coins of Gela depicted a man-headed bull, the personification of the river Gela . Coins of Rhodes depicted a "rhodon" (ῥόδον - rose ). Coins of Knossos depicted the labyrinth or the mythical creature minotaur , a symbol of the Minoan Crete . Coins of Melos depicted a "mēlon" (μήλον - apple ). Coins of Thebes depicted a Boeotian shield. Corinthian stater with pegasus Coin of Rhodes with a rose Didrachm of Selinunte with a celery Coin of Ephesus with a bee Stater of Olympia depicting Nike Coin of Melos with an apple Obolus from Stymphalia with a Stymphalian bird Coin of Thebes with a Boeotian shield Coin of Gela with a man-headed bull, the personification of the river Gela Didrachm of Knossos depicting the Minotaur Commemorative coins Dekadrachm of Syracuse [disambiguation needed]. Head of Arethusa or queen Demarete. ΣΥΡΑΚΟΣΙΟΝ (of the Syracusians), around four dolphins The use of commemorative coins to celebrate a victory or an achievement of the state was a Greek invention. Coins are valuable, durable and pass through many hands. In an age without newspapers or other mass media, they were an ideal way of disseminating a political message. The first such coin was a commemorative decadrachm issued by Athens following the Greek victory in the Persian Wars . On these coins that were struck around 480 BC, the owl of Athens, the goddess Athena 's sacred bird, was depicted facing the viewer with wings outstretched, holding a spray of olive leaves, the olive tree being Athena's sacred plant and also a symbol of peace and prosperity. The message was that Athens was powerful and victorious, but also peace-loving. Another commemorative coin, a silver dekadrachm known as " Demareteion", was minted at Syracuse at approximately the same time to celebrate the defeat of the Carthaginians . On the obverse it bears a portrait of Arethusa or queen Demarete. Ancient Greek coins today Collections of Ancient Greek coins are held by museums around the world, of which the collections of the British Museum , the American Numismatic Society , and the Danish National Museum are considered to be the finest. The American Numismatic Society collection comprises some 100,000 ancient Greek coins from many regions and mints, from Spain and North Africa to Afghanistan. To varying degrees, these coins are available for study by academics and researchers. There is also an active collector market for Greek coins. Several auction houses in Europe and the United States specialize in ancient coins (including Greek) and there is also a large on-line market for such coins. Hoards of Greek coins are still being found in Europe, Middle East, and North Africa, and some of the coins in these hoards find their way onto the market. Coins are the only art form from the Ancient world which is common enough and durable enough to be within the reach of ordinary collectors. Frequently Asked Questionsions How long until my order is shipped?: Depending on the volume of sales, it may take up to 5 business days for shipment of your order after the receipt of payment. How will I know when the order was shipped?: After your order has shipped, you will be left positive feedback, and that date should be used as a basis of estimating an arrival date. After you shipped the order, how long will the mail take? USPS First Class mail takes about 3-5 business days to arrive in the U.S., international shipping times cannot be estimated as they vary from country to country. I am not responsible for any USPS delivery delays, especially for an international package. What is a certificate of authenticity and what guarantees do you give that the item is authentic? Each of the items sold here, is provided with a Certificate of Authenticity, and a Lifetime Guarantee of Authenticity, issued by a world-renowned numismatic and antique expert that has identified over 10000 ancient coins and has provided them with the same guarantee. You will be quite happy with what you get with the COA; a professional presentation of the coin, with all of the relevant information and a picture of the coin you saw in the listing. Compared to other certification companies, the certificate of authenticity is a $25-50 value. So buy a coin today and own a piece of history, guaranteed. Is there a money back guarantee? I offer a 30 day unconditional money back guarantee. I stand behind my coins and would be willing to exchange your order for either store credit towards other coins, or refund, minus shipping expenses, within 30 days from the receipt of your order. My goal is to have the returning customers for a lifetime, and I am so sure in my coins, their authenticity, numismatic value and beauty, I can offer such a guarantee. Is there a number I can call you with questions about my order? 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