Artist | Various |
Title | Canadian Folk Songs: A Centennial Collection |
Label | RCA Victor |
Cat No | 1CS-100 |
Format | 1 x Box Set , 9 x Vinyl LP, Stereo |
Format Quantity | 9 |
Media Condition | Near Mint (NM or M-) |
Sleeve Condition | Very Good (VG) |
Condition Comments | IMAGES ARE STOCK IMAGES, AND MAY NOT REPRESENT THE FINAL PRODUCT. |
Volume I: Riddle Songs And Traditional Ballads = Chansons Du Moyen Âge Et Devinettes Chantées | |||
A1 | Alan Mills & Hélène Baillargeon | Où Vas-Tu, Mon P’tit Garcon? | 1:57 |
A2 | Charles Jordan & Joyce Sullivan | The False Knight Upon The Road | 2:16 |
A3 | Jacques Labrecque | Blanche Comme La Neige | 3:28 |
A4 | Diane Oxner | Barbara Allan | 3:54 |
A5 | Raoul Roy | Dans Les Prisons De Nantes | 2:05 |
A6 | Tom Kines & Jean Price | The Broken Ring Song | 3:07 |
B1 | Charles Jordan & Joyce Sullivan | I'll Give My Love An Apple | 3:05 |
B2 | Louise Forestier | Une Perdriole | 2:45 |
B3 | Tom Kines & Jean Price | The Cambric Shirt | 2:20 |
B4 | Yves Albert | Brave Man | 2:44 |
B5 | Joyce Sullivan | The Cruel Mother | 2:44 |
B6 | Alan Mills & Hélène Baillargeon | Si Tu Te Mets Anguille | 2:41 |
Volume II: Legendary Ballads And Historical Songs = Ballades Historiques Et Légendaires | |||
C1 | Jacques Labrecque | Le Prince Eugène | 3:15 |
C2 | Charles Jordan | The Green Willow Tree | 2:50 |
C3 | Louise Forestier | La Courte Paille | 4:00 |
C4 | Tom Kines | Brave Wolfe | 3:40 |
C5 | Yves Albert | Le Sergent | 1:21 |
C6 | Alan Mills | The Ballad Of New Scotland | 1:31 |
D1 | Charles Jordan | Come All You Bold Canadians | 1:46 |
D2 | Jacques Labrecque | Un Canadien Errant | 2:44 |
D3 | Tom Kines | A Scarborough Settler's Lament | 3:31 |
D4 | Jacques Labrecque | Chanson De Louis Riel | 2:34 |
D5 | Alan Mills | Anto-Confederation Song | 1:56 |
D6 | The Art. Morrow Singers | O Canada | 1:58 |
Volume III: Romantic Adventures And Tragedies = Chansons D'Aventures Galantes Et Tragiques | |||
E1 | Jacques Labrecque | Chantons Pour Y Passer Le Temps | 2:39 |
E2 | Diane Oxner | A Maid I Am In Love | 3:21 |
E3 | Raoul Roy | Renaud, Le Tueur De Femmes | 2:23 |
E4 | Alan Mills | Lady Isabel And The Elf Knight | 2:17 |
E5 | Yves Albert | Le Roi Renaud | 3:07 |
E6 | Charles Jordan & Joyce Sullivan | Who Is At My Window Weeping? | 4:45 |
F1 | Charles Jordan & Joyce Sullivan | Hennery, My Son | 3:00 |
F2 | Raoul Roy | D’Où Reviens-Tu, Mon Fils Jacques? | 2:57 |
F3 | Diane Oxner | Young Riley | 3:27 |
F4 | Jacques Labrecque | À L’Abri D’Une Olive | 4:25 |
F5 | Tom Kines & Jean Price | The Min On The Shore-O | 3:16 |
Volume IV: Love Ballads And Laments = Amours Heureuses Et Malheureuses | |||
G1 | Jacques Labrecque | À La Claire Fontaine | 3:25 |
G2 | Diane Oxner | When I Was In My Prime | 2:18 |
G3 | Alan Mills & Hélène Baillargeon | C'est La Belle Françoise | 2:31 |
G4 | Charles Jordan | Mary Ann | 2:48 |
G5 | Louise Forestier | Si L'Amour Prenait Racine | 3:54 |
G6 | Tom Kines & Jean Price | The Gypsy Daisy | 2:44 |
H1 | Yves Albert | La Belle Est En Prison D'Amour | 1:51 |
H2 | Joyce Sullivan | The Cuckoo | 2:13 |
H3 | Jacques Labrecque | Rossignolet Sauvage | 4:26 |
H4 | Tom Kines & Jean Price | Burns And His Highland Mary | 3:30 |
H5 | Louise Forestier | Ah! Toi, Belle Hirondelle | 3:15 |
H6 | Charles Jordan & Joyce Sullivan | The Bold Fisherman | 2:05 |
Volume V: Love's Labors Lost = Déceptions Amoureuses | |||
I1 | Charles Jordan & Joyce Sullivan | Soldier, Will You Marry Me? | 1:42 |
I2 | Yves Albert | Galant, Tu Perds Ton Temps | 2:28 |
I3 | Diane Oxner | All 'Round My Hat | 3:43 |
I4 | Raoul Roy | Le Coucou, Mesdames | 1:51 |
I5 | Charles Jordan | Peggy Gordan | 3:53 |
I6 | Hélène Baillargeon & Alan Mills | Mon Père N’Avait Fille Que Moi | 2:16 |
J1 | Diane Oxner | The Old Man | 1:34 |
J2 | Yves Albert | Dans La Ville De Paris | 2:25 |
J3 | Joyce Sullivan | Red River Valley (The) | 2:27 |
J4 | Jacques Labrecque | Nanette | 1:56 |
J5 | Tom Kines | "Hemmer" Jane | 3:09 |
J6 | Hélène Baillargeon & Alan Mills | M'Sieur Le Curé | 2:15 |
Volume VI: Songs Of Courtship And Marriage = Le Goût Du Mariage | |||
K1 | Charles Jordan & Joyce Sullivan | Time To Be Made A Wife | 1:12 |
K2 | Hélène Baillargeon | Mariez-Moi, Ma Petite Maman | 1:32 |
K3 | Jean Price | My Grandma's Advice | 1:46 |
K4 | Raoul Roy | En Menant Mes Moutons Aux Champs | 1:02 |
K5 | Charles Jordan & Joyce Sullivan | I'm Goin To Be Married Next Monday Morning | 2:41 |
K6 | Yves Albert | Wing-Tra-La | 2:43 |
K7 | Diane Oxner | Jockey To The Fair | 1:33 |
K8 | Alan Mills & Hélène Baillargeon | J'Ai Une Brune | 1:46 |
L1 | Tom Kines | The Laird O'Drum | 2:37 |
L2 | Louise Forestier | Le Mariage Anglais | 2:04 |
L3 | Jean Price | He's Young, But He's Daily A-Growing | 2:39 |
L4 | Jacques Labrecque | Je Sais Bien Quelque Chose | 2:27 |
L5 | Alan Mills | Cod Liver Oil | 2:16 |
L6 | Hélène Baillargeon | J'T'Aimerais Mieux, Mon Mari | 1:52 |
L7 | Tom Kines & Jean Price | The Farmer's Curst Wife | 1:55 |
Volume VII: Songs And Ballads Of The Lumber Camps = Chansons De “Voyageurs” | |||
M1 | Jacques Labrecque | V’Là L’Bon Vent | 2:53 |
M2 | Charles Jordan | The Lumbermen's Alphabet | 3:18 |
M3 | Raoul Roy | C'Est Dans Le Mois De Mai (En Montant La Rivière) | 1:37 |
M4 | Tom Kines | Peter Emberley | 3:10 |
M5 | Yves Albert | Envoyons D'L'Avant, Nos Gens! | 1:54 |
M6 | Alan Mills | Ye Boys Of The Island | 1:52 |
M7 | Jacques Labrecque | Dans Les Chantiers Nous Hivernerons | 1:29 |
N1 | Jacques Labrecque | Les Raftsmen | 2:22 |
N2 | Tom Kines | Te Maidens Of Ontario | 2:33 |
N3 | Raoul Roy | Les "Draveurs" De La Gatineau | 2:01 |
N4 | Charles Jordan | Johnny Dole | 1:52 |
N5 | Jacques Labrecque | Fringue, Fringue, Sur La Rivière! | 1:24 |
N6 | Tom Kines | Hurlin' Down The Pine | 2:39 |
N7 | Raoul Roy | C'Est L'Aviron | 2:32 |
Volume VIII: Miscellaneous Work Songs = Chansons De Métiers Et De Travail | |||
O1 | Alan Mills & Group | Homeward Bound | 1:34 |
O2 | Louise Forestier | Je Le Mène Bien, Dévidoir | 2:14 |
O3 | Charles Jordan | Haul On The Bowline | 1:11 |
O4 | Jacques Labrecque | Partons, La Mer Est Belle | 3:03 |
O5 | Diane Oxner | The Honest Working Mn | 3:05 |
O6 | Raoul Roy | Les Voyageurs De La Gatineau | 2:00 |
O7 | Charles Jordan | The Old Polina | 2:01 |
O8 | Hélène Baillargeon & Alan Mills | La Plume Qui S'Envole | 1:16 |
P1 | Hélène Baillargeon & Alan Mills | L Laine De Nos Moutons | 1:42 |
P2 | Charles Jordan | The Old Chisholm Trail | 2:07 |
P3 | Yves Albert | Fendez Le Bois, Chauffez Le Four | 2:29 |
P4 | Tom Kines | Drill Ye Heroes! | 2:49 |
P5 | Hélène Baillargeon | Chanson De Foulon | 1:30 |
P6 | Charles Jordan | The Klondike Gold Rush | 1:15 |
P7 | Raoul Roy | La Rose Blanche | 1:22 |
P8 | Alan Mills & Group | Donkey Riding | 2:12 |
Volume IX: Sociable And Social Song = Chansons De Société | |||
Q1 | Jacques Labrecque | Vive La Canadienne | 1:52 |
Q2 | Tom Kines | The Feller From Fortune | 2:27 |
Q3 | Louise Forestier | Ah, Si Mon Moine Voulait Danser! | 1:59 |
Q4 | Charles Jordan | I'S The B'Y That Builds The Boat | 1:38 |
Q5 | Raoul Roy | M'En Revenant De St-André | 1:48 |
Q6 | Diane Oxner | The Sauerkraut Song | 1:39 |
Q7 | Yves Albert | Le Curé De Terrebonne | 1:36 |
Q8 | Alan Mills & Group | Saskatchewan | 2:42 |
R1 | Yves Albert | La Vielle Turlututu | 1:47 |
R2 | Joyce Sullivan | Old Grandma | 1:38 |
R3 | Jacques Labrecque | Le Bal Chez Boulé | 1:31 |
R4 | Diane Oxner | Cotton-Wool Pie | 2:27 |
R5 | Raoul Roy | La Semaine Bachique | 2:03 |
R6 | Tom Kines | Whiskey In The Jar | 2:08 |
R7 | Louise Forestier | De Bon Matin | 2:12 |
R8 | Alan Mills , Hélène Baillargeon & Alan Mills & Group | I Went To The Market | 2:00 |
PLEASE NOTE! IMAGES ARE STOCK IMAGES, AND MAY NOT REPRESENT THE FINAL PRODUCT. PLEASE READ PRODUCT LISTING CAREFULLY FOR ANY DEFECTS OR VARIATIONS.
Our primary aim is to deliver first rate customer service and competitive prices on the products that we offer. The most important thing to our business are our customers and we take great care to ensure every customer is totally satisfied with their order.
We try to place ourselves in the position of the customer in terms of what we would expect to receive in terms of service and quality of the goods being sold.
We have in excess of 150,000 items in stock, ready to be shipped to meet our customers requirements and if you ever decide to sell your collection, we will even buy them back from you. We always offer competitive prices for any collection.
We use the following grading system to stipulate the condition of items we offer for sale. Note: ON CD's- Standard Jewel Cases: Standard Jewel Cases are not graded as they are replaceable. Mint (M) Vinyl: Absolutely perfect in every way. Certainly never been played, possibly even still sealed. CD: Perfect. No scuffs/scratches, unplayed - possibly still sealed. The insert/Inlay/Booklet/Sleeve/Digipak: Perfect. No wear, marks, or any other imperfections - possibly still sealed. Near Mint (NM or M-) Vinyl: A nearly perfect record. A NM- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback. The record should show no obvious signs of wear. A 45 RPM or EP sleeve will have no more than the most minor defects, such as any sign of slight handling. An LP cover will have no creases, folds, seam splits or other noticeable similar defects. The same will be true of any other inserts, such as posters, lyric sleeves, etc. CD: Near perfect. No obvious signs of use, it may have been played - but it has been handled very carefully. Insert/Inlay/Booklet/Sleeve/Digipak: Near Perfect. No obvious wear, it may have only the slightest of marks from handling. Very Good Plus (VG+) Vinyl: A Very Good Plus record will show some signs that it was played and otherwise handled by a previous owner who took good care of it. Defects should be more of a cosmetic nature, not affecting the actual playback as a whole. Record surfaces may show some signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experiences. Slight warps that do not affect the sound are "OK". Spindle marks may be present. Picture sleeves and inner sleeves will have some slight wear, slightly turned-up corners, or a slight seam split. An LP cover may have slight signs of wear, and may be marred by a cut-out hole, indentation, or cut corner. CD: A few minor scuffs/scratches. This has been played, but handled with good care - and certainly not abused. Insert/Inlay/Booklet/Sleeve/Digipak: Slight wear, marks, indentations, it may possibly have a cut-out hole (or similar). Very Good (VG) Vinyl: Many of the defects found in a VG+ record will be more pronounced in a VG disc. Surface noise will be evident upon playing, especially in soft passages and during a song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as with light scratches (deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. CD: Quite a few light scuffs/scratches, or several more-pronounced scratches. This has obviously been played and not handled as carefully as a VG+. Insert/Inlay/Booklet/Sleeve/Digipak: More wear, marks, indentations than a VG+. May have slight fading, small tears/rips and possibly some writing. Good (G), Good Plus (G+) Vinyl: A record in Good or Good Plus condition can be played through without skipping. But it will have significant surface noise, scratches, and visible groove wear. A cover or sleeve will have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear, or other defects will be present. While the record will be playable without skipping, noticeable surface noise and "ticks" will almost certainly accompany the playback. CD: There are a lot of scuffs/scratches. However it will still play through without problems. This has not been handled with much care at all. Insert/Inlay/Booklet/Sleeve/Digipak: Well worn, marked, more obvious indentations, fading, writing, than a VG - possibly a more significant tear/rip. Poor (P), Fair (F) Vinyl: The record is cracked, badly warped, and won't play through without skipping or repeating. The picture sleeve is water damaged, split on all three seams and heavily marred by wear and writing. The LP cover barely keeps the LP inside it. Inner sleeves are fully split, crinkled, and written upon. CD: The CD (if it is included) may or may not play some or all of the tracks. See the seller's comments for details. Insert/Inlay/Booklet/Sleeve/Digipak: Very worn. It may have obvious writing on it, it may be ripped/torn, or significantly faded, or water damaged. Generic Generic The term "generic" refers to a type of sleeve that is not specific to the release. A generic sleeve is either a plain sleeve or a company sleeve with standard company artwork. A sleeve that is graded as "generic" will contain no further grading, as a generic sleeve adds little value to the item and can be easily replaced. Abbreviations We often use abbreviations with our listings to speed up the listing process. This is a summary of these abbreviations. The Media NAC = Needs a clean FH = Few hairlines SM = Surface marks SOL = Sticker(s) on label WOL = Writing on label The Sleeve SOS = Sticker(s) on sleeve WOS = Writing on sleeve CTS = Creasing to sleeve ST = Sleeve tear(s) SU = Seams coming or unglued in full EW = Edge wear to sleeve RW = Ring wear to sleeve CS = Company sleeve OI = Original inner WP = With poster WI = With inserts
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